Partitions Numériques de Chorale pour Flûte traversière et Piano

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Chorale
Non classifié 49

Piano & claviers
Piano seul 15
Orgue 12
2 Pianos, 4 mains 1
1 Piano, 4 mains 1
Accompagnement Piano 1

Guitares
Guitare 2

Voix
Chorale SATB 1 483
Chorale TTBB 704
Chorale SSAA 246
Chorale 3 parties 118
Chorale SSAATTBB 55

Chorale SSATTB 37
Chorale 33
Chorale 2 parties 22
Chorale SSATB 22
Chorale Unison 5
Chorale SSAATB 3
Chorale SATBB 2
Chorale SAATB A Cappella 1

+ 8 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Flûte traversière et Piano 4

Clarinette, Orgue 2
Quatuor de Flûtes : 4 flûtes 1
Ensemble de saxophones 1

Clarinette 1
2 Saxophones (duo) 1
Ensemble de Clarinettes 1

+ 3 instrumentations

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Cuivres
Ensemble de Trombones 7
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Quatuor de cuivres: 4 trombones 4
Trombone et Piano 2

Quatuor de cuivres: 4 cors 2
3 Trombones (trio) 2
3 Trompettes (trio) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Trompette 1

+ 5 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 5
Violon et Piano 2
Alto, Piano 2
Violon, Alto (duo) 1
Trio à Cordes: violon, alto, violoncelle 1

Violoncelle 1
Violon, Orgue 1
Alto, Violoncelle (duo) 1
Violoncelle, Piano 1
Harpe 1

+ 5 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 10
Ensemble de cuivres 8
Orchestre 5
Orchestre de chambre 3

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Chorale

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Flûte traversière et Piano

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4 partitions trouvées

Flûte en suite

Flûte en suite #Flûte traversière et Piano #AVANCÉ #Joerg Widmann #Flûte en suite #Schott Music - Digital #SheetMusicPlus

Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...(+)

Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights â€“ acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg WidmannThis â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) Â· 3 (2. auch Ob. dâ€™am., 3. auch Engl. Hr.) Â· 0 Â· 3 (3. auch Kfg.) - 4 Â· 4 Â· 3 Â· 1 - S. (Glsp. Â· Vibr. Â· 3 hg. Beck. [h./m./t.] Â· chin. Beck. Â· 4 Gongs Â· 4 Buckelgongs Â· 2 Tamt. [m./t.] Â· Wassertamt. Â· gr. Tr. Â· Metal Chimes Â· Peitsche) (2 Spieler) - Hfe. Â· Cel. (auch Cemb.) - Str. (10 Â· 8 Â· 6 Â· 4 Â· 3).

$55.99 ≈ ¥406.00

O Sacred Head, Sore Wounded

O Sacred Head, Sore Wounded #Flûte traversière et Piano #AVANCÉ #Musique Sacrée #Evelyn R #Evelyn Larter Music #O Sacred Head, Sore Wounded #Evelyn R Larter #SheetMusicPlus

Flute,Piano - Level 5 - SKU: A0.749859 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Easter,Sacred. Score and part. 7 ...(+)

Flute,Piano - Level 5 - SKU: A0.749859 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Easter,Sacred. Score and part. 7 pages. Evelyn R Larter #5362559. Published by Evelyn R Larter (A0.749859). This is an extended, fantasia like setting of the Passion Chorale for solo flute and piano. The original version was for solo violin and organ (also available on SMP Press) While the organ part could mostly be played on a piano, this version incorporates the organ pedal notes more clearly. The chorale melody was used by Bach in his St Matthew Passion, and is also in many hymn books as O Sacred Head Sore Wounded. For advanced performers, it is suitable as Prelude music throughout Lent, perhaps especially at a Tenebrae service. It could also be programmed as part of a recital. It is over five minutes in length. A MIDI recording is provided, and a performance with violin and organ is available in that version's listing. More information on my music may be found on my website, www.evelynlartermusic.com, and on my Facebook page for Evelyn Larter Music. Feedback always welcome!

$9.99 ≈ ¥72.44

Invention #1 for Flute and Piano

Invention #1 for Flute and Piano #Flûte traversière et Piano #AVANCÉ #New Age #Contemporain #Felix Rivera #Invention #1 for Flute and Pia #Felix Rivera #SheetMusicPlus

Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #8...(+)

Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.

$14.99 ≈ ¥108.70

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