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Vous avez sélectionné:
Chorale and Fugue
Chorale SATB
Partitions à imprimer
53 partitions trouvées
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Toccata and Fugue in D minor, BWV 538 - Transcription for SATB Choir
Toccata and Fugue in D minor, BWV 538 - Transcription for SATB Choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Alessio Niccolai
#
Toccata and Fugue in D minor,
#
Alessio Niccolai
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 p...
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Choral Choir (SATB) - Level 4 - SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 pages. Alessio Niccolai #5794845. Published by Alessio Niccolai (A0.1029541). The transcription for SATB Choir of the famous organ work of J.S. Bach, consists in a counterpoint explosion of the harmonies through a melodic construction that sometimes corresponds to one of the themes identifiable in the original piece and sometimes has been entirely reinvented; to facilitate the vocal performance of each of the four voices, Alessio Niccolai adapted a text to the musical sequences: it is made up of a set of ancient Latin proverbs.The execution is not the easiest: a casual pronunciation of Italian is certainly optimal for being able to correctly execute the Latin passages. Furthermore, the organ has its own native difficulty which could be significantly reduced with the performance on the piano (possibly in combination with an instrument that operates in the lower registers of the sound range) because the percussion of the hammers increases the auditory perception of the rhythm.However, the performance is not impossible even for an advanced amateur choir and guarantees an impact on the public.The idea of a transcription for choir of a purely organist work like this, was born in Alessio Niccolai's head from his first listening.
$10.00 ≈
9.01€
Banquet Fugue
Banquet Fugue
#
Chorale SATB
#
Musique Sacrée
#
John Rutter
#
Banquet Fugue
#
Oxford University Press Digital
#
SheetMusicPlus
SATB choir and piano, or piano, bass, and drum kit - From The Reluctant Dragon. Composed by John Rutter (1945-). Sheet music. Octavo. 8 pages. Oxfor...
(+)
SATB choir and piano, or piano, bass, and drum kit - From The Reluctant Dragon. Composed by John Rutter (1945-). Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193537477. Published by Oxford University Press Digital
ISBN 9780193537477.
For SATB and piano, or piano, bass, and drum kit. This show-stopping fughetta is part of John Rutter's 'musical fable' The Reluctant Dragon. Also available in Encores for Choirs. Instrumental material is available on hire.
$3.25 ≈
2.93€
Toccata and Food in C minor
Toccata and Food in C minor
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Austin Ralphson
#
Toccata and Food in C minor
#
Austin Ralphson
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1162929 Composed by Johann Sebastian Bach. Arranged by Austin Ralphson. A Cappella,Baroque,Comedy. Octavo. 8 pag...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1162929 Composed by Johann Sebastian Bach. Arranged by Austin Ralphson. A Cappella,Baroque,Comedy. Octavo. 8 pages. Austin Ralphson #763280. Published by Austin Ralphson (A0.1162929). This is a tongue-in-cheek, fun arrangement of Bach's famous organ work, Toccata and Fugue in D minor, arranged here for a cappella SATB choir. The unmistakeable ornament at the start of the piece, coupled with its short-and-sweet 2-minute duration, makes it an excellent and fun opening to any concert.If you are feeling creative, percussive rhythms could be provided by plates, cutlery, mugs etc. as desired by the choir!Have fun!
$1.99 ≈
1.79€
Fugue (from Sonata No. 1 in G minor for solo violin, BWV 1001)
Fugue (from Sonata No. 1 in G minor for solo violin, BWV 1001)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Cesar Alejandro Carrillo
#
Fugue
#
Cesar Alejandro Carrillo
#
SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Cesar Alejandro Carrillo. A Cappella, Baroque. 16 pages. Cesar Alejandro Carrillo #878588. ...
