Partitions Numériques de Back to work drums pour Chorale SATB

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Back to work drums
Non classifié 41

Piano & claviers
2 Pianos, 4 mains 1
Piano seul 1
Accompagnement Piano 1

Guitares
Guitare 3
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale TTBB 2
Chorale SATB 2

Chorale 3 parties 1
Chorale 2 parties 1

Vents
Saxophone Tenor et Piano 5
Saxophone Alto 2
2 Flûtes traversières (duo) 2
Flûte traversière et Piano 2
Quintette de Clarinettes: 5 clarinettes 1

Flûte, Hautbois, Clarinette, Basson 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Quatuor de Saxophones: 4 saxophones 1
Flûte traversière 1
Saxophone Tenor 1
Ensemble de saxophones 1

+ 6 instrumentations

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Ensemble Jazz 9
Batterie 8
Orchestre d'harmonie 4
Batterie (partie séparée) 2
Jazz combo 2

Big band 2
Orchestre 1
Orchestre à Cordes 1
Ensemble de Percussions 1

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Back to work drums

Chorale SATB

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2 partitions trouvées

Them Changes

Them Changes #Chorale SATB #AVANCÉ #Chris Jasper, Ernie Isley, Mar #Kerry Marsh #Them Changes #Kerry Marsh #SheetMusicPlus

Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, an...(+)

Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.

$49.99

Favorite Theme From Rachmaninoff S Second Piano Concerto

Favorite Theme From Rachmaninoff S Second Piano Concerto #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Ray Conniff #Gerhard Guter #Favorite Theme From Rachmanino #Gerhard Guter #SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. ...(+)

Choral Choir,Choral (SATB) - Level 4 - SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. Published by Gerhard Guter (A0.844248). Voicing: SATB a cappella, with rhythm section (piano, electric bass, drums) Style: Bossa Nova This arrangement of Ray Conniff's Favorite Theme from Rachmaninoff's Second Piano Concerto will bring to mind the writing style of Clare Fischer for his 2+2 vocal groups. Though still a challenge, especially with the optional vocal soli, this Conniff-themed edition has been adapted from a more difficult version previously performed by Vocalogy on their 2005 Distilled release. The piece opens with a pulsating rhythm section figure as pianist, bassist, and drummer enter one by one. The wonderful moments of tension have been maintained beneath Rachmaninoff's soaringly romantic melody, and the wordless vocal provides an ethereal quality. With the optional soli, this is an Advanced level arrangement. There is room for improvising regardless of whether or not the soli is performed and, with no soli, this is an Advanced Intermediate arrangement. Â Included individual piano, bass, and drum parts play from individual parts with chord symbols, slashes, and rhythmic notation. Drums alternate between brushes and sticks. Electric bass is preferred, but acoustic bass works. Backing tracks available from: http://tiny.cc/mpnsuz Â Â Â

$3.99

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