Partitions Numériques de Space For Bass pour Flûte traversière et Piano

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Space For Bass
Non classifié 229

Piano & claviers
Piano (partie séparée) 14
Piano Facile 11
Piano seul 11
Piano, Voix 3
Piano, Voix et Guitare 3

Instruments en Do 1

+ 1 instrumentations

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Guitares
Guitare (partie séparée) 32
Basse electrique 13
Ligne De Mélodie, (Paroles) et Accords 2
Guitare notes et tablatures 2
Piano, Guitare (duo) 1

Voix
Chorale TTBB 38
Chorale SSAA 19
Chorale SATB 19
Chorale 3 parties 4

Vents
Saxophone (partie séparée) 43
Flûte, Hautbois, Clarinette, Basson 12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 12
2 Flûtes traversières (duo) 10
Quatuor de Clarinettes: 4 clarinettes 5

Ensemble de Flûtes 5
Ensemble de Clarinettes 4
Flûte traversière 4
Flute (partie séparée) 3
2 Clarinettes (duo) 3
Quatuor de Saxophones: 4 saxophones 2
Flûte, Clarinette et Basson 2
Clarinette Basse, Piano 2
2 Saxophones (duo) 2
Flûte traversière et Piano 2

Flûte, Hautbois, Basson 1
Clarinette 1
Flûte, Hautbois (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Trio de Flûtes: 3 flûtes 1
Flûte, Trombone (duo) 1
4 Hautbois 1
Quatuor de Flûtes : 4 flûtes 1
Clarinette, Violoncelle (duo) 1
Hautbois, Basson (duo) 1
Hautbois, Piano (duo) 1
Clarinette (partie séparée) 1
Flûte, Clarinette (duo) 1

+ 24 instrumentations

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Cuivres
Trombone (partie séparée) 90
Trompette (partie séparée) 33
Trompette, Trombone (duo) 7
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3

Quatuor de cuivres: 4 trombones 2
Cor 2
Trio de Cuivres 2
Ensemble de Trombones 1
Cor (partie séparée) 1
Bass Clef Instruments 1
2 Trombones (duo) 1
2 Trompettes (duo) 1
Tuba (partie séparée) 1
Trombone 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 150
Violon, Violoncelle (duo) 140
Trio à Cordes: violon, alto, violoncelle 113
Violon 110
Contrebasse (partie séparée) 107

Quintette à cordes: 2 violons, alto, violoncelle, basse 21
Contre Basse 7
Violon, Alto (duo) 7
Contrebasse, Piano (duo) 5
Flûte, Contrebasse (duo) 3
Harpe 3
2 Violoncelles (duo) 2
2 Contrebasses (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Alto seul 2
4 Violoncelles 2
Violoncelle 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violoncelle (partie séparée) 1
2 Altos (duo) 1
Violon et Piano 1
Violoncelle, Contrebasse (duo) 1
Trio à cordes 1
Violoncelle, Piano 1
Trio à Cordes: 3 violoncelles 1
2 Violons (duo) 1
Trio à Cordes: 2 violons, alto 1

+ 22 instrumentations

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Percussions & orchestre
Orchestre à Cordes 92
Ensemble Jazz 62
Orchestre d'harmonie 32
Batterie (partie séparée) 15
Jazz combo 13

Orchestre 8
Fanfare 5
Ensemble de Percussions 4
Orchestre de chambre 3
Cloches 3
Ensemble de cuivres 2
Piano et Orchestre 1

+ 7 instrumentations

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Space For Bass

Flûte traversière et Piano

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2 partitions trouvées

Fastnet Rock

Fastnet Rock #Flûte traversière et Piano #AVANCÉ #Contemporain #Jamie Farrow #Fastnet Rock #Jamie Farrow #SheetMusicPlus

Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...(+)

Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Irelandâ€™s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouseâ€™s history were my inspiration for this duet, with the different images and ideas that they created, influencing my compositionâ€™s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrumentâ€™s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.

$2.99 ≈ $4.13

O Come, Emmanuel - jazz flute and piano

O Come, Emmanuel - jazz flute and piano #Flûte traversière et Piano #FACILE #Phil Beaman #O Come, Emmanuel - jazz flute #Phil Beaman #SheetMusicPlus

Flute,Instrumental Duet,Keyboard - Level 2 - SKU: A0.1350487 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beama...(+)

Flute,Instrumental Duet,Keyboard - Level 2 - SKU: A0.1350487 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935296. Published by Phil Beaman (A0.1350487). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.

$4.99 ≈ $6.90

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