(+)
Composed by Johann Sebastian Bach (1685-1750). Arranged by Cesar Alejandro Carrillo. A Cappella, Baroque. 16 pages. Cesar Alejandro Carrillo #878588. Published by Cesar Alejandro Carrillo
$5.00 ≈
4.50€
LITTLE FUGUE - Handel - Arr. for SATB Choir in vocalization
LITTLE FUGUE - Handel - Arr. for SATB Choir in vocalization
#
Chorale SATB
#
F, George Frideric Handel, and
#
Renato Tagliabue
#
LITTLE FUGUE - Handel - Arr. f
#
Renato Tagliabue
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.724715 Composed by F, George Frideric Handel, and g. Arranged by Renato Tagliabue. Baroque,Instructional,Standards. Octavo...
(+)
Choral Choir (SATB) - SKU: A0.724715 Composed by F, George Frideric Handel, and g. Arranged by Renato Tagliabue. Baroque,Instructional,Standards. Octavo. 3 pages. Renato Tagliabue #4888931. Published by Renato Tagliabue (A0.724715).
$1.99 ≈
1.79€
LITTLE FUGUE - by Handel - for SATB Choir in vocalization, or with italian Lyrics
LITTLE FUGUE - by Handel - for SATB Choir in vocalization, or with italian Lyrics
#
Chorale SATB
#
FACILE
#
Classique
#
George Frideric Handel
#
Renato Tagliabue
#
LITTLE FUGUE - by Handel - for
#
Renato Tagliabue
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.724742 Composed by George Frideric Handel. Arranged by Renato Tagliabue. Baroque,Instructional. Octavo. 3 pages....
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.724742 Composed by George Frideric Handel. Arranged by Renato Tagliabue. Baroque,Instructional. Octavo. 3 pages. Renato Tagliabue #4993639. Published by Renato Tagliabue (A0.724742). Lyrics by Evelina Ferrari.
$1.99 ≈
1.79€
Pet Love Fugue
Pet Love Fugue
#
Chorale SATB
#
INTERMÉDIAIRE
#
Music by Deborah Wicks La Puma
#
Pet Love Fugue
#
Crunchynotes.com
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.992112 Composed by Music by Deborah Wicks La Puma, Lyrics by Andy Dodds. Concert,Contemporary,Musical/Show. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.992112 Composed by Music by Deborah Wicks La Puma, Lyrics by Andy Dodds. Concert,Contemporary,Musical/Show. Octavo. 8 pages. Crunchynotes.com #6050185. Published by Crunchynotes.com (A0.992112). A quintet of love for our furry friends! This opening number from the musical review Petpourri celebrates the ways we talk to our pets in an intricate dance of vocal counterpoint. Originally written for a quintet, or easily modified for an SATB quartet. To find out more about Petpourri, go to: https://crunchynotes.com/show/petpourri/
$4.99 ≈
4.49€
The Pets Fugue (Vocal Quartet - (SATB)
The Pets Fugue (Vocal Quartet - (SATB)
#
Chorale SATB
#
FACILE
#
Stephen DeCesare
#
The Pets Fugue
#
Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.631308 Composed by Stephen DeCesare. Concert,Instructional,Musical/Show,Standards. Octavo. 8 pages. Exultet Musi...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.631308 Composed by Stephen DeCesare. Concert,Instructional,Musical/Show,Standards. Octavo. 8 pages. Exultet Music #6530041. Published by Exultet Music (A0.631308). If you ever wondered what it was like to sing like your favorite pet, well now you can with The Pets Fugue. Each part is a different animal (Dog, Cat, Bird or Frog). Scored for a Vocal Quartet (SATB) with Piano accompaniment. Accessible and appropriate for any school or concert setting. An accompaniment track is also available.
$12.99 ≈
11.70€
The Pets Fugue (SATB)
The Pets Fugue (SATB)
#
Chorale SATB
#
FACILE
#
Stephen DeCesare
#
The Pets Fugue
#
Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.631307 Composed by Stephen DeCesare. Concert,Instructional,Musical/Show,Standards. Octavo. 8 pages. Exultet Musi...
