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Vous avez sélectionné:
Benedictus
expert
Chorale SATB
Partitions à imprimer
13 partitions trouvées
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1
"Sanctus - Benedictus" for SABrB Chorus, solo voices and organ - From Missa Solemnis
"Sanctus - Benedictus" for SABrB Chorus, solo voices and organ - From Missa Solemnis
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Santino Cara
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"Sanctus - Benedictus&quo
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Santino Cara
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.516509 Composed by Santino Cara. Sacred. Octavo. 20 pages. Santino Cara #13545. Published by Santino Cara (A0.5...
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Choral Choir (Mixed) - Level 5 - SKU: A0.516509 Composed by Santino Cara. Sacred. Octavo. 20 pages. Santino Cara #13545. Published by Santino Cara (A0.516509). The Sanctus-Benedictus for SATB choir, solo voices and organ, is the fourth and fifth part of the Missa Solemnis, composed in Rome in 1999 by Santino Cara and published in 2001 The Sanctus begins with soprano, alto, baritone and bass soloists, continues with the choir SABrB, a variation on the Sanctus for soprano, alto, baritone and bass soloists, and the Benedictus for choir SABrB. In the full score of the Sanctus-Benedictus is inserted also the separate part for choir and soloist voices.
$7.80 ≈
¥55.53
Benedictus from the A Cappella Mass
Benedictus from the A Cappella Mass
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Chorale SATB
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AVANCÉ
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David Heck, Jr
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It is for two soloists. 
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Benedictus from the A Cappella
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What the Heck Press
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.840619 Composed by David Heck, Jr. A Cappella,Contemporary,Sacred,Spiritual. Octavo. 9 pages. What the Heck Pres...
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Choral Choir (SATB) - Level 5 - SKU: A0.840619 Composed by David Heck, Jr. A Cappella,Contemporary,Sacred,Spiritual. Octavo. 9 pages. What the Heck Press #5307701. Published by What the Heck Press (A0.840619). This is the Benedictus from the A Cappella Mass. It is for two soloists. This movement ends with the fugue found at the end of the Sanctus. This work requires larger forces. .
$2.25 ≈
¥16.02
Te Deum and Benedictus
Te Deum and Benedictus
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Stephen Keeling
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Te Deum and Benedictus
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Stephen Keeling
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1009839 Composed by Stephen Keeling. Sacred. Octavo. 34 pages. Stephen Keeling #48663. Published by Stephen Keel...
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Choral Choir (SATB) - Level 5 - SKU: A0.1009839 Composed by Stephen Keeling. Sacred. Octavo. 34 pages. Stephen Keeling #48663. Published by Stephen Keeling (A0.1009839). Te Deum and Benedictus for SATB and Organ composed in 2015. Duration is twelve minutes.
$3.99 ≈
¥28.40
Benedictus es: Alleluia (2018)
Benedictus es: Alleluia (2018)
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Chorale SATB
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AVANCÉ
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Colin Eatock
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Benedictus es: Alleluia
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Colin Eatock Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1193058 Composed by Colin Eatock. A Cappella,Christian,Classical,Contemporary,Religious. Octavo. 14 pages. Colin...
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Choral Choir (SATB) - Level 5 - SKU: A0.1193058 Composed by Colin Eatock. A Cappella,Christian,Classical,Contemporary,Religious. Octavo. 14 pages. Colin Eatock Music #792512. Published by Colin Eatock Music (A0.1193058). A cappella SATB choir; ca. 4 min.The composer writes: Much like other composers who have written “Alleluias,†I conceived of this piece as a kind of choral vocalise, and I have used the word as a vehicle to indulge my penchant for tonally fluid chromaticism. However, unlike some other modern “Alleluia†composers, I also include an incipit, “Benedictus es.†The source for this phrase is the Book of Daniel (3:52). I found it in an “Alleluia†setting by the Renaissance composer Heinrich Isaac.
$4.99 ≈
¥35.52
Sanctus - Benedictus from n American Requiem
Sanctus - Benedictus from n American Requiem
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Chorale SATB
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AVANCÉ
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David Ellender
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David Ellender
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Sanctus - Benedictus from n Am
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David Ellender
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1496709 By David Ellender. By David Ellender. Arranged by David Ellender. Religious. 11 pages...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1496709 By David Ellender. By David Ellender. Arranged by David Ellender. Religious. 11 pages. David Ellender #1073223. Published by David Ellender (A0.1496709). From an American Requiem.
