Partitions Numériques de He Is So Good pour 2 Trombones (duo)

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He Is So Good
Non classifié 76

Piano & claviers
Piano seul 39
Piano, Voix 11
Piano, Voix et Guitare 8
Piano Facile 2
Instruments en Do 1

Orgue 1
1 Piano, 4 mains 1

+ 2 instrumentations

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Guitares
Guitare 9
Guitare notes et tablatures 3
Piano, Guitare (duo) 1

Voix
Chorale SATB 24
Chorale 3 parties 7
Chorale TTBB 4
Chorale SSAA 1
Chorale SSATTB 1

Vents
Flûte traversière et Piano 8
Saxophone Tenor et Piano 8
2 Saxophones (duo) 4
2 Flûtes traversières (duo) 4
Clarinette et Piano 3

Hautbois, Piano (duo) 2
Clarinette, Trompette (duo) 2
Saxophone, Clarinette (duo) 2
Clarinette, Violon (duo) 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Saxophone Alto et Piano 2
2 Clarinettes (duo) 2
Clarinette, Basson (duo) 1
Hautbois, Basson (duo) 1
Saxophone Baryton, Piano 1
Saxophone Soprano et Piano 1
Flûte, Trompette (duo) 1
Quatuor de Clarinettes: 4 clarinettes 1
Clarinette et Alto 1
2 Hautbois (duo) 1
Cor anglais, Piano 1
Clarinette Basse, Piano 1
Flûte, Clarinette (duo) 1
Clarinette 1
Flûte, Saxophone (duo) 1
Flûte, Violon 1
Hautbois, Flûte 1
Ensemble de saxophones 1
Ensemble de Flûtes 1
Ensemble de Clarinettes 1
Flûte, Alto (duo) 1
Saxophone 1
Hautbois, Guitare (duo) 1

+ 28 instrumentations

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Cuivres
2 Trombones (duo) 2

Trompette, Saxophone (duo) 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Trombone 1
Euphonium, Piano (duo) 1

2 Trompettes (duo) 1
Trompette, Piano 1
Trombone et Piano 1
Trompette 1
Cor anglais, Piano 1
Tuba 1
Trompette, Trombone (duo) 1
Ensemble de Tubas 1

+ 8 instrumentations

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Cordes
2 Violons (duo) 12
Quatuor à cordes: 2 violons, alto, violoncelle 9
Violon et Piano 7
Violoncelle, Piano 4
Alto, Piano 3

Trio à Cordes: violon, alto, violoncelle 2
Violoncelle (partie séparée) 1
Violon, Violoncelle (duo) 1
Violon, Alto (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
2 Altos (duo) 1
Harpe, Voix 1
2 Violoncelles (duo) 1
Harpe 1
Violoncelle , Guitare (duo) 1
Alto seul 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 9
Ensemble Jazz 8
Orchestre 4
Orchestre à Cordes 4
Ensemble de Percussions 3

Ensemble de cuivres 3
Orchestre de chambre 2
Jazz combo 1
Percussion 1
Cloches 1

+ 5 instrumentations

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He Is So Good

2 Trombones (duo)

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2 partitions trouvées

Walter the Weary Werewolf, Halloween Duet for Trombone

Walter the Weary Werewolf, Halloween Duet for Trombone #2 Trombones (duo) #INTERMÉDIAIRE #Halloween #David McKeown #Walter the Weary Werewolf, Hal #David McKeown #SheetMusicPlus

Trombone Duet Trombone - Level 3 - SKU: A0.592395 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #63...(+)

Trombone Duet Trombone - Level 3 - SKU: A0.592395 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6358907. Published by David McKeown (A0.592395). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for two Trombones. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Walter has a young family and a responsible job as a vet, so he needs a good nightâ€™s sleep. When thereâ€™s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but sheâ€™s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$3.99 ≈ £3.12

Nineteen Skeletal Duets for Trombones

Nineteen Skeletal Duets for Trombones #2 Trombones (duo) #FACILE #Jazz #Gregory Fritze #Nineteen Skeletal Duets for Tr #Musica Nova USA #SheetMusicPlus

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...(+)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.

1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.

2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.

(student) part.

11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.

Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.

$20.00 ≈ £15.63

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