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Choral Choir (SATB) - Level 2 - SKU: A0.631307 Composed by Stephen DeCesare. Concert,Instructional,Musical/Show,Standards. Octavo. 8 pages. Exultet Music #6530035. Published by Exultet Music (A0.631307). If you ever wondered what it was like to sing like your favorite pet, well now you can with The Pets Fugue. Each part is a different animal (Dog, Cat, Bird or Frog). Scored for SATB with Piano accompaniment. Accessible and appropriate for any school or concert setting. An accompaniment track is also available. .
$3.99 ≈
3.59€
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Chorale SATB
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
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Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99 ≈
16.20€
J. Pachelbel Fugue in E Minor
J. Pachelbel Fugue in E Minor
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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J
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Ana Antão
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J. Pachelbel Fugue in E Minor
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Ana Antao
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.1009028 Composed by J. Pachelbel. Arranged by Ana Antão. Baroque,Film/TV,Musical/Show,Standards. Octavo. 4 p...
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Choral Choir (Mixed) - Level 4 - SKU: A0.1009028 Composed by J. Pachelbel. Arranged by Ana Antão. Baroque,Film/TV,Musical/Show,Standards. Octavo. 4 pages. Ana Antao #5758247. Published by Ana Antao (A0.1009028). J. Pachelbel Fugue in E Minor, for orgcan or choir.
$10.00 ≈
9.01€
Shopping Fugue
Shopping Fugue
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Chorale SATB
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FACILE
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Stephen DeCesare
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Shopping Fugue
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Exultet Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.618549 Composed by Stephen DeCesare. Broadway,Children,Christmas,Musical/Show. Octavo. 15 pages. Exultet Music ...
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Choral Choir (Mixed) - Level 2 - SKU: A0.618549 Composed by Stephen DeCesare. Broadway,Children,Christmas,Musical/Show. Octavo. 15 pages. Exultet Music #12033. Published by Exultet Music (A0.618549). Featured in The Gift of the Magi: the musical which is available on this site. Scored for Vocals and Piano. An accompaniment and rehearsal tracks are also available.
$3.99 ≈
3.59€
The Breakfast Fugue
The Breakfast Fugue
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Chorale SATB
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FACILE
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Stephen DeCesare
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The Breakfast Fugue
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Exultet Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.618553 Composed by Stephen DeCesare. Broadway,Children,Contemporary,Musical/Show. Octavo. 20 pages. Exultet Mus...
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Choral Choir (Mixed) - Level 2 - SKU: A0.618553 Composed by Stephen DeCesare. Broadway,Children,Contemporary,Musical/Show. Octavo. 20 pages. Exultet Music #12073. Published by Exultet Music (A0.618553). Featured in: The Rock Bracelet: a Mother's Day musical which is available on this site. An accompaniment and rehearsal tracks are also available. Scored for 3 Boys, 1 Girl and Piano.
$3.99 ≈
3.59€
Fugue For Autumn
Fugue For Autumn
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Chorale SATB
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INTERMÉDIAIRE
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The Swingles, Clare Wheeler
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Clare Wheeler
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Fugue For Autumn
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Clare Wheeler
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1098725 By The Swingles, Clare Wheeler. By Clare Wheeler. Arranged by Clare Wheeler. A Cappella,Classical,Contem...
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Choral Choir (SATB) - Level 3 - SKU: A0.1098725 By The Swingles, Clare Wheeler. By Clare Wheeler. Arranged by Clare Wheeler. A Cappella,Classical,Contemporary,Jazz. Octavo. 1 pages. Clare Wheeler #702577. Published by Clare Wheeler (A0.1098725). A short original piece by Clare Wheeler scored for SATB. Originally performed by The Swingles on their Yule Songs EP, this is an atmospheric canon, evoking the feelings of Autumn, and things coming to an end. A great addition to an Autumn vocal programme. Also available one tone lower.
