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Vous avez sélectionné:
Brand New Me
Chorale SATB
Partitions à imprimer
11 partitions trouvées
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1
To Know That You Love Me for SATB voices by David Catherwood
To Know That You Love Me for SATB voices by David Catherwood
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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David Catherwood
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To Know That You Love Me for S
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Opus 3 Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.739511 Composed by David Catherwood. Praise & Worship,Sacred. Octavo. 18 pages. Opus 3 Music #6082337. Published...
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Choral Choir (SATB) - Level 3 - SKU: A0.739511 Composed by David Catherwood. Praise & Worship,Sacred. Octavo. 18 pages. Opus 3 Music #6082337. Published by Opus 3 Music (A0.739511). To Know That You Love Me is a brand new choral number with new words and music by Tom Hunter and David Catherwood.For SATB voices, though it can be performed equally successfully by unison voices or as a solo.It has an attractive, accessible piano accompaniment as well as optional parts included for Strings. Horn and Bass The addition of a drum kit, though not necessary can enhance performance.The download containsUnison version with Piano accompanimentSATB Choral versionOptional Parts for Strings (Violins Viola/Cello) Horn in F & Bass GuitarThe mp3 backing track heard here for demo purposes is only available as a separate purchase on Sheetmusicplus
$1.99 ≈
£1.51
We sing a loving Jesus. A new tune to a wonderful old hymn.
We sing a loving Jesus. A new tune to a wonderful old hymn.
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Chorale SATB
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FACILE
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Musique Sacrée
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Harry Hicks
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We sing a loving Jesus. A new
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Harry Hicks
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.994674 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360951. Published by...
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Choral Choir (Mixed) - Level 2 - SKU: A0.994674 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360951. Published by Harry Hicks (A0.994674). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99 ≈
£1.51
Oh That My Saviour Would Come For Me SATB choir/piano/violin
Oh That My Saviour Would Come For Me SATB choir/piano/violin
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Carrie Wickens
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Oh That My Saviour Would Come
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Carrie Wickens
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.784267 Composed by Traditional. Arranged by Carrie Wickens. Celtic,Christian,Easter,Gospel,Sacred. Octavo. 8 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.784267 Composed by Traditional. Arranged by Carrie Wickens. Celtic,Christian,Easter,Gospel,Sacred. Octavo. 8 pages. Carrie Wickens #3418439. Published by Carrie Wickens (A0.784267). Sing these soul stirring brand new words to this traditional Scottish tune. Violin solo sets the longing tone, after which the bass solo begins the plea, Oh that my Saviour would come for me and yield His life on Calvary. Length: 4:25 Separate violin part included.
$1.99 ≈
£1.51
Psalm of Mercy, sacred music for SATB choir
Psalm of Mercy, sacred music for SATB choir
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Kevin G
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from thy sight, let me in
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Psalm of Mercy, sacred music f
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1170458 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1170458 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #770827. Published by Kevin G. Pace (A0.1170458). A beautiful, dramatic choral setting for SATB choir.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Psalm of Mercy(Inspired from Psalm 51)O Lord, have mercy on my soul and cover ev’ry sin.Cleanse me from all iniquity; from thy sight, let me in.O, purge mistakes against thy Name, transgressions mine to own.Make me to feel thy constant joy; o leave me not alone.O Lord, have mercy when Thou calls, and grant me clemency.Deliver me thy sacrifice and blood on bended knees.Bestow unto me sweet relief; O cast me not away.Provide pure healing and repose I ever, ever pray.O Lord, have mercy and renew my humble, willing mind.Thou art my hope of mending care when pardon I may find.Forgive me, always, I implore. I plead a brand, new start.O, to thy holy Name I bring . . . I bring my broken heart.
$1.99 ≈
£1.51
Psalm of Mercy, a sacred hymn
Psalm of Mercy, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Thy grace to ease my pain
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Psalm of Mercy, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1162510 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1162510 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #762875. Published by Kevin G. Pace (A0.1162510). A stunning hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text inspired by Psalm 51.Text: O Lord, have mercy on my soul and cover ev’ry stain.Cleanse me from all iniquity; Thy grace to ease my pain.O, purge mistakes against thy Name, transgressions mine to own.Make me to hear thy constant joy; restore my life ere known.O Lord, have mercy endlessly, and grant me clemency.Deliver me thy sacrifice if blood on bended knees.Bestow unto me sweet relief; O cast me not away.Provide pure healing and repose I ever, ever pray.O Lord, have mercy and renew my humble, willing mind.Thou art my hope of mending care when pardon I may find.Forgive me, always, I implore. I plead a brand, new start.O, to thy holy Name I bring . . . I bring my broken heart.
