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Vous avez sélectionné:
French Trad
Piano, Voix et Guitare
Partitions à imprimer
5 partitions trouvées
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1
Vive L'Amour (Vive La Compagnie) - Lead sheet (key of F)
Vive L'Amour (Vive La Compagnie) - Lead sheet (key of F)
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Piano, Voix et Guitare
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English Traditionall
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Stephen Bulat
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chords) for the popular 
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Vive L'Amour
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Stephen Bulat Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.858926 Composed by English Traditionall. Arranged by Stephen Bulat. Folk,World. Score. 3 pages. Stephen Bulat Publish...
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Guitar,Piano,Vocal,Voice - SKU: A0.858926 Composed by English Traditionall. Arranged by Stephen Bulat. Folk,World. Score. 3 pages. Stephen Bulat Publishing #6237279. Published by Stephen Bulat Publishing (A0.858926). Lead sheet (melody, lyrics & chords) for the popular traditional English song often sung by choirs, by the Boy Scouts/Girl Guides, around a campfire and for any large gathering.A British and French Folk Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in Classic Love Songs - A Valentine's Day Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99 ≈
2.69€
We Are We - Caddie Woodlawn
We Are We - Caddie Woodlawn
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Piano, Voix et Guitare
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DÉBUTANT
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Tom Shelton, Susan C
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We Are We - Caddie Woodlawn
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Sleep Till Noon Productions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.899158 Composed by Tom Shelton, Susan C. Hunter. Broadway,Children,Musical/Show. Score. 7 pages. Sleep Till...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.899158 Composed by Tom Shelton, Susan C. Hunter. Broadway,Children,Musical/Show. Score. 7 pages. Sleep Till Noon Productions #44949. Published by Sleep Till Noon Productions (A0.899158). A charming trio for kid singers. Carol Ryrie Brink’s Newbery Award-winning novel Caddie Woodlawn is brought to exuberant life as a musical. Caddie (the iconic, high-spirited Wisconsin pioneer girl beloved by generations of readers) leads her willing siblings in a series of thrilling adventures and memorable songs. In a dramatic climax, Caddie single-handedly diffuses a potentially deadly clash between the terrified settlers and the local Dakota tribe through a daring and dangerous act. Ultimately, Caddie learns invaluable lessons about reconciling the head-strong child she’s been, and the responsible adult she is soon to be. Through it all, the sacredness of tradition – passed from one generation to the next – is powerfully dramatized. As one wise friend tells Caddie: Families – they’re our link to forever, lass. Performance rights available from Samuel French (samuelfrench.com.
$4.99 ≈
4.49€
Now the Green Blade Riseth
Now the Green Blade Riseth
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The Choir of Ely Cathedral
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Lyndell Leatherman
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Now the Green Blade Riseth
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1348044 By The Choir of Ely Cathedral. By Words: J.M.C Crum / Music: Trad. French carol. Arranged by Lyndel...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1348044 By The Choir of Ely Cathedral. By Words: J.M.C Crum / Music: Trad. French carol. Arranged by Lyndell Leatherman. Christian,Easter,Religious,Sacred. Score. 2 pages. Leatherman Music Services #932858. Published by Leatherman Music Services (A0.1348044). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the elec. piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.59€
Sing, My Tongue, the Glorious Battle
Sing, My Tongue, the Glorious Battle
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Piano, Voix et Guitare
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INTERMÉDIAIRE
#
St
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Lyndell Leatherman
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Sing, My Tongue, the Glorious
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Leatherman Music Services
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunat...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunatus / Music: Trad. French carol. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885956. Published by Leatherman Music Services (A0.1295658). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.From the early days of Christianity, hymns have been used successfully to reinforce and spread doctrine and faith. Scholars point out a number of hymn fragments in the New Testament. For example, 1 Timothy 3:16:      He appeared in a body,       Was vindicated by the Spirit,         Was seen by angels,     Was preached among the nations,       Was believed on in the world,         Was taken up into glory.The metrical patterns made memorization of creeds easier, especially when associated with a melody.Sing, My Tongue, the Glorious Battle is a great example of an early hymn written to codify Christology (the theology of Jesus Christ), covering his birth to his death, and then ending–as many hymns did–with a doxological stanza. If I were still planning worship services, I would be intrigued by the idea of making this hymn the outline of a Lenten service...perhaps interspersing scripture or other narration between stanzas, alternating between choir and congregation, and varying the accompanying instrumental textures.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.69€
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
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