$8.00 ≈
7.21€
Cold and Fugue Season (arr. Ellen Foncannon)
Cold and Fugue Season (arr. Ellen Foncannon)
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Chorale SATB
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Classique
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Johann Sebastian Bach
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Ellen Foncannon Stephenson
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Cold and Fugue Season
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Pavane Publishing
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.482917 Composed by Johann Sebastian Bach. Arranged by Ellen Foncannon Stephenson. This edition: scorch. Class...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.482917 Composed by Johann Sebastian Bach. Arranged by Ellen Foncannon Stephenson. This edition: scorch. Classical. 6 pages. Pavane Publishing #0. Published by Pavane Publishing (HX.482917).
$3.95 ≈
3.56€
Fugue [SATB]
Fugue [SATB]
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Chorale SATB
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Classique
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Johann Sebastian Bach
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Laurie Betts Hughes
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Fugue [SATB]
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Dandelion Music Press
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Laurie Betts Hughes. Baroque Period, Contemporary Classical, Jazz. Octavo. 7 pages. Published by Dand...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Laurie Betts Hughes. Baroque Period, Contemporary Classical, Jazz. Octavo. 7 pages. Published by Dandelion Music Press (S0.234789). - Octavo - Baroque Period,Contemporary Classical,Jazz - Dandelion Music Press
$2.10 ≈
1.89€
Spring from "The Seasons" (Downloadable Piano/Choral Score)
Spring from "The Seasons" (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Frank Ferko
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Spring from "The Seasons&
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part...
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SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65 ≈
2.39€
Vampire
Vampire
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Olivia Rodrigo
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Lia Wiese
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Vampire
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Lia Wiese
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1431858 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Lia Wiese. A Cappe...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1431858 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Lia Wiese. A Cappella,Pop,Rock. 13 pages. Lia Wiese #1012326. Published by Lia Wiese (A0.1431858). Olivia Rodrigo's 2023 pop hit is a powerful anthem expressing heartbreak and anger in the aftermath of an abusive relationship. Now arranged for a mixed contemporary a cappella ensemble, this arrangement captures the longing piano chords and stark tempo changes of the original, while also bringing its own unique twists through reharmonization, text painting, and melodic quotes from Bach's Tocatta and Fugue in D minor. Perfect for an intermediate to advanced ensemble, both soloists and ensemble singers will find opportunities for deep emotional expression in this piece.
$2.99 ≈
2.69€
ONYENWEANYI MEE EBERE [KYRIE IN IGBO]
ONYENWEANYI MEE EBERE [KYRIE IN IGBO]
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Chorale SATB
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AVANCÉ
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DON MARCELLINO
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MARCEL
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ONYENWEANYI MEE EBERE [KYRIE I
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DON MARCELLINO
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1300361 By DON MARCELLINO. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. A Cappella,Religious,Renaissa...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1300361 By DON MARCELLINO. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. A Cappella,Religious,Renaissance,Sacred,Spiritual. 2 pages. DON MARCELLINO #890085. Published by DON MARCELLINO (A0.1300361). ONYENWEANYI MEE EBERE is an Igbo liturgical kyrie, that follows the musical form of canon and fugue.
$2.00 ≈
1.80€
Offertory
Offertory
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Stephanie K
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Offertory
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1272763 Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Octavo. 20 pages. S...
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Choral Choir (SATB) - Level 4 - SKU: A0.1272763 Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Octavo. 20 pages. Stephanie K Andrews #864958. Published by Stephanie K Andrews (A0.1272763). Written in December of 2020 for Be near me when my light is low, a collaborative Requiem by the composers of Inversion Ensemble (a conductor-composer collaborative based in Austin, Texas), the Offertory movement text is a modern English rendition of the Offertory (“Domine Jesu Christe†and “Hostias et preces tibi, Domineâ€) from the traditional Latin Requiem Mass. The Offertory is introduced by a light, flowing sixteenth note pattern in the righthand of the piano that is rhythmically repetitive and meditative. The voices then appear in unison at first, gradually beginning to divide into harmony as the piece progresses until at the word death they fall back into a stark, unaccompanied unison. The Archangel Michael appears in the section that follows, leading the souls of the faithful to eternal light as the music crescendos and moves through an accelerando, ending on a triumphant C major chord on the final repetition of eternal light. A motive of assurance that this light is promised to the faithful for all eternity is presented in E-flat major, a motive that will reappear in the finale of the piece. The flowing sixteenth notes and harmonic shifts of the first section return at Sacrifices and praises we offer you, O Lord. The movement concludes with a fugue in the victorious key of C major, once again offering comfort to Christ's faithful ones through the assurance of heavenly light for all eternity.
