Partitions Numériques de Simple Man pour Violoncelle, Contrebasse (duo)

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Simple Man
Non classifié 158

Piano & claviers
Piano Facile 363
Piano grosses notes 151
Piano seul 53
Piano, Voix 26
Piano, Voix et Guitare 14

Orgue 13
Accompagnement Piano 10
1 Piano, 4 mains 5
Instruments en Do 4
Accordéon 2
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Trio: piano, violon, violoncelle 2
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 8 instrumentations

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Guitares
Guitare 38
Guitare notes et tablatures 20
Ukulele 17
Mandoline 8
2 Guitares (duo) 3

Ligne De Mélodie, (Paroles) et Accords 2
Basse electrique 2
Banjo 1

+ 3 instrumentations

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Voix
Chorale 2 parties 36
Chorale Unison 33
Chorale SATB 24
Chorale 3 parties 24
Chorale TTBB 6

Voix Alto, Piano 2
Chorale SSAA 2
Voix seule 1
Voix duo 1
Voix duo, Piano 1

+ 5 instrumentations

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Vents
Flûte traversière 46
Clarinette 27
Flûte traversière et Piano 25
Saxophone Alto 23
Hautbois (partie séparée) 23

Hautbois, Piano (duo) 21
Clarinette et Piano 20
Saxophone Tenor 20
Saxophone (partie séparée) 18
2 Saxophones (duo) 16
Saxophone Alto et Piano 16
Saxophone Tenor et Piano 14
Quatuor de Saxophones: 4 saxophones 14
Saxophone 13
Flûte à bec Soprano 11
2 Flûtes traversières (duo) 11
Flûte, Clarinette (duo) 10
3 Saxophones (trio) 9
Flûte, Hautbois, Clarinette, Basson 8
2 Clarinettes (duo) 8
2 Flûte à bec (duo) 8
Quintette de Saxophone: 5 saxophones 6
Clarinette, Basson (duo) 6
Quatuor de Flûtes : 4 flûtes 6
Hautbois 6
Flûte à bec Alto 5
Hautbois, Clarinette (duo) 5
2 Hautbois (duo) 5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Flûte à bec Tenor 4
Cor Anglais 4
Flûte, Hautbois (duo) 4
Saxophone Baryton, Piano 4
Hautbois, Basson (duo) 4
Cor anglais, Piano 4
Quatuor de Clarinettes: 4 clarinettes 4
3 Clarinettes (trio) 4
Saxophone Baryton 3
Flûte, Hautbois, Clarinette (trio) 3
Flûte, Violon 3
Saxophone Soprano 3
Clarinette, Guitare (duo) 2
Cor anglais, Guitare (duo) 2
Ocarina 2
Quatuor de Flûtes à bec 2
Trio de Flûtes: 3 flûtes 2
Quintette de Flûte : 5 flûtes 2
Saxophone Soprano et Piano 2
Clarinette, Violon (duo) 2
Flûte, Violoncelle 2
3 Flûtes à bec (trio) 2
Clarinette et Alto 1
Flûte et Guitare 1
Flûte, Alto (duo) 1
Ensemble de Hautbois 1
Hautbois et alto (duo) 1
Flûte, Clarinette et Basson 1
Ensemble de Flûtes 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Clarinette, Violoncelle (duo) 1
Saxophone et Guitare 1
Hautbois, Violoncelle 1
Hautbois, violon (duo) 1
Flûte, Trombone (duo) 1
Clarinette Basse 1
Flûte à Bec 1
Flûte à Bec, Piano 1
4 Hautbois 1
Ensemble de Clarinettes 1
Piccolo, Piano 1
Quintette de Clarinettes: 5 clarinettes 1

+ 66 instrumentations

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Cuivres
Trompette 31
Trombone 28
Cor 20
Trompette, Piano 19
Cor et Piano 18

Tuba 15
Trombone et Piano 15
Trompette, Trombone (duo) 8
Tuba et Orgue 7
Trombone, Cor (duo) 6
Tuba et Piano 6
2 Cors (duo) 6
2 Trombones (duo) 6
2 Trompettes (duo) 5
2 Tubas (duo) 5
Cor Anglais 4
Euphonium 4
Trompette, Cor (duo) 4
Cor anglais, Piano 4
Quatuor de cuivres: 4 trompettes 3
Cor, Tuba (duo) 3
3 Cors (trio) 2
Cor anglais, Guitare (duo) 2
Trompette, Tuba (duo) 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
3 Trombones (trio) 2
Trombone basse 1
Trombone basse et Piano 1
Trombone, Tuba (duo) 1
Quatuor de cuivres: 4 cors 1
Trompette et Guitare 1
3 Trompettes (trio) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
4 Tubas 1
Quatuor de cuivres: 4 trombones 1

