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Vous avez sélectionné:
Imagine Music Digital
expert
Chorale SATB
Partitions à imprimer
9 partitions trouvées
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1
Sonderbare Bezauberung
Sonderbare Bezauberung
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Chorale SATB
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AVANCÉ
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Thierry Pecou
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Sonderbare Bezauberung
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and piano - difficult - SKU: S9.Q46513 For mixed choir (SATB) and piano. Composed by Thierry Pecou. This edition: choral score...
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Mixed choir (SATB) and piano - difficult - SKU: S9.Q46513 For mixed choir (SATB) and piano. Composed by Thierry Pecou. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 10 minutes. Schott Music - Digital #Q46513. Published by Schott Music - Digital (S9.Q46513). German.This piece is a morning tune [Morgenlied], for which I have set an excerpt from The Lord Chandos Letter by Hugo von Hofmannsthal. I imagine the melodic vocal line alongside the resonant piano timbre to reflect the poet’s indescribable feelings for the magic of reality and his fascination with the inability of language to define the essence of things. I could not resist forging a connection between the description of von Hofmannsthal’s experience of infinity and the dream journey of a shaman. Thierry Pécou.
$11.99
Olympiad (Full Score & Parts)
Olympiad (Full Score & Parts)
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Chorale SATB
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AVANCÉ
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John White
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Olympiad
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Imagine Music - Digital
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SheetMusicPlus
By John White. For SATB choir, brass quintet, percussion, & piano. Level 5. Full score and parts. Published by Imagine Music - Digital ...
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By John White. For SATB choir, brass quintet, percussion, & piano. Level 5. Full score and parts. Published by Imagine Music - Digital
$30.00
Olympiad (Vocal Score)
Olympiad (Vocal Score)
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Chorale SATB
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AVANCÉ
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John White
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Olympiad
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Imagine Music - Digital
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SheetMusicPlus
By John White. For SATB choir, brass quintet, percussion, & piano. Level 5. Octavo. Published by Imagine Music - Digital ...
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By John White. For SATB choir, brass quintet, percussion, & piano. Level 5. Octavo. Published by Imagine Music - Digital
$1.75
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
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Chorale SATB
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AVANCÉ
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D
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Fountains of the Deep
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051....
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Choral Choir (SATB) - Level 5 - SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051. Published by D. M. Gardner Music (A0.799654). SATB, Piano, Horns, Timpani, PercussionBE ADVISED, IF YOU SIT IN THE FRONT ROW, YOU MAY WANT TO BRING A RAINCOAT!In the six hundredth year of Noah's life, in the second month, the seventeenth day of the month, the same day were all the fountains of the great deep broken up, and the windows of heaven were opened. And the rain was upon the earth forty days and forty nights. (Gen 7:11-12 KJV)Quietly the first drops of rain begin to fall... One, two... The wind begins to stir, becoming audible. And in a moment it seems thousands of heavy raindrops fall upon the mountains and hills and plains, as though a veil of water had suddenly descended upon the earth from the heavens. Fountains of the Deep musically portrays the events of the Bible concerning the great waters in a tumultuous storm of notes thundering from the grand piano and percussion. Simultaneously, the choir calls out for help while being tossed by the tempestuous seas, swallowed by a great fish, and chased to the edge of the sea by Pharaoh.The text in Fountains of the Deep is a mixed narrative that combines scripture with an imagined exclamation at the cataclysmic events of the day. Still comes the rain, still comes the rain, never ceasing! Whether it was one man, thousands, or all of mankind, the Lord has chosen to use the great depths of the sea to do his Will. This dramatic sonic reenactment brings the listener as close to the action as one would wish to get.PURCHASE INCLUDES FULL SCORE AND ALL PARTS - priced to be purchased as a choral score, so, please purchase one copy per performer...Thank you!)Difficulty: Moderate (Choir)/Intermediate/Advanced (Piano)NOTE: While Ab minor may seem like an extreme key, it plays very well on the piano and gives the choir a very full sound. However, Fountains can easily be performed in A minor, as desired, by simply removing the key signature (for the Horns, also add a sharp (E minor)Approx. 4 minutes and 50 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.99
Dance With Me
Dance With Me
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Lowell Prescott
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Dance With Me
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LHPMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.974558 Composed by Lowell Prescott. Christian,Easter,Sacred,Spiritual. Octavo. 16 pages. LHPMusic #6294871. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.974558 Composed by Lowell Prescott. Christian,Easter,Sacred,Spiritual. Octavo. 16 pages. LHPMusic #6294871. Published by LHPMusic (A0.974558). This up-tempo work, built around duple and triple meters interspersed, features an original text which imagines an invitation from Jesus, in advance of Holy Week, to Take my hand -- I will not let go! Dance with me...for tomorrow the road may be lonely and long..
$2.49
Gold
Gold
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Chorale SATB
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AVANCÉ
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Imagine Dragons
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Jordan Robinson
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Gold
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Jordan Robinson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1204199 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Platzman, Daniel Reynolds, and Daniel Ser...
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Choral Choir (SATB) - Level 5 - SKU: A0.1204199 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Platzman, Daniel Reynolds, and Daniel Sermon. Arranged by Jordan Robinson. Broadway,Musical/Show,Pop. Octavo. 9 pages. Jordan Robinson #802738. Published by Jordan Robinson (A0.1204199).
$8.99
The Burning Babe
The Burning Babe
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Chorale SATB
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AVANCÉ
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Graham Yates
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The Burning Babe
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Graham Yates
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.887974 Composed by Graham Yates. Christmas,Contemporary. Octavo. 16 pages. Graham Yates #5957557. Published by G...
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Choral Choir (SATB) - Level 5 - SKU: A0.887974 Composed by Graham Yates. Christmas,Contemporary. Octavo. 16 pages. Graham Yates #5957557. Published by Graham Yates (A0.887974). For SATB choir, Tenor soloist, piano accompaniment and musical spoons (or aux. percussion).Of all the self-indulgent ecstatic Renaissance poems... this one must be the worst/best. The writer, a member of the Society of Jesus (Jesuits), imagines a literal Christ baby in the woods who is at one moment frying with fire and at the next melting into a pool to wash the sins of the world (or assuage the guilt of the narrator). Only at this moment does the narrator realize that it is Christmas day and the reader is left to ponder their devotional obligation to the poor. Apart from being a monumental target for parody, the text demanded to be set to gothic Halloweeny music. Expect unrepentant stealing from Gesu bambino and a nod to Handel’s French overture style. (Feel free to double-dot this section if you so desire.) There is also an Afro-cuban montuno piano solo whilst the baby Jesus burns. Because of course there is.
$2.99
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Chorale SATB
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
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Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
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