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Vous avez sélectionné:
Tell Me It
intermédiaire
Chorale SATB
Partitions à imprimer
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1
What The Lord Has Done For Me (Anthem) - Vocal Score
What The Lord Has Done For Me (Anthem) - Vocal Score
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
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Christopher R
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What The Lord Has Done For Me
#
Christopher Brown
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747217 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Christopher ...
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Choral Choir (SATB) - Level 3 - SKU: A0.747217 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Christopher Brown #4756811. Published by Christopher Brown (A0.747217). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only (available separately), OR with additional band members (rhythm chart included in orchestration), OR with full orchestra (orchestration available separately).Please Note:Performance of this music requires one copy of the vocal score purchased for each singer.Included in your Purchase:Vocal Score (Solo & SATB)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$1.99 ≈
1.84€
What The Lord Has Done For Me (Anthem) - Piano Accompaniment
What The Lord Has Done For Me (Anthem) - Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
#
Musique Sacrée
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Gospel Spirituel
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Christopher R
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What The Lord Has Done For Me
#
Christopher Brown
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher...
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Choral Choir (SATB) - Level 3 - SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4756805. Published by Christopher Brown (A0.747215). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$4.99 ≈
4.61€
The Heavens Are Telling - SATB choir and organ
The Heavens Are Telling - SATB choir and organ
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Chorale SATB
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INTERMÉDIAIRE
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Phil Beaman
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The Heavens Are Telling - SATB
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Phil Beaman
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1376149 Composed by Phil Beaman. Christian,Classical,Sacred,Standards. 11 pages. Phil Beaman #960700. Pub...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1376149 Composed by Phil Beaman. Christian,Classical,Sacred,Standards. 11 pages. Phil Beaman #960700. Published by Phil Beaman (A0.1376149). The Heavens Are Telling is a very accessible classic SATB anthem for choir and organ.  I took two lines of music and lyrics from Haydn's 1797 oratorio The Creation and made that my chorus.  I then wrote verses using lyrics from other parts of The Creation and then wrote new music for the verses to sound like a continuation of Haydn's work.  The structure is through composed but with Ch/Vs/Ch/Vs/Ch/Ch with the final chorus having the lines reversed.  The piece makes a stately declaration of the wonders of God's creation of the heavens.  11 pages; 1:50 minutesThe range for each part is only 1 octave.Be the first choir to record this anthem and send me the link and I will post it.   plbeaman@gmail.com    Temporarily I have attached a recording of the vocal solo version, which is in another key, so you can get the text and main melody; which is then followed by a MIDI version of organ and 'aahs', to give you an idea of the SATB version.
$3.25 ≈
3.00€
50 Easy Worship Anthems for SATB Choir - W/Chords (Book 1&2)
50 Easy Worship Anthems for SATB Choir - W/Chords (Book 1&2)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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César Madeira
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50 Easy Worship Anthems for SA
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Sheet Music To Play Editions
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Reli...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Religious,Sacred,World. 88 pages. Sheet Music To Play Editions #967438. Published by Sheet Music To Play Editions (A0.1383010). 50 Easy Worship Anthems for SATB Choir. Full Score with Chords. Enjoy it!Song List - Book 1All Creatures of our god and king. All Hail The Power of Jesus’ Name. A mighty fortress is our God. Be Thou My Vision. Christ Is Risen Today. God will take care of you. Great Is Thy Faithfulness. He hideth my soul. His Eye Is On The Sparrow. How Great Thou Art. Lift Every Voice and Sing. March of Three Kings. My jesus I love thee. My Lord, What A Morning! O Come, O come, Emmanuel. O Little Town of Bethlehem. Rock of ages. Softly and Tenderly, Jesus Is Calling. Tell me the story of Jesus. Turn your eyes upon jesus. What a friend we have in jesus. When I survey the wondrous cross. When We All Get to Heaven. Whispering Hope. Wonderful Words of LifeSong List - Book 2Amazing grace. Are you washed in the blood? Christ arose! Christmas bells. Draw me nearer. Glory to his name. God rest ye merry, gentlemen. Hark! the heralt angels sing. Higher ground. How firm a foundation. I need thee every hour. Jesus loves the little children. Joyful, joyful, we adore thee. My faith looks up to thee. O holy night. Open my eyes, that I may see. Pass me not, o gentle savior. Revive us again. Safe in the arms of jesus. Stand up, stand up for jesus. Tell me old, old story. The solid rock. Trusting jesus. We gather together. We three kings of orient areFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99 ≈
