Partitions Numériques de Given Up pour Flûte traversière et Piano

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Given Up
Non classifié 109

Piano & claviers
Piano, Voix 39
Piano seul 38
Piano Facile 5
Orgue 5
Piano, Voix et Guitare 4

Accompagnement Piano 2
1 Piano, 4 mains 1
Instruments en Do 1
Orgue, Trompette (duo) 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 7
Guitare 5
Banjo 1
Mandoline 1
Ukulele 1

Ligne De Mélodie, (Paroles) et Accords 1

+ 1 instrumentations

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Voix
Chorale SATB 26
Chorale Unison 6
Chorale 2 parties 4
Chorale TTBB 3
Chorale 3 parties 3

Chorale SSAATTBB 2
Voix Soprano, Piano 1
Voix Tenor, Piano 1
Chorale SSAA 1
Voix seule 1
Voix Alto, Piano 1
Voix moyenne, Piano 1

+ 7 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 6
Flûte traversière et Piano 3

Saxophone Tenor et Piano 3
3 Clarinettes (trio) 2
Ensemble de Flûtes 2

Saxophone Alto et Piano 2
Flûte, Hautbois, Clarinette, Basson 2
Saxophone Soprano et Piano 2
Quintette de Clarinettes: 5 clarinettes 1
Hautbois, Piano (duo) 1
Hautbois, Harpe 1
Trio de Flûtes: 3 flûtes 1
Flûte irlandaise 1
Flûte traversière 1
Hautbois 1
Quatuor de Clarinettes: 4 clarinettes 1
2 Clarinettes (duo) 1
Clarinette et Piano 1
Saxophone Alto 1
Saxophone Tenor 1
Flûte à bec Alto, Piano 1
Clarinette 1
2 Saxophones (duo) 1
2 Hautbois (duo) 1
Flûte, Violoncelle, Piano (trio) 1
2 Flûtes traversières (duo) 1
3 Saxophones (trio) 1

+ 22 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Trompette 3
Trompette, Euphonium (duo) 1
2 Trombones (duo) 1
Quatuor de cuivres: 4 cors 1

Trompette, Piano 1
Cor 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trompette, Harpe 1
2 Trompettes (duo) 1
Trombone 1
Cor et Orgue 1
Cor et Piano 1

+ 8 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 8
2 Harpes (duo) 5
Violoncelle, Piano 3
Violon 2
Violon et Piano 2

Violoncelle , Guitare (duo) 1
Harpe, Violon (duo) 1
2 Violoncelles (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Alto, Piano 1
Harpe, Flûte (duo) 1
Alto seul 1

+ 7 instrumentations

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Percussions & orchestre
Cloches 20
Orchestre d'harmonie 6
Orchestre 5
Batterie 4
Ensemble Jazz 4

Orchestre à Cordes 3
Orchestre de chambre 3
Fanfare 1
Jazz combo 1
Ensemble de Percussions 1

+ 5 instrumentations

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Autres
Théorie de la musique 4

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Given Up

Flûte traversière et Piano

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3 partitions trouvées

A Night In Tunisia

A Night In Tunisia #Flûte traversière et Piano #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...(+)

Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.05€

Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra

Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra #Flûte traversière et Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #Amir Awad #Gabriel Fauré : Fantais #Amir Awad #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pa...(+)

Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel FaurÃ© for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the OpÃ©ra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la SociÃ©tÃ© des Instruments Ã Vent, and, from 1893, as a professor at the Conservatoire. FaurÃ© was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. FaurÃ© decided to pass the orchestration of his incidental music for Maeterlinck's play PellÃ©as et MÃ©lisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, FaurÃ© complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.

$5.00 ≈ 4.48€

My Flute and Me

My Flute and Me #Flûte traversière et Piano #DÉBUTANT #Colin Kirkpatrick #My Flute and Me #Colin Kirkpatrick Publications #SheetMusicPlus

Flute,Piano - Level 1 - SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publicatio...(+)

Flute,Piano - Level 1 - SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because itâ€™s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the â€œListenâ€ button above) contains recordings of Starting Tune (No 1); Nice â€˜n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at Londonâ€™s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.

$5.95 ≈ 5.33€

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