Partitions Numériques de Make You Believe In Love pour Flûte traversière et Piano

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Make You Believe In Love
Non classifié 19

Piano & claviers
Accompagnement Piano 16
Piano seul 13
Piano Facile 8
Piano Quatuor: piano, 2 violons, violoncelle 3
Piano Trio: piano, violon, violoncelle 2

Piano, Voix 2
Instruments en Do 1

+ 2 instrumentations

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Guitares
2 Guitares (duo) 4
Ukulele 1

Voix
Chorale SATB 15
Chorale SSAA 2
Chorale 3 parties 2
Voix Soprano, Piano 1

Vents
Flûte, Clarinette (duo) 4
Flûte traversière et Piano 3

Saxophone Alto et Piano 1
Clarinette et Piano 1
Saxophone Tenor et Piano 1

Saxophone Baryton, Piano 1
Piccolo, Piano 1
Saxophone Soprano et Piano 1
Cor anglais, Piano 1
Harmonica 1
Clarinette Basse, Piano 1
3 Clarinettes (trio) 1

+ 7 instrumentations

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Cuivres
Trompette, Cor (duo) 3
Trompette, Trombone (duo) 2
Trombone et Piano 1
Cor et Piano 1
Euphonium, Piano (duo) 1

Cor anglais, Piano 1
Trompette, Piano 1
Tuba et Piano 1

+ 3 instrumentations

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Cordes
Violon et Piano 7
Violon, Violoncelle (duo) 5
Violon, Alto (duo) 4
Piano Trio: Violon, Alto, Piano 4
2 Violons (duo) 4

Harpe 3
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Trio à Cordes: violon, alto, violoncelle 1
Violoncelle, Piano 1
Alto, Piano 1

+ 5 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 4
Orchestre 2
Ensemble Jazz 1
Jazz combo 1
Orchestre à Cordes 1

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Make You Believe In Love

Flûte traversière et Piano

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3 partitions trouvées

Debussy: Claire de Lune for Flute & Piano

Debussy: Claire de Lune for Flute & Piano #Flûte traversière et Piano #INTERMÉDIAIRE #Classique #Claude Debussy #James M #Debussy: Claire de Lune for Fl #jmsgu3 #SheetMusicPlus

Flute,Piano - Level 3 - SKU: A0.550100 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Sco...(+)

Flute,Piano - Level 3 - SKU: A0.550100 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595337. Published by jmsgu3 (A0.550100). Moonlight * Ð»ÑƒÐ½Ð½Ñ‹Ð¹ ÑÐ²ÐµÑ‚ * æœˆå…‰ * Î£ÎµÎ»Î·Î½ÏŒÏ†Ï‰Ï„Î¿ * MÄ›sÃÄnÃ svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day. Claude Debussy's Clair de Lune has been widely used in popular culture, particularly in film and television. It has significantly impacted modern culture, with a resurgence in its use after appearing in movies like Godzilla: King of the Monsters. The piece is favored for its ability to convey emotion and feelings without requiring lyrics, making it a popular choice for filmmakers. Clair de Lune has been featured in various movies, from Ocean's Eleven to Twilight, and has made an undeniable impact on filmmaking over the past 40 years. Its timeless beauty and emotional depth have led to reimaginings as pop songs and countless re-orchestrations, contributing to its ubiquity in cinema. Some notable movies and TV shows using Debussy's Clair de Lune include Ocean's Eleven (2001). Directed by Steven Soderbergh, this heist film showcases Clair de Lune during a pivotal scene where the characters gather to discuss their plans. Twilight: This popular film series has also featured Clair de Lune, contributing to the piece's impact on modern culture. The Shape of Water (2017): This film uses Clair de Lune to establish a dreamlike atmosphere. Moonlight (2016): Directed by Barry Jenkins, this film features Clair de Lune to embody the intense emotions of first love. These are just a few examples of the many movies and TV shows that have used Clair de Lune to enhance the emotional impact of their scenes, showcasing the composition's timeless beauty and evocative nature. Debussy was inspired by this poem by Paul Verlaine to compose this work: Your soul is a chosen landscapeÂ Where charming masquerades and dancers are promenading,Â Playing the lute and dancing, and almostÂ Sad beneath their fantastic disguises.Â While singing in a minor keyÂ Of victorious love, and the pleasant lifeÂ They seem not to believe in their own happinessÂ And their song blends with the moonlight,Â With the sad and beautiful moonlight,Â Which sets the birds in the trees dreaming,Â And makes the fountains sob with ecstasy,Â The tall, slim water streams among the marble statues.Â Paul Verlaine, 1869.

$34.95 ≈ 31.98€

A Christmas Tune for Flute and Piano

A Christmas Tune for Flute and Piano #Flûte traversière et Piano #FACILE #Noël #Cody Weinmann #A Christmas Tune for Flute and #Cody Weinmann #SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.835162 Composed by Cody Weinmann. Christmas,Concert. Score and parts. 7 pages. Cody ...(+)

Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.835162 Composed by Cody Weinmann. Christmas,Concert. Score and parts. 7 pages. Cody Weinmann #6121307. Published by Cody Weinmann (A0.835162). This little Christmas tune takes some cues from the famous Christmas bells. The C-G-A-E theme weaves its way throughout the texture in various guises from legato and striking quarter-note passages between the solo flute and the piano to softer instances over longer note durations. Several eighth and sixteenth note runs will give the flautist a run for their money. All of the frills in this piece are to make this a happy and festive piece for all who play it.DedicationThis work is dedicated to a dear friend from my high school days, Sarah Aplet. Itis an honor to write this piece for her.Cody Weinmann is a prolific composer of many different types and genres of music.These can range from works for solo piano and solo instrument with piano accompaniment to full band, orchestra and choral works. He also is an avid writerof original music and arrangements for young people, including his own pianostudents.He also loves to write sacred praise and worship music to glorify God and our SaviorJesus Christ. He believes in writing music to bring people to Him through music andlyrics.Cody self-publishes through Musicaneo.com (http://www.codyweinmann.musicaneo.com) as well as on Sheet Music Plus.For more, you can check him out on his various social media links below.

$2.99 ≈ 2.74€

D'amore Si Muore (Milva Version)

D'amore Si Muore (Milva Version) #Flûte traversière et Piano #INTERMÉDIAIRE #Milva #Eileen Gilligan #D'amore Si Muore #The Flautist #SheetMusicPlus

Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan....(+)

Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.

$6.95 ≈ 6.36€

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