7.37€
#WeToo
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99 ≈
1.84€
Pompeii
Pompeii
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Chorale SATB
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INTERMÉDIAIRE
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Rock
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Bastille
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Martin Kirchhuebel
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Pompeii
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Martin Kirchhübel
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1077508 By Bastille. By Dan Smith. Arranged by Martin Kirchhuebel. Pop,Rock. 11 pages. Martin Kirchhüb...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1077508 By Bastille. By Dan Smith. Arranged by Martin Kirchhuebel. Pop,Rock. 11 pages. Martin Kirchhübel #681706. Published by Martin Kirchhübel (A0.1077508). This Arrangement of Pompeii is a lot of fun to sing. The ranges are very moderate, the single voices are picked up really fast. Although the groundwork is simple there is a lot to discover and to make out of it. I would also recomend it to advanved ensembles. The Bridge is formed into a broad build up part with some gospel influences, which makes it a perfect fit for Choir. It is available in SAB+Piano, SATB+Piano, SATB acapella. Have fun and tell me what you think of it!
$3.75 ≈
3.46€
One Quiet Night (An Advent Song)
One Quiet Night (An Advent Song)
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Chorale SATB
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INTERMÉDIAIRE
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Richard Joseph Barber
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One Quiet Night
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.915687 Composed by Richard Joseph Barber. A Cappella,Christmas,Contemporary. Octavo. 7 pages. Barber Music Compa...
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Choral Choir (SATB) - Level 3 - SKU: A0.915687 Composed by Richard Joseph Barber. A Cappella,Christmas,Contemporary. Octavo. 7 pages. Barber Music Company #3692331. Published by Barber Music Company (A0.915687). SATB, a cappella. A good high school choir should be able to perform this piece well. Although harmonies are traditional, good intonation may be difficult at first, but should come with familiarity. The sopranos will sing three high a's, but beyond that, range should not be a challenge. The song is fast paced and worshipful. It tells the story of the angels' visit to the shepherds, the shepherds' haste to the stable to worship the new born King, and their return to tell their friends and neighbors the good news. Let me know what you think of it, and don't be shy about contacting me with performance questions. Dick Barber, aspiringtunerrjb@sbcglobal.net.
$2.20 ≈
2.03€
Hallelujah
Hallelujah
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Chorale SATB
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INTERMÉDIAIRE
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gard...
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Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99 ≈
1.84€
Hard To Say I'm Sorry
Hard To Say I'm Sorry
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Chorale SATB
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INTERMÉDIAIRE
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Az Yet featuring Peter Cetera
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Sandra Milliken
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Hard To Say I'm Sorry
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.774767 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Sandra Milliken....
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Choral Choir (SATB) - Level 3 - SKU: A0.774767 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandra Milliken #5998069. Published by Sandra Milliken (A0.774767). Hard to Say I’m Sorry is a No. 1 song by the American rock band Chicago. It was released in May 1982, as the lead single for the album Chicago 16. The song reached No. 1 on the Billboard Hot 100 Chart in September of that year, where it remained for two weeks. It was the group’s second No. 1 single (their first was If You Leave Me Now) and their first top 50 hit since Tell No Lover in 1978. It spent twelve weeks in the top 5 of the Billboard Chart.Written by Peter Cetera (Chicago’s bassist, who also sang lead vocals) and the group’s producer David Foster (who played piano on the track), the song is about a person trying desperately to hold on to a relationship that has fizzled out, promising to make up for his/her indiscretions and playing the we’ve been through so much card.Hard to Say I’m Sorry was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was certified Gold by the Recording Industry Association of America in September 1982. Peter Cetera won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.Two arrangements of Hard to Say I’m Sorry are available for immediate download: one for SATB choir and one for SSA voicing, both with piano accompaniment.
$2.20 ≈
2.03€
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
9.22€
Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #...
