Partitions Numériques de Solo pour 2 Tubas (duo)

Instrumental Duet Instrumental Duet,Tuba - Level 5 - SKU: A0.792266 Composed by Wanhal, Johann B. Arranged by Yarborough, John. Baroque,Classical,Renais...(+)

Instrumental Duet Instrumental Duet,Tuba - Level 5 - SKU: A0.792266 Composed by Wanhal, Johann B. Arranged by Yarborough, John. Baroque,Classical,Renaissance,Romantic Period. Score and parts. 34 pages. Gordon Cherry #4803099. Published by Gordon Cherry (A0.792266). Johann Wanhal (Vanhal) was an important classical composer from Bohemian/Czech heritage (1739-1813). His main living was as an organist and choirmaster, however Wanhal's musical output as a composer includes over a dozen concerti, many symphonies, chamber music, operas and much sacred music including 58 masses. Wanhal is rumored to have played chamber music with Mozart, Haydn and Dittersdorf, with Wanhal on the cello. In the 1770's Wanhal met the contrabassist Johannes Matthias Sperger and wrote a double bass concerto for him. The Concerto is in the key of E-Flat (original key of D for the double bass) in three movements and has been expertly arranged for Tuba and Piano by Ms. Janet Yarbrough of Duke University.This work is available for solo Tuba with Wind Ensemble.

$25.00 ≈ 23.03€

Perpetuum Mobile (2014) for tuba and live processing

Perpetuum Mobile (2014) for tuba and live processing #2 Tubas (duo) #AVANCÉ #Contemporain #Mark Zanter #Perpetuum Mobile #MJIC Music Publishing #SheetMusicPlus

Instrumental Duet Instrumental Duet,Tuba - Level 5 - SKU: A0.934211 Composed by Mark Zanter. Contemporary. Score and parts. 6 pages. MJIC Music Publishi...(+)

Instrumental Duet Instrumental Duet,Tuba - Level 5 - SKU: A0.934211 Composed by Mark Zanter. Contemporary. Score and parts. 6 pages. MJIC Music Publishing (ASCAP) #6040427. Published by MJIC Music Publishing (ASCAP) (A0.934211). Perpetuum Mobile (2014) for tuba, fixed media and processing was composed for George Palton, professor of tuba at Marshall University. I have worked closely with George engineering his solo CD, Tuba In Motion, and that influenced our collaboration on this work. Georgeâ€™s playing exhibits a full range of technical and expressive skills and the composition takes advantage of those strengths. The fixed media portion of the work was planned from the beginning; but as the work matured, processing was mixed with the live tuba enabling it to inhabit the same sound world as the recorded media. Overall the work is in three sections ending with a reprise of the opening material. Surface rhythms, textural changes, and the constant cycling of pitches occurring throughout the work exhibit the characteristic of moto perpetuo. A listener can perceive these myriad possibilities or simply enjoy the workâ€™s virtuosity, lyrical melodies, changes of rhythm, and ambient sounds. Perpetuum Mobile was premiered on the International Tuba and Euphonium Conference 2014. I have to thank George Palton for the many great performances of the work.

$8.00 ≈ 7.37€

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