$3.50 ≈
3.15€
Agnus Dei
Agnus Dei
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Cesar Alejandro Carrillo
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Agnus Dei
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Cesar Alejandro Carrillo
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.881136 Composed by Johann Sebastian Bach. Arranged by Cesar Alejandro Carrillo. Baroque,Sacred. Octavo. 12 pages...
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Choral Choir (SATB) - Level 4 - SKU: A0.881136 Composed by Johann Sebastian Bach. Arranged by Cesar Alejandro Carrillo. Baroque,Sacred. Octavo. 12 pages. Cesar Alejandro Carrillo #5969941. Published by Cesar Alejandro Carrillo (A0.881136). Based on Contrapunctus I of The Art of FugueDespite the cantabile character of this work, it must be taken into account that, although Bach did not determine it, The Art of the Fugue was thought to be performed with instruments. For this vocal version of the first fugue in the series, I have used the Agnus Dei text, which fits very well with the character of the music.
$4.00 ≈
3.60€
Anim Zemiros
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
2.70€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
79.25€
The Pet Concerto (SATB Version)
The Pet Concerto (SATB Version)
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Chorale SATB
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FACILE
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Stephen DeCesare
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The Pet Concerto
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.631387 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Octavo. 26 pages. Exultet Music #653...
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Choral Choir (SATB) - Level 2 - SKU: A0.631387 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Octavo. 26 pages. Exultet Music #6535055. Published by Exultet Music (A0.631387). A vocal concerto about our friends from the animal kingdom that we have as pets. First movement: The Pets Fugue: If you ever wondered what it was like to sing like your favorite pet, well now you can. Each part is a different animal (Dog, Cat, Bird or Frog). Second movement: Take Me Home: This heartfelt song is from a pet's point of view of those who have been abandoned and left at a pound. Third Movement: Rainbow Bridge: Tender, heartfelt song for all those who have had a pet crossover and hope to see again at the Rainbow Bridge. Can be performed live or virtually. Scored for SATB, Vocal Solo with Piano accompaniment. Rehearsal and accompaniment tracks are also available as well as the individualized pieces. Accessible and appropriate for any school or concert setting.
$10.00 ≈
9.01€
Blessed Are the Pure in Heart
Blessed Are the Pure in Heart
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Chorale SATB
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INTERMÉDIAIRE
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Daniel Ficarri
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Daniel Ficarri
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Blessed Are the Pure in Heart
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Daniel Ficarri
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1306407 Composed by Daniel Ficarri. Arranged by Daniel Ficarri. 21st Century,A Cappella,Christian,...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1306407 Composed by Daniel Ficarri. Arranged by Daniel Ficarri. 21st Century,A Cappella,Christian,Contemporary,Sacred. 18 pages. Daniel Ficarri #895774. Published by Daniel Ficarri (A0.1306407). Blessed are the pure in heart, for they shall see our God; the secret of the Lord is theirs, their soul is Christ's abode. (Text by John Keble, 1792–1866) This a cappella fugue builds from a simple statement of the theme by one voice to the rich harmonies and suspensions of eight independent voices, illustrating the majesty of the words for they shall see our God. In a contrasting middle section, the voices sing intimately of the secret of the Lord, expanding up and down the scale from a single drone. And in the concluding section, the original theme returns in stretto as the voicing thickens to a rich and sonorous amen..
$2.50 ≈
2.25€
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