Partitions Numériques de I Jazz pour 2 Tubas (duo)

Instrumental Duet,Tuba - Level 3 - SKU: A0.1039313 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Contemporary,Contest,Festival,Jazz....(+)

Instrumental Duet,Tuba - Level 3 - SKU: A0.1039313 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Contemporary,Contest,Festival,Jazz. 12 pages. Sandra schlink #644254. Published by sandra schlink (A0.1039313). These delightful pieces have been arranged into tuba duets. I hope you enjoy playing them. Please also look at my jazz tuba duets book 3, jazz tuba duets book 2,jazz tuba duets book 2, Jazz and classical tuba duets, jazz tuba duets book and tuba and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument and start playing together with the corresponding French horn book. Thank you so much.

$14.99 ≈ ¥107.38

Fifteen Safari Duets for Tubas

Fifteen Safari Duets for Tubas #2 Tubas (duo) #FACILE #Jazz #Gregory Fritze #Fifteen Safari Duets for Tubas #Musica Nova USA #SheetMusicPlus

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...(+)

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.

In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.

1. Elephants at Stave

This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.

2. Gallop ? Thompson Gazelle at Amboseli

This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.

3. Rhinos at Nairobi Game Park

This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.

4. Giraffes at Nairobi Twiga Park

This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.

5. Warthogs at Ngulia

Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.

6. Baboons at Kiliguni

This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.

7. Pastoral ? Cape Buffalo at Samburu

The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.

8. Song - Hippos at Mzima Springs

This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.

9. Leopards at Kimana Lodge

This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.

10. Colobus Monkeys at the Ark

This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.

11. Zebra Migration at Masai Mara

This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.

12. Ostrich at Samburu

This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.

13. Cheetah at Voi

This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.

14. Gallop ? Gerenuk at Buffalo Springs

This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.

15. Lions at Mara Sopa

This duet is in the style of a fanfare. The lion is considered the king of the savanna.

Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.

His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.

$20.00 ≈ ¥143.27

Donut Etudes v5 - Scale Duets for 2 Tubas

Donut Etudes v5 - Scale Duets for 2 Tubas #2 Tubas (duo) #Methodes #Joshua Hauser #Donut Etudes v5 - Scale Duets #Slide Ride #SheetMusicPlus

Instrumental Duet Instrumental Duet,Tuba - SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Publ...(+)

Instrumental Duet Instrumental Duet,Tuba - SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Published by Slide Ride (A0.784314). â€ƒIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake! â€ƒThe initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes! â€ƒI only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent. â€ƒAs with those exercises, you can vary these as much as youâ€™d like. â€¢â€ƒChoose a tempo â€¢â€ƒChoose a dynamic. â€¢â€ƒChoose an articulation/style. â€ƒOne way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group. â€ƒPractice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key. â€ƒIf you want an additional challenge in terms of range, play them in different octaves to expand the set. â€ƒAdditionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes. â€ƒThe variations are endless! â€ƒAll Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2. â€ƒEnjoy!

$10.00 ≈ ¥71.64

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