Partitions Numériques de Hey Man Take Me With You pour Chorale SATB

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Hey Man Take Me With You
Non classifié 3

Piano & claviers
Piano seul 12
Orgue 1
Piano, Voix et Guitare 1
Piano, Voix 1

Guitares
Basse electrique 1

Voix
Chorale SATB 3

Voix Soprano, Piano 1

Vents
Saxophone Alto et Piano 4
Saxophone Tenor et Piano 2
Flûte et Guitare 2
Clarinette, Guitare (duo) 1
Clarinette et Piano 1

Cor anglais, Guitare (duo) 1
Quintette de Flûte : 5 flûtes 1
Flûte traversière et Piano 1
Saxophone Soprano et Piano 1
Flûte à bec Alto 1
Hautbois, Guitare (duo) 1

+ 6 instrumentations

Retracter

Cuivres
Trombone et Piano 2
Trompette, Piano 2
Cor et Piano 1
Cor anglais, Guitare (duo) 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

Cordes
Violon et Piano 3
2 Violoncelles (duo) 1
4 Violoncelles 1
Violoncelle , Guitare (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1

Quatuor à cordes: 2 violons, alto, violoncelle 1

+ 1 instrumentations

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Percussions & orchestre
Ensemble Jazz 5
Jazz combo 2
Cloches 1

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Hey Man Take Me With You

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Chorale SATB

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3 partitions trouvées

An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)

An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts) #Chorale SATB #INTERMÉDIAIRE #Stuart Brown #An Omani Dance Suite - COMPLET #Stuart Brown Music #SheetMusicPlus

Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...(+)

Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15Â½ minutes. It consists of a Pavane, BourÃ©e, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/

$30.00 ≈ 27.62€

#WeToo

#WeToo #Chorale SATB #INTERMÉDIAIRE #Sally Whitwell ##WeToo #Sally Whitwell #SheetMusicPlus

Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...(+)

Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. Weâ€™d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. Itâ€™s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that Iâ€™m virtue signalling and that I look ridiculous (as if I care how I look). Iâ€™ve asked questions about workplace Covid safety and been informed that itâ€™s â€œa bit richâ€ that Iâ€™m asking at all, when everything is now safe. A friendâ€™s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed â€œOh, itâ€™s not Covid. How old are you? In your forties? Itâ€™s your hormones, itâ€™s the menopause.â€ The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, thereâ€™s really no point.Sally Whitwell 11 July 2023.

$1.99 ≈ 1.83€

Rock - a Roger Jones musical

Rock - a Roger Jones musical #Chorale SATB #INTERMÉDIAIRE #Musique Sacrée #Roger Jones, Alison Fuggle #Annie Routley #Rock - a Roger Jones musical #Christian Music Ministries #SheetMusicPlus

Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...(+)

Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares Iâ€™ve had a vision - but who can explain it, who can help? Corneliusâ€™ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesusâ€™ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasnâ€™t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE â€“ I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything â€¦ you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM â€¦ O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHERâ€™S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites â€¦ you can be saved too â€¦ if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peterâ€™s vision is fulfilled â€“ the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected â€¦ on Jesus the ROCK I will build my life! .

$9.99 ≈ 9.20€

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