Let\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Opera Non classifié 307 Piano & claviers Piano, Voix 411 Piano Facile 143 Piano seul 132 Piano, Voix et Guitare 79 Instruments en Do 24 1 Piano, 4 mains 12 2 Pianos, 4 mains 4 Piano grosses notes 4 Piano Trio: piano, violon, violoncelle 4 Piano Quintette: piano, 2 violons, alto, violoncelle 2 Accordéon, Voix 2 Piano Quatuor: piano, violon, alto, violoncelle 2 Orgue 2 Clavecin 1 Piano Quatuor: piano, 2 violons, violoncelle 1 Vents Flûte traversière et Piano 74 Clarinette et Piano 69 Hautbois, Piano (duo) 56 Saxophone Alto et Piano 38 Clarinette 34 Quatuor de Saxophones: 4 saxophones 32 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 29 Flûte traversière 26 Saxophone Soprano et Piano 23 Hautbois (partie séparée) 20 2 Flûtes traversières (duo) 19 Quatuor de Flûtes : 4 flûtes 17 Quatuor de Clarinettes: 4 clarinettes 16 2 Saxophones (duo) 15 Cor anglais, Piano 14 Flûte, Hautbois, Clarinette, Basson 12 Saxophone Tenor et Piano 12 2 Clarinettes (duo) 8 Quintette de Clarinettes: 5 clarinettes 8 Ensemble de Clarinettes 7 3 Saxophones (trio) 6 Quintette de Saxophone: 5 saxophones 6 3 Clarinettes (trio) 5 Ensemble de Flûtes 5 Saxophone Alto 5 Flûte, Clarinette (duo) 4 2 Saxophones, Piano 4 Quintette de Flûte : 5 flûtes 4 Hautbois, Clarinette, Basson (trio d'anches) 4 Saxophone Baryton, Piano 4 Clarinette Basse, Piano 3 Trio de Flûtes: 3 flûtes 3 Saxophone Tenor 3 5 Flûtes à bec 3 2 Flûte à bec (duo) 2 Clarinette, Basson (duo) 2 Hautbois, Basson (duo) 2 Flûte, Clarinette, Piano (trio) 2 Flûte à Bec 2 Flûte, Clarinette et Basson 2 Saxophone, Clarinette (duo) 2 Flûte et Guitare 2 2 Hautbois (duo) 2 Quatuor de Flûtes à bec 2 Clarinette, Violoncelle (duo) 2 Flûte, Hautbois, Basson 2 Saxophone (partie séparée) 2 Ensemble de saxophones 1 Flûte traversière, Basse continue 1 Hautbois, Harpe 1 Flûte à bec, Guitare (duo) 1 Clarinette, Violon (duo) 1 Piccolo, Piano 1 Clarinette (partie séparée) 1 Flûte, Violon 1 Flûte, Hautbois, Piano (trio) 1 3 Flûtes à bec (trio) 1 Flûte à bec Soprano 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Flûte à Bec, Piano 1 Flûte de Pan 1 Flûte, Violoncelle 1 Flûte, Violon, Piano 1 Saxophone 1 Flûte, Saxophone (duo) 1 Flûte, Violon et Violoncelle 1 2 Clarinettes, Piano 1 Clarinette, Harpe (duo) 1 2 Flûtes à bec, Guitare 1 Flûte, Hautbois, Clarinette (trio) 1 Clarinette, Trompette (duo) 1 Flûte à bec Alto 1 2 Flûtes traversières, Piano 1 Cuivres Cor et Piano 47 Cor 41 Trompette, Piano 41 Trombone et Piano 40 Trompette 34 Tuba et Piano 27 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 24 Quatuor de Cuivres : 2 trompettes, trombone, tuba 19 Trombone 18 Tuba 18 Cor anglais, Piano 14 Ensemble de Trombones 9 Euphonium, Piano (duo) 8 2 Trombones (duo) 8 Quatuor de cuivres: 4 trombones 7 Ensemble de Trompettes 4 2 Trompettes (duo) 4 Trompette, Trombone (duo) 3 Ensemble de Cors 3 Quatuor de cuivres: 4 cors 3 Quatuor de cuivres: 4 trompettes 2 2 Cors (duo) 2 3 Trombones (trio) 2 3 Cors (trio) 2 4 Tubas 2 3 Tubas (trio) 2 Trompette (partie séparée) 2 Tuba et Orgue 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Trompette, Cor (duo) 1 Trombone, Cor (duo) 1 Cor (partie séparée) 1 Euphonium, Tuba (duo) 1 Trompette, Saxophone (duo) 1 2 Tubas (duo) 1 2 Euphoniums (duo) 1 Trompette, Trombone, Piano 1 Quatuor de Cuivres 1 Cordes Violon et Piano 77 Violoncelle, Piano 63 Alto, Piano 60 Quatuor à cordes: 2 violons, alto, violoncelle 52 Violon 35 Violoncelle 25 Contrebasse, Piano (duo) 22 Contre Basse 19 Violon, Violoncelle (duo) 16 Alto seul 16 Harpe, Flûte (duo) 12 Harpe 12 Trio à Cordes: violon, alto, violoncelle 9 Alto (partie séparée) 8 Violon, Alto (duo) 7 4 Violoncelles 7 2 Violoncelles (duo) 6 2 Violons (duo) 6 2 Altos (duo) 5 Trio à Cordes: 3 violoncelles 4 Alto, Violoncelle (duo) 3 Trio à Cordes: 2 violons, violoncelle 3 Quatuor à cordes: 4 violons 3 Trio à cordes: 3 violins 2 Quintette à cordes: 2 violons, alto, violoncelle, basse 2 Quatuor à cordes : 4 altos 2 Flûte, Contrebasse (duo) 1 Violon, Basson (duo) 1 Violon (partie séparée) 1 Trio à cordes: 3 altos 1 Violon, Basse continue 1 Violon, Guitare (duo) 1 Harpe, Violon (duo) 1 Piano Trio: Violon, Alto, Piano 1 2 Violons, Piano 1 Autres
Européens Américains
PARTITIONS GRATUITES
188 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Partitions à imprimer
74 partitions trouvées
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
# Flûte traversière et Piano# INTERMÉDIAIRE# Classique# Jules Demersseman# Paul Wehage# Jules Demersseman : Deuxi&egra# Musik Fabrik Music Publishing# SheetMusicPlus
Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual p...(+)
Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
COMPLETE Book of 10 Beautiful Flute Solos for Fun - various levels with FREE BACKING TRACKS
# Flûte traversière et Piano# INTERMÉDIAIRE/AVANCÉ# Puccini, Saint-Saens, Rachmani# Austin Ralphson# COMPLETE Book of 10 Beautiful # Austin Ralphson# SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1165690 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin ...(+)
Flute,Piano - Level 4 - SKU: A0.1165690 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 20th Century,Baroque,Classical,Opera,Wedding. Score and part. 72 pages. Austin Ralphson #766058. Published by Austin Ralphson (A0.1165690). This is a book of beuatiful and popular solo pieces arranged with piano accompaniment (or optional free backing track); it comprises both volumes from the '5 Beautiful Solos for Fun' series, making a total of 10 solos in this set. The difficulty levels range from intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that the lyrical qualities of these melodies are emphasised by the solo instrument. Good control of the instrument and careful tuning will be needed throughout. A piano score is provided for each piece, as is a solo part as well. This is the full list:1. Nessun Dorma (Puccini)2. Vocalise (Rachmaninoff)3. The Swan (Saint-Saens)4. Gymnopédie No.1 (Satie)5. Träumerei (R. Schumann)6. The Girl With The Flaxen Hair (Debussy)7. Gnossienne No. 1 (Satie)8. Sonata No.8 Pathetique, 2nd movement (Beethoven)9. Clair De Lune (Debussy)10. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.
DOJRANKA - Suite for flute and piano from the Ballet Labin i Dojrana
# Flûte traversière et Piano# INTERMÉDIAIRE/AVANCÉ# Klezmer# Trajko Prokopiev# James Strauss# DOJRANKA - Suite for flute and# James Strauss# SheetMusicPlus
Piano Accompaniment, Flute -
Advanced Intermediate -
Composed by Trajko Prokopiev.
Arranged by James Strauss.
20th Century, Hanukkah,
Halloween. Pia...(+)
Piano Accompaniment, Flute -
Advanced Intermediate -
Composed by Trajko Prokopiev.
Arranged by James Strauss.
20th Century, Hanukkah,
Halloween. Piano Reduction,
Set of Parts. 9 pages.
Published by James Strauss
Valse - Scherzo op.34 for flute and piano
# Flûte traversière et Piano# Piotr Tchaikovski# James Strauss# Valse - Scherzo op.34 for flut# James Strauss# SheetMusicPlus
Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pag...(+)
Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
Handel: Largo (from Xerxes) for flute and piano
# Flûte traversière et Piano# DÉBUTANT# G F Handel# Colin Kirkpatrick# Handel: Largo# Colin Kirkpatrick Publications# SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and p...(+)
Piano,Soprano Flute - Level 1 - SKU: A0.1311257 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900255. Published by Colin Kirkpatrick Publications (A0.1311257). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for flute and piano is in G major and uses the lower register of the instrument thus making the arrangement suitable for elementary players.  The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
Offenbach - Can-Can - Flute and Piano (Individual Parts)
# Flûte traversière et Piano# INTERMÉDIAIRE# Jacques Offenbach# César Madeira# Offenbach - Can-Can - Flute an# Sheet Music To Play Editions# SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1397129 Composed by Jacques Offenbach. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultura...(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1397129 Composed by Jacques Offenbach. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #980465. Published by Sheet Music To Play Editions (A0.1397129). Can-Can by Jacques Offenbach. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Jacques Offenbach (1819 – 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Cantique de Noël for Flute & Piano
# Flûte traversière et Piano# DÉBUTANT# Noël# Adam# James M# Cantique de Noël for Flut# jmsgu3# SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548672 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410429. Publ...(+)
Flute,Piano - Level 1 - SKU: A0.548672 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410429. Published by jmsgu3 (A0.548672). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Â
Sullivan: The Lost Chord for Alto Flute & Piano
# Flûte traversière et Piano# INTERMÉDIAIRE/AVANCÉ# Sir Arthur Seymour Sullivan# James M# dynamic control# Sullivan: The Lost Chord for A# jmsgu3# SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...(+)
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
