Partitions Numériques de Pie Jesu Violin pour Flûte traversière et Piano

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Pie Jesu Violin
Non classifié 110

Piano & claviers
Piano Trio: piano, violon, violoncelle 14
Piano seul 5
Accompagnement Piano 4
Piano, Voix 3
Piano Quatuor: piano, violon, alto, violoncelle 3

Piano, Voix et Guitare 2
Piano Facile 2
Orgue 1
2 Pianos, 4 mains 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 5 instrumentations

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Guitares

Voix
Chorale SATB 16
Chorale 3 parties 1
Chorale Unison 1

Vents
Quintette de Saxophone: 5 saxophones 5
Quatuor de Saxophones: 4 saxophones 4
3 Saxophones (trio) 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Clarinette, Violon (duo) 3

Quintette de Flûte : 5 flûtes 2
Saxophone Tenor et Piano 2
Hautbois, Piano (duo) 2
Saxophone Alto et Piano 2
Flûte traversière et Piano 2

Flûte, Violon 2
Flûte, Violon et Violoncelle 2
Clarinette et Piano 2
Quatuor de Flûtes à bec 1
Flûte, Hautbois, Clarinette (trio) 1
Ensemble de Hautbois 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte et Trio à cordes 1
Quintette de Clarinettes: 5 clarinettes 1
Trio de Flûtes: 3 flûtes 1
3 Clarinettes (trio) 1
Quatuor de Clarinettes: 4 clarinettes 1

+ 17 instrumentations

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Cuivres
Trombone et Piano 1
Trompette, Piano 1
Trombone, Violon (duo) 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 48
Violon et Piano 35
Violon 21
Trio à Cordes: violon, alto, violoncelle 19
Violon, Alto (duo) 15

2 Violons (duo) 13
Violon, Violoncelle (duo) 12
Violon (partie séparée) 5
Trio à Cordes: 2 violons, violoncelle 5
Quatuor à cordes: 4 violons 4
Trio à cordes: 3 violins 3
Piano Trio: Violon, Alto, Piano 2
Trio à Cordes: 2 violons, alto 2
Alto, Piano 2
Violoncelle, Piano 1
Violon, Guitare (duo) 1
Violon, Basson (duo) 1
2 Violons, Piano 1
Violoncelle, Contrebasse (duo) 1
Violon, Tuba (duo) 1
4 Violoncelles 1

+ 16 instrumentations

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Percussions & orchestre
Orchestre 6
Orchestre à Cordes 5
Orchestre de chambre 2
Ensemble de cuivres 2
Cloches 2

Orchestre d'harmonie 1

+ 1 instrumentations

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Pie Jesu Violin

Flûte traversière et Piano

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2 partitions trouvées

Lambada

Lambada #Flûte traversière et Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Andreas Martin-Krause and Carl #Fishel Pustilnik #Pop Piano Paradise #Lambada #F & N Enterprise #SheetMusicPlus

Flute,Piano - Level 4 - SKU: A0.636262 Composed by Andreas Martin-Krause and Carlos Eduardo De Jesus Gomes. Arranged by Fishel Pustilnik. Contemporary. ...(+)

Flute,Piano - Level 4 - SKU: A0.636262 Composed by Andreas Martin-Krause and Carlos Eduardo De Jesus Gomes. Arranged by Fishel Pustilnik. Contemporary. Score and part. 8 pages. F & N Enterprise #6343789. Published by F & N Enterprise (A0.636262). An excellent arrangement of the famous Song Lambadafor Flute and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ZNzIp6K3MaYThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.

$4.99 ≈ 4.61€

Bach-Gounod: Ave Maria for Flute and Piano

Bach-Gounod: Ave Maria for Flute and Piano #Flûte traversière et Piano #FACILE #Classique #J #Colin Kirkpatrick #Worship, Easter, Mother' #Bach-Gounod: Ave Maria for Flu #Colin Kirkpatrick Publications #SheetMusicPlus

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo ...(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the ?combined? piece was M�ditation sur le Premier Pr�lude de Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-L�opold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

$7.95 ≈ 7.34€

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