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Vous avez sélectionné:
Get Up And Go
Chorale 2 parties
Partitions à imprimer
5 partitions trouvées
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1
Alabama Gal / Come Through in a Hurry (2-part, a cappella)
Alabama Gal / Come Through in a Hurry (2-part, a cappella)
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Chorale 2 parties
#
FACILE
#
American Folk Song
#
Sarah Martinez
#
Alabama Gal / Come Through in
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Sarah Martinez
#
SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1379322 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructio...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1379322 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructional,Traditional. 3 pages. Sarah Martinez #964003. Published by Sarah Martinez (A0.1379322). Alabama Gal, also known as Come Through in a Hurry, is a traditional folk dance in the southern United States. This Virgina Reel style dance originated in Scotland, but It was popular in the US in the mid-1800s and was called a play party or social dance.Setup: longways setVerse 1: The lead partners link hands and sashay down the center of the lines and then back up to their original spots.Verse 2: Partners do a right elbow turn, then a left elbow turn and back to their original spots.Verse 3: The lead partners cast off and lead their lines to the bottom of the set. The lead partners make an arch for the rest of the partners to go under.Verse 4: The first set of partners to go under the arch lead the lines back to the top of the set and they get ready to become the new lead partners for the next round.This a cappella choral arrangement is also available in 3-part, SAB, and SATB.
$1.99 ≈
1.84€
Pamoja
Pamoja
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Chorale 2 parties
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Mark Burrows
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Pamoja
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Heritage Music Press
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SheetMusicPlus
2-part choir, Piano (With Optional Percussion) - SKU: LX.15-3602H Composed by Mark Burrows. Educational. Octavo. 12 pages. Heritage Music Press #e15/360...
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2-part choir, Piano (With Optional Percussion) - SKU: LX.15-3602H Composed by Mark Burrows. Educational. Octavo. 12 pages. Heritage Music Press #e15/3602H. Published by Heritage Music Press (LX.15-3602H). ISBN 9780787762537.Pamoja. We work together. Pamoja. We reach together. Pamoja. We grow together. Pamoja. Together. We will go far. Adapted from an African proverb, this original up-tempo song teaches the positive life message of togetherness. With lively rhythms and joyful harmonies, it is an ideal lively concert opener or closer.
$2.50 ≈
2.31€
Baby-o
Baby-o
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Chorale 2 parties
#
DÉBUTANT
#
Folk Song
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Andrea Gaudette
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Baby-o
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Andrea Gaudette
#
SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.941563 Composed by Folk Song. Arranged by Andrea Gaudette. Children,Folk,Holiday. Octavo. 11 pages. Andrea Gaudett...
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Choral Choir (SA) - Level 1 - SKU: A0.941563 Composed by Folk Song. Arranged by Andrea Gaudette. Children,Folk,Holiday. Octavo. 11 pages. Andrea Gaudette #4303579. Published by Andrea Gaudette (A0.941563). This playful 2-part arrangement intertwines two pentatonic partner songs. The lullaby Bye-lo, Baby-o functions as a sol-mi-la ostinato alongside the humorous Appalachian folk song, What’ll I Do with the Baby-o. Gaudette’s adapted lyrics offer ways to soothe a baby who won’t go to sleep:  Wrap him up in calico, send him to his mammy-o.  Tickle his chin, wiggle his toes, blow on his belly and touch his nose.  Dance him north, dance him south, put a little binky in his mouth. The energetic music offers 2nd-3rd grade students an experience of 16th-note patterns while remaining in a middle- to high-D octave range. This is an upbeat piece suitable for any concert occasion. It is especially appropriate for Mother’s Day or Father’s Day celebrations.
$2.15 ≈
1.98€
Happy Place
Happy Place
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Chorale 2 parties
#
INTERMÉDIAIRE
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Pop musique
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0...
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Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99 ≈
1.84€
Thank You, A Mother's Day Song
Thank You, A Mother's Day Song
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Chorale 2 parties
#
FACILE
#
Jennette Jay Booth
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Thank You, A Mother's Day Song
#
Sound Booth
#
SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.868046 Composed by Jennette Jay Booth. Children,Holiday,Sacred,Spiritual. Octavo. 4 pages. Sound Booth #6383205. P...
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Choral Choir (SA) - Level 2 - SKU: A0.868046 Composed by Jennette Jay Booth. Children,Holiday,Sacred,Spiritual. Octavo. 4 pages. Sound Booth #6383205. Published by Sound Booth (A0.868046). This song celebrates the love and contribution of all women to those who need their nurturing. From primary leaders, to school teachers, to young women leaders, to older mom's mentoring younger moms, it expresses gratitude for the time they take to give to those coming up the ranks behind them and the difference they make.It can be sung from beginning to end as a solo or chorus (with optional duet), but is also written to be able to be sung as follows:Part 1-sung by a young child(ren)Part 2-sung by an older child(ren)Part 3-sung by a teenager(s)Part 4-sung by a young mother(s)Chorus-all voices together in two partsAll profits go toward preventing child sexual abuse at BodySafetySongs.org
$1.99 ≈
1.84€
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