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Red Cat for Flute and Piano
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Vous avez sélectionné:
Red Cat for Flute and Piano
expert
Flûte traversière et Piano
Partitions à imprimer
8 partitions trouvées
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1
Red Cat for Flute and Piano
Red Cat for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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Lena Orsa
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Lena Orsa
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Red Cat for Flute and Piano
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Lena Orsa
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.913929 Composed by Lena Orsa. Arranged by Lena Orsa. Children,Concert,Contemporary,Instructional,Jazz. Score and part. 1...
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Flute,Piano - Level 5 - SKU: A0.913929 Composed by Lena Orsa. Arranged by Lena Orsa. Children,Concert,Contemporary,Instructional,Jazz. Score and part. 10 pages. Lena Orsa #6682893. Published by Lena Orsa (A0.913929). Happy music about cats for flute and piano.Score and solo part
$4.99 ≈
¥35.96
Sonata for Flute and Piano, Op. 12
Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00 ≈
¥144.12
Objets Trouvés for flute and piano
Objets Trouvés for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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William Grosvenor Neil
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Objets Trouvés for flut
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.980586 Composed by William Grosvenor Neil. Contemporary. Score and parts. 18 pages. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.980586 Composed by William Grosvenor Neil. Contemporary. Score and parts. 18 pages. TheComposerStudio.Com, LLC #4579299. Published by TheComposerStudio.Com, LLC (A0.980586). Objets Trouvés (2019) (score and parts) This piece for flute and piano is dedicated to the silenced artists that perished during WWII and is inspired by two fragments that I found in the in the United States Holocaust Museum in Washington, D.C.: an ink drawing entitled A Brighter Future, by Bedrich Fritta, and a musical sketch of a twelve-tone row composed by the Moravian composer, Gideon Klein. I was captivated by the ink drawing with its clear expression of freedom and the still life that depicts a violin and musical manuscript containing a music motive in Ab major. The construction of my composition is largely derived from the dual tonal-atonal nature of the two motives as it drives forward in thematic variations expressing the conflicting emotions of hope and despair. WN The download contains the score and flute part. More information on this piece can be found at www.thecomposerstudio.com and www.williamneil.net The audio is from a concert performed at Viterbo University in La Crosse, WI performed by Jonathan Borja, flute and Mary Ellen Haupert, piano .
$30.00 ≈
¥216.17
Vita Nova, For Flute And Piano
Vita Nova, For Flute And Piano
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Flûte traversière et Piano
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AVANCÉ
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Gary Woolf - Flute and Sebasti
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Vita Nova, For Flute And Piano
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Geraldine
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1311840 By Gary Woolf - Flute and Sebastian Kurz - Piano. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Con...
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Flute,Piano - Level 5 - SKU: A0.1311840 By Gary Woolf - Flute and Sebastian Kurz - Piano. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. Score and part. 28 pages. Geraldine (Denny) Green at Oakmountmusic #900774. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1311840). ALL PURCHASES COME WITH SCORE AND PARTSDuration – 12 minutes approx.Vita Nova is a single movement work for flute and piano, commissioned by flautist Gary Woolf and written in July/August 2019. It received its world premiere in September 2019 in Germany as part of a concert to celebrate the retirement of Gary’s Boss, Wolfgang Bernhardt, the work’s dedicatee and himself an excellent musician. It was this special occasion which inspired the work’s title, Latin for New Life.The piece is packed with excitement and has a wide range of moods, from the rather somber opening to the comical, lively main theme, which resembles a strange cross between a fast, crazy waltz and a jig. In the middle there is a flamboyant flute cadenza which leads us into a calm, ethereal, slightly mysterious section, before the lively, mischievous waltzy jig returns, to eventually lead us into a beautiful calm, dignified ending derived from the somber opening melody but now with glorious, positive harmony and a feeling that all is right and good.
$15.00 ≈
¥108.09
Andante from Piano Concerto K. 487
Andante from Piano Concerto K. 487
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Flûte traversière et Piano
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Ian Fitze
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Andante from Piano Concerto K.
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Ian Fitze
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1396337 Composed by Wolfgang Amadeus Mozart. Arranged by Ian Fitze. Classical,Contest,Festival,Instructional,Sacred,Wedd...
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Flute,Piano - Level 5 - SKU: A0.1396337 Composed by Wolfgang Amadeus Mozart. Arranged by Ian Fitze. Classical,Contest,Festival,Instructional,Sacred,Wedding. Score and part. 10 pages. Ian Fitze #979712. Published by Ian Fitze (A0.1396337). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.One of Mozart's most memorable melodies. Adapted for Flute and Piano. Challenging but very worthwhile.
$1.99 ≈
¥14.34
Fastnet Rock
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99 ≈
¥21.55
Behold, A Branch is Growing (Hymn Tune: ES IST EIN ROS)
Behold, A Branch is Growing (Hymn Tune: ES IST EIN ROS)
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Flûte traversière et Piano
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Alte Catholische Geisliche Kir
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Carolyn Kelley
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Behold, A Branch is Growing
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Carolyn Kelley
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1274160 Composed by Alte Catholische Geisliche Kirchengasäng (1599). Arranged by Carolyn Kelley. Contemporary,Sacred....
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Flute,Piano - Level 5 - SKU: A0.1274160 Composed by Alte Catholische Geisliche Kirchengasäng (1599). Arranged by Carolyn Kelley. Contemporary,Sacred. Score and part. 6 pages. Carolyn Kelley #866295. Published by Carolyn Kelley (A0.1274160). This work is designed for the upper high school and collegiate student, as well as professionals. It uses an extended range, features challenges in dynamic range, and patterns of notes that may not be idiomatic to the flute. The piano part presents some challenges, particularly in hand independence.
$4.99 ≈
¥35.96
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