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Vous avez sélectionné:
First Circle
Chorale SATB
Partitions à imprimer
11 partitions trouvées
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1
First Circle
First Circle
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Chorale SATB
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AVANCÉ
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Jazz
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Pat Metheny
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Cesar Alejandro Carrillo
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First Circle
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Cesar Alejandro Carrillo
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.881139 By Pat Metheny. By Lyle Mays and Pat Metheny. Arranged by Cesar Alejandro Carrillo. Jazz. Octavo. ...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.881139 By Pat Metheny. By Lyle Mays and Pat Metheny. Arranged by Cesar Alejandro Carrillo. Jazz. Octavo. 18 pages. Cesar Alejandro Carrillo #6204211. Published by Cesar Alejandro Carrillo (A0.881139). The First Circle [First Circle, ECM 1278, 1984] is one of the most important jazz
$11.99 ≈
10.86€
Come, Holy Spirit
Come, Holy Spirit
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Chorale SATB
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Allen Pote
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Come, Holy Spirit
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - SKU: H1.C5630DP Composed by Allen Pote. Where there is devotional music, God is always at hand with His gracious presence. -J.S. Ba...
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Choral SATB Chorus - SKU: H1.C5630DP Composed by Allen Pote. Where there is devotional music, God is always at hand with His gracious presence. -J.S. Bach. General Worship, Devotion. Octavo. 16 pages. Hope Publishing - Digital #C5630DP. Published by Hope Publishing - Digital (H1.C5630DP). Timothy Dudley-Smith & Allen Pote.Allen Pote sets to music the biblical account of the first day of Pentecost in this anthem for SATB choir and piano, with optional, reproducible flute and oboe parts which are included in the anthem. Allen Pote sets to music the biblical account of the first day of Pentecost in this anthem for SATB choir and piano, with optional, reproducible flute and oboe parts which are included in the anthem. Through the creative use of text painting Allen brings to life the mighty rushing wind and tongues of flames. The concluding section features a Timothy Dudley-Smith text bringing the anthem full circle to Christians of today with the prayer: Spirit of faith, by faith be mine; Spirit of truth in wisdom shine. Spirit of holiness divine, Spirit of Jesus, come! The flute and oboe parts are included.
$3.25 ≈
2.94€
MAGNIFICAT. Mov. 11 "Gloria Patri". Soprano and Choir with piano accompaniment (orchestra reductio
MAGNIFICAT. Mov. 11 "Gloria Patri". Soprano and Choir with piano accompaniment (orchestra reductio
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Chorale SATB
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Gabriel Ruiz-Bernal
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MAGNIFICAT. Mov. 11 "Glor
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.893959 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. Octavo. 18 pages. Gabriel Ruiz-Bernal #6320937. Pub...
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Choral Choir (SATB) - SKU: A0.893959 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. Octavo. 18 pages. Gabriel Ruiz-Bernal #6320937. Published by Gabriel Ruiz-Bernal (A0.893959). Sicut Locutus is a highly rhythmic movement that blends into the final movement Gloria patri. Gloria filio, et spiritui sancto. Sicut erat in principio nunc et semper et in secula seculorum. Amen (Glory to the father, and to the son, and to the holy spirit, As it was in the beginning, both now, and always, and to ages of ages. Amen) which is created as a replica of the first movement Magnificat. This way the complete Magnificat closes a full circle using the thematic material presented in the first movement, returning to the familiar beginning as the lyrics sing as it was in the beginning, both now, and always, and to ages of ages. Amen (Sicut erat in principio nunc et semper et in secula seculorum. Amen).Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html
$3.00 ≈
2.72€
Солнце (Sun)
Солнце (Sun)
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Chorale SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress...
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Choral Choir,Choral,SATB Chorus divisi - SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99 ≈
1.80€
The Settling Years: (Piano/Choral Score)
The Settling Years: (Piano/Choral Score)
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Chorale SATB
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Libby Larsen
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The Settling Years:
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and piano or wind quintet and piano - Medium - SKU: MQ.4286-E Composed by Libby Larsen. Choral score. 52 pages. E. C. Schirmer Music Company ...
