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Vous avez sélectionné:
Common
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Flûte traversière et Piano
Partitions à imprimer
5 partitions trouvées
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1
Birdbath
Birdbath
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Flûte traversière et Piano
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AVANCÉ
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Jonathan Worsley
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Birdbath
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Jonathan Worsley
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1026534 Composed by Jonathan Worsley. 20th Century,Contemporary,Jazz. Score and part. 20 pages. Jonathan Worsley #668522...
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Flute,Piano - Level 5 - SKU: A0.1026534 Composed by Jonathan Worsley. 20th Century,Contemporary,Jazz. Score and part. 20 pages. Jonathan Worsley #6685221. Published by Jonathan Worsley (A0.1026534). For solo flute and piano accompaniment. A jazz-influenced composition inspired by the common household birds found in mid-Wales. Includes solo cadenzas and free-time sections. Written for Amy Rose Irvine (flute), for her master's degree final recital. Premiered at Powis Hall, Bangor University in 2021.
$15.00 ≈
13.83€
LE PETIT NEGRE – FLUTE & PIANO
LE PETIT NEGRE – FLUTE & PIANO
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Flûte traversière et Piano
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AVANCÉ
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Classique
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Claude Debussy
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BRIAN W
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LE PETIT NEGRE – FLUTE &
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EMK Music
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.834104 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and p...
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Flute,Piano - Level 5 - SKU: A0.834104 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and part. 8 pages. EMK Music #6559975. Published by EMK Music (A0.834104). Great for exams and Eisteddfods, Le Petit Negre is taken from Debussy’s ‘Children’s Corner’ , a collection of pieces for Piano that he dedicated to his daughter, Claude-Emma, after her death at the age of fourteen. Debussy used language that was in common usage at the time, but some of his titles, including this one, now sound unavoidably racist. In addition to syncopation, Debussy also uses other techniques in this piece that have been adopted by jazz musicians, for example, pentatonic scales and chromaticism.
$9.95 ≈
9.17€
Flat as a Flute - Flute solo w piano accompaniment
Flat as a Flute - Flute solo w piano accompaniment
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Flûte traversière et Piano
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AVANCÉ
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Mike Lyons
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Flat as a Flute - Flute solo w
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Lyons Music Services
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published ...
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Flute,Piano - Level 5 - SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99 ≈
5.52€
Passchaendale Poeme
Passchaendale Poeme
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Flûte traversière et Piano
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AVANCÉ
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Jonty Hall
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Passchaendale Poeme
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Advanced - SKU: F2.FM641 Composed by Jonty Hall. Flute and Piano. Score and part. 22 pages. Forton Music - Digital #FM641. Published by Forto...
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Fl. Pft. - Advanced - SKU: F2.FM641 Composed by Jonty Hall. Flute and Piano. Score and part. 22 pages. Forton Music - Digital #FM641. Published by Forton Music - Digital (F2.FM641). ISBN 9790570485406.Passchendaele, is a small village five miles north-east of Ypres. The 3rd Battle of Ypres was fought here... On 18 July 1917 the Allied troops began a heavy ten day bombardment before the main attack; 3,000 guns fired over 4 million shells. The battle commenced on the 31st of July, and stretched on until November the 10th, 1917. Heavy rain began on the day of attack, producing thick mud, which caked uniforms and clogged rifles; It became so deep that men, horses and pack mules drowned in it. The Germans, who had used chlorine gas in the 2nd Battle of Ypres, now used mustard gas which inflicted chemical burns. The offensive resulted in gains for the Allies, but it was not the great breakthrough that was hoped for; The Allies suffered 310,000 casualties, the Germans 260,000. Just south west of the village of Passchendaele is the Cemetery and Memorial - Tyne Cot. It is the resting place of 11,954 Commonwealth soldiers and is the largest Commonwealth military cemetery in the world. The Tyne Cot Memorial is a long wall which carries the names of 34,863 British soldiers who have no known grave. Pals battalions became synonymous with the towns of northern Britain; Men enlisted because they could serve alongside their friends, relatives and workmates.
$9.95 ≈
9.17€
Salome Tanz (Dance of the Seven Veils)
Salome Tanz (Dance of the Seven Veils)
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Flûte traversière et Piano
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AVANCÉ
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred...
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Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99 ≈
27.65€
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