$1.99 ≈
£1.51
Come to the Savior Now - SATB and piano
Come to the Savior Now - SATB and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Andrew Duncan
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Come to the Savior Now - SATB
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Andrew Duncan
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.764315 Composed by Andrew Duncan. Christian,Contemporary,Sacred. Octavo. 4 pages. Andrew Duncan #3222161. Publis...
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Choral Choir (SATB) - Level 4 - SKU: A0.764315 Composed by Andrew Duncan. Christian,Contemporary,Sacred. Octavo. 4 pages. Andrew Duncan #3222161. Published by Andrew Duncan (A0.764315). This setting of John Wigner's text (found in the Trinity Hymnal) uses a brand new tune with close contemporary choral texture and a graceful, pianistic accompaniment. Come to the Savior now, He gently calleth thee;In true repentance bow, before Him bend the knee;He waiteth to bestow salvation, peace and love,True joy on earth below, a home in heaven above.Come to the Savior now, ye who have wandered far;Renew your solemn vow, for His by right you are;Come, like poor wandering sheep returning to His fold;His arm will safely keep, His love will ne'er grow cold.Come to the Savior, all, whate'er your burdens be;Hear now His loving call, Cast all your care on me.Come, and for every grief in Jesus you will findA sure and safe relief, a loving Friend, and kind.Words by John M. Wigner, 1871
$1.99 ≈
£1.51
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99 ≈
£7.58
God Rest Ye Merry, Gentlefolk
God Rest Ye Merry, Gentlefolk
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Chorale SATB
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INTERMÉDIAIRE
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Rachel M Hamilton
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God Rest Ye Merry, Gentlefolk
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Rachel M Hamilton
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.938295 Composed by Rachel M Hamilton. Christmas,Contemporary,Sacred. Octavo. 7 pages. Rachel M Hamilton #3860509...
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Choral Choir (SATB) - Level 3 - SKU: A0.938295 Composed by Rachel M Hamilton. Christmas,Contemporary,Sacred. Octavo. 7 pages. Rachel M Hamilton #3860509. Published by Rachel M Hamilton (A0.938295). A brand new, unaccompanied madrigal-style version of this lovely traditional carol from North Somerset (UK) composer Rachel Hamilton. Although the new tune will be unfamiliar, a snippet of the original, traditional melody can be heard at the start of the final verse. Arranged for mixed voices (SATB). Your feedback would be very welcome - please email me at rachelham@btinternet.com with any comments.
$2.00 ≈
£1.52
Snow
Snow
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Chorale SATB
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INTERMÉDIAIRE
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Leslie Odom, Jr
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Tom Council
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Snow
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Tom Council
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1295714 By Leslie Odom, Jr. By Coleridge Tillman, Joseph Abate, Kyle Mann, Leslie Odom Jr., and Theron Fe...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1295714 By Leslie Odom, Jr. By Coleridge Tillman, Joseph Abate, Kyle Mann, Leslie Odom Jr., and Theron Feemster. Arranged by Tom Council. Christmas,Holiday,Pop. 11 pages. Tom Council #886011. Published by Tom Council (A0.1295714). Snow is a wonderful Leslie Odom Jr. song and a great show piece for your lead male singer and a fun piece for your choir or Pop/Jazz group.  A good uptempo Holiday concert song that can be sung anywhere.  Check out the original song and then have fun. Sorry you have to deal with a Finale File recording. This is brand new!!! Sing and send me your recording, Please!!
$2.00 ≈
£1.52
Anim Zemiros
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
£2.28
To Us This Night Is Born a Child
To Us This Night Is Born a Child
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Chorale SATB
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way of introduction of the pie
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Ernest Brandon
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To Us This Night Is Born a Chi
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital ...
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SATB Chorus & Piano - SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital (IZ.VMW227). 9 x 12 inches.“Paris Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, “solo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$2.00 ≈
£1.52
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