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Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00 ≈
1.85€
Sambolera Mayison
Sambolera Mayison
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Chorale SATB
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INTERMÉDIAIRE
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Khadja Nin
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PACIS EUSEBE NDOLI NDAHIRO
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Sambolera Mayison
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PACIS EUSEBE NDOLI NDAHIRO
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1099264 By Khadja Nin. By Kevin Joseph Mulligan and Nin Khadja. Arranged by PACIS EUSEBE NDOLI NDAHIRO. C...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1099264 By Khadja Nin. By Kevin Joseph Mulligan and Nin Khadja. Arranged by PACIS EUSEBE NDOLI NDAHIRO. Contest,Festival,Instructional,Multicultural,World. Octavo. 17 pages. PACIS EUSEBE NDOLI NDAHIRO #703142. Published by PACIS EUSEBE NDOLI NDAHIRO (A0.1099264). A song about the fall of humanity, men's delusions and the world's chaos. Is plotted as a mother telling her son, Sambolera, warning him about this troublesome world and how to navigate it wisely. This song in Swahili, whether you understand its text or not, will leave you in awe, as it left me and still does to this day. The language is straightforward, readable as written, and the vocal part, especially the coda, adorned with as much power and thrill as possible. Hope it delights you.
$2.33 ≈
2.15€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
27.69€
The Battle of Kresvia
The Battle of Kresvia
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Chorale SATB
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INTERMÉDIAIRE
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Lydia J
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The Battle of Kresvia
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Lydia J. Wede
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1028613 Composed by Lydia J. Wede. A Cappella. Octavo. 12 pages. Lydia J. Wede #3591703. Published by Lydia J. W...
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Choral Choir (SATB) - Level 3 - SKU: A0.1028613 Composed by Lydia J. Wede. A Cappella. Octavo. 12 pages. Lydia J. Wede #3591703. Published by Lydia J. Wede (A0.1028613). The Battle of Kresvia is an a capella choral piece that tells the story of several knights going to fight in a mythical battle. There are several phases throughout this song. It starts out with a recurring melody of the soldiers marching, then the knights pause to dream about what they will encounter. However, all of their dreams turn to nightmares when they realize the mortal terror they will encounter. The warriors drearily march until their commander riles the troops and raises their morale. We continue the journey with the troop until the battle begins. The knights fight on to victory! Sorry for the bad audio, email me at lydiawede@gmail.com for any questions or assistance.
$4.50 ≈
4.15€
For Wisdom is Better than Jewels
For Wisdom is Better than Jewels
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Chorale SATB
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INTERMÉDIAIRE
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Connie Pwll Walck Tyler
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For Wisdom is Better than Jewe
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Connie Tyler
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Conn...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Connie Tyler #4765403. Published by Connie Tyler (A0.1008087). What is Wisdom?In Proverbs 8:5-11 she says,Learn prudence, acquire intelligence, …take my instruction instead of silver,and knowledge rather than choice gold,for Wisdom is better than jewels. This suite of three songs is appropriate for use in a Christian or Jewish religious service or a secular concert. It includes a short audience participation possibility at the end of the last song. All are written for flute, piano, ethnic drum, SATB plus a high soprano part that can be a soloist. The drum part is written out, but could be improvised. The first song, Hear My Call, is short (1:49) and could be used as a call to worship in a religious service. The second song, God Created Me, (4:36) is an anthem of praise using the wonderful words of the creation of Wisdom in Proverbs 8:22-36 with a descant of the creation story in the book of Ben Sira 24:3, found in the Apocrypha. The tenors and basses sing the comparison of Wisdom with the trees of Israel, also found in Ben Sira, all in praise of Wisdom. The third song, Choose Life, (1:16) includes a chant that can be sung by the congregation or audience along with the choir. This could be used as the final hymn in a religious service. All three songs can be used separately or together. At the end of the score you will find a copy of the congregational chant which can be copied and placed in an Order of Service or Program. Purchase includes the right to make eight photocopies. For additional copies please purchase another score from sheetmusicplus.com. The recording is electronically produced and therefore has choral oohs without words. All three songs are on the recording, and at the end there is a flute rendering of the chant.. This is not intended to stand alone, but to be sung, as directed, with the last part of the choir song, Choose Life.
$20.00 ≈
18.46€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.61€
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