$2.99 ≈
¥21.29
"5.Benedictus" from Missa Ritornelli for solo-soprano, mixed choir & organ
"5.Benedictus" from Missa Ritornelli for solo-soprano, mixed choir & organ
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Chorale SATB
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AVANCÉ
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Kim Glies Nandfred
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"5.Benedictus" from
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Kim Nandfred
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1021602 Composed by Kim Glies Nandfred. Christian. Octavo. 6 pages. Kim Nandfred #6104105. Published by Kim Nand...
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Choral Choir (SATB) - Level 5 - SKU: A0.1021602 Composed by Kim Glies Nandfred. Christian. Octavo. 6 pages. Kim Nandfred #6104105. Published by Kim Nandfred (A0.1021602).
$4.00 ≈
¥28.48
Missa Solemnis for mixed choir, soloist voices and organ - Full
Missa Solemnis for mixed choir, soloist voices and organ - Full
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Santino Cara
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Missa Solemnis for mixed choir
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Santino Cara
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.
$20.20 ≈
¥143.80
Missa Millennia in Honor of St. Francis (SATB)
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00 ≈
¥71.19
English Mass (Communion Service) - SATB and Organ
English Mass (Communion Service) - SATB and Organ
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Stephen Keeling
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English Mass
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Stephen Keeling
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1225775 Composed by Stephen Keeling. Praise & Worship,Sacred. 31 pages. Stephen Keeling #821828. Publishe...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1225775 Composed by Stephen Keeling. Praise & Worship,Sacred. 31 pages. Stephen Keeling #821828. Published by Stephen Keeling (A0.1225775). The Office of Holy Communion from the Book of Common Prayer. English Mass for SATB and Organ. Kyrie, Credo, Sanctus, Benedictus, Agnus Dei, Gloria. Duration 11 minutes.
$3.50 ≈
¥24.92
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
¥626.40
The A Cappella Mass
The A Cappella Mass
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Chorale SATB
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AVANCÉ
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David Heck, Jr
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The A Cappella Mass
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What the Heck Press
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1049496 Composed by David Heck, Jr. 20th Century,A Cappella,Classical,Contemporary,Sacred. 53 page...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1049496 Composed by David Heck, Jr. 20th Century,A Cappella,Classical,Contemporary,Sacred. 53 pages. What the Heck Press #653851. Published by What the Heck Press (A0.1049496). This is the full version of the A Cappella Mass. It includes all movements - Kyrie Eleison, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei. A full recording of each individual movement of the mass is available with the single title listings. The YouTube link included here is a live performance of the Sanctus..
$6.95 ≈
¥49.48
Cantica
Cantica
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Heinrich Poos
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Cantica
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - advanced - SKU: S9.Q21556 Three Psalms of the New Testament. Composed by Heinrich Poos. This edition: choral score. Downloadable, C...
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Mixed choir - advanced - SKU: S9.Q21556 Three Psalms of the New Testament. Composed by Heinrich Poos. This edition: choral score. Downloadable, Choral score. Schott Music - Digital #Q21556. Published by Schott Music - Digital (S9.Q21556). Latin.In Cantica hat Heinrich Poos seine Vertonungen des Magnificat (1972), Nunc dimittis (1995/2005) und Benedictus (2009) in Form eines Triptychons zusammengestellt. Dementsprechend möchte der Komponist jedes einzelne dieser Stücke als eine Art musikalische Porträtmalerei verstanden wissen. Der lateinische Text dieser neutestamentlichen Psalmen ist als „vieltönige Zungenrede“ in Partitur gesetzt. In jeder der bis zu sechs Stimmen wird er vorgetragen, „sprechend“ betont und dynamisch, agogisch sowie modulatorisch begleitet. Heinrich Poos versteht es in diesen drei geistlichen Werken für gemischten Chor a cappella (SSATBB) einmal mehr, mittels einer gemäßigt modernen Tonsprache höchste Klangexpressivität und prägnante Ausdruckstiefe miteinander zu vereinen.
$10.99 ≈
¥78.24
Mass
Mass
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Stephen Keeling
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Mass
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Stephen Keeling
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1009851 By Stephen Keeling. By Stephen Keeling. Sacred. Octavo. 43 pages. Stephen Keeling #443413. Published by ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1009851 By Stephen Keeling. By Stephen Keeling. Sacred. Octavo. 43 pages. Stephen Keeling #443413. Published by Stephen Keeling (A0.1009851). Complete vocal score of my setting of the Mass for SATB and Organ. Kyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei. The mp3 plays back the Kyrie with sampled voices. Duration approximately 18 minutes.
$3.99 ≈
¥28.40
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