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SATB choir and piano or wind quintet and piano - Medium - SKU: MQ.4286-E Composed by Libby Larsen. Choral score. 52 pages. E. C. Schirmer Music Company - Digital #4286-E. Published by E. C. Schirmer Music Company - Digital (MQ.4286-E). English.This piece is a three-part collection based on poetry by American pioneers. The texts are full of a kind of raw energy, swashbuckling attitude, and profundity of heart and commitment characteristic of those settlers west of the Hudson. I had also looked at the more erudite essays of Coleridge-Taylor, Thoreau, and Emerson but chose the rougher stanzas because the primitive voices, the pioneers, were profound, simply in the way they expressed the nature of their experiences. The first piece, 'Comin’ to Town,' is about cowboys after a month on the range—bawdy, rowdy, and raucous. The second, 'Beneath These Alien Stars,' is about the bonding of the human spirit to the land. The third piece, 'A Hoopla,' depicts a barn dance and vocalists circle ‘round the instruments, stomp, clap, and generally perform with abandon, vigor, and boisterousness. The Settling Years was commissioned and premiered by The Singing Sergeants and the United States Air Force Band for the 150th anniversary of the Music Educators National Convention.-Libby LarsenInstrumental Parts include: Flute, Oboe, Clarinet, Horn, Bassoon, and Piano.
$5.60 ≈
5.07€
Fear Not
Fear Not
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Chorale SATB
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F
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M
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Fear Not
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4204 Composed by F. Rucken. Arranged by M.F.H. Smith. Prayer. Lester S. Levy Collection. 4 pages. Publi...
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Piano and voice (solo and SATB chorus) - SKU: LV.4204 Composed by F. Rucken. Arranged by M.F.H. Smith. Prayer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4204). Choral Echoes A Collection of Pieces Adapted and Arranged for the Choir or Social Circle by M.F.H. Smith. Fear Not. F. Rucken. Arr. by M.F.H. Smith. Published 1875 by Oliver Ditson & Co., Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Prayer. First line reads Whene'er the clouds of sorrow roll, and trials whelm the mind.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.42€
Shun the Broad Road
Shun the Broad Road
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Chorale SATB
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C
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Shun the Broad Road
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3773 Composed by C.T. Lockwood. Families, Farewells, Doors & doorways, Pets, Dogs, City & town life, Fa...
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Piano and voice (solo and SATB chorus) - SKU: LV.3773 Composed by C.T. Lockwood. Families, Farewells, Doors & doorways, Pets, Dogs, City & town life, Fathers & children, Vice, Churches, Bars, Ethics, Advice. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3773). Shun the Broad Road. Words by H.M.L. Music by C.T. Lockwood. Published 1868 by Root & Cady, 67 Washington St. in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Families, Farewells, Doors & doorways, Pets, Dogs, City & town life, Fathers & children, Vice, Churches, Bars, Ethics, Advice. First line reads The happy home circle is breaking, my boy, and the dear ones are wand'ring away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.42€
Git Along Little Dogies [SA(T)B]
Git Along Little Dogies [SA(T)B]
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Chorale SATB
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FACILE
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Traditional
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Laurie Betts Hughes
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Git Along Little Dogies [SA(T)
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad. The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft. Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.90€
The Story of a Leader
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04 ≈
13.62€
The Settling Years: 1. Comin' to Town (Piano/Choral Score)
The Settling Years: 1. Comin' to Town (Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Libby Larsen
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The Settling Years: 1. Comin'
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, wind quintet, and piano - Medium - SKU: MQ.8560-E Composed by Libby Larsen. Instrument part. 28 pages. E. C. Schirmer Music Company - Digita...
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SATB choir, wind quintet, and piano - Medium - SKU: MQ.8560-E Composed by Libby Larsen. Instrument part. 28 pages. E. C. Schirmer Music Company - Digital #8560-E. Published by E. C. Schirmer Music Company - Digital (MQ.8560-E). English.This piece is a three-part collection based on poetry by American pioneers. The texts are full of a kind of raw energy, swashbuckling attitude, and profundity of heart and commitment characteristic of those settlers west of the Hudson. I had also looked at the more erudite essays of Coleridge-Taylor, Thoreau, and Emerson but chose the rougher stanzas because the primitive voices, the pioneers, were profound, simply in the way they expressed the nature of their experiences. The first piece, 'Comin’ to Town,' is about cowboys after a month on the range—bawdy, rowdy, and raucous. The second, 'Beneath These