+ 30 instrumentations

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Cordes
Violon et Piano 34
Violon 33
Violoncelle 27
Violoncelle, Piano 23
Alto, Piano 21

2 Violons (duo) 18
Alto seul 16
Quatuor à cordes: 2 violons, alto, violoncelle 14
Violon, Violoncelle (duo) 13
Contre Basse 13
Contrebasse, Piano (duo) 11
Violon, Alto (duo) 10
2 Violoncelles (duo) 9
2 Altos (duo) 9
Harpe 8
Alto (partie séparée) 8
Violon, Guitare (duo) 6
Trio à Cordes: 3 violoncelles 6
Trio à cordes: 3 altos 5
Alto, Violoncelle (duo) 5
Trio à cordes: 3 violins 4
4 Violoncelles 4
Quatuor à cordes: 4 violons 3
Violoncelle, Contrebasse (duo) 3

Quatuor à cordes : 4 altos 3
Trio à Cordes: violon, alto, violoncelle 3
Piano Trio: Violon, Alto, Piano 2
2 Contrebasses (duo) 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Violoncelle , Guitare (duo) 1
Alto, Guitare (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
Violon, Basson (duo) 1

+ 28 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 21
Batterie 8
Orchestre à Cordes 6
Ensemble de cuivres 5
Cloches 5

Ensemble d'École 4
Ensemble de Percussions 3
Marimba 2
Xylophone, Piano 2
Xylophone 2
Ensemble Jazz 2
Percussion 1
Orchestre 1
Fanfare 1

+ 9 instrumentations

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Artistes :
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• Simple Plan

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Simple Man

débutant

Violoncelle, Contrebasse (duo)

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3 partitions trouvées

Gymnopédie No. 1 arranged for 'cello/bass ensemble

Gymnopédie No. 1 - 'cello/bass ensemble #Violoncelle, Contrebasse (duo) #DÉBUTANT #Classique #Contemporain #Erik Satie #Gymnopédie No. 1 - 'cel #Samantha Bramley #SheetMusicPlus

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.800220 Composed by Erik Satie. Arranged by Samantha J Bramley - stringspiratio...(+)

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.800220 Composed by Erik Satie. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period,Wedding. Score and parts. 10 pages. Samantha Bramley #6014499. Published by Samantha Bramley (A0.800220). GymnopÃ©die No. 1, by Erik Satie for â€˜cello quartet plus continuo (â€˜cello or bass) This iconic piano piece is one of the most recognisable and widely used classical pieces in the popular repertoire. It is both beautifully simple and elegant making this arrangement accessible to ensembles of beginner/early intermediate standard. Each of the 4 'cello parts has a turn at the melody, and the very easy â€˜continuoâ€™ can be played by either â€˜cello or double bass. All parts are written in bass clef and none go above 4th position making it perfect for student groups. I like to play it with all â€˜cello parts muted (con sordini) but mutes are generally not used on double bass. If playing with both â€˜cello 5 and bass, try sempre pizzicato in the bass part for an interesting effect. Note from the arranger: All my arrangements for 'cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the 'cello in mind - no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced 'cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or â€˜cello choirs. A complete score and set of individual parts is included. I also specialise in string arrangements giving the â€˜cello and viola a fair share of the limelight! Contact Samantha at stringspirational@gmail.com for more information.

$5.99 ≈ £4.55

Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28

Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28 #Violoncelle, Contrebasse (duo) #DÉBUTANT #Jean-Baptiste Breval #Six Sonates d'un genre facile #Artistic Score Engraving di Galvagno Michele #SheetMusicPlus

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele ...(+)

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien BrÃ©val (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). BrÃ©val was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacherâ€™s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteauâ€™s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as BrÃ©valâ€™s own TraitÃ© du violoncelle (where BrÃ©val states that the bass and the cello are one and the same), as well as Rombergâ€™s, Dotzauerâ€™s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of BrÃ©valâ€™s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. BrÃ©val composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys BrÃ©val used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. BrÃ©val explores more advanced bow techniques as well.

$24.95 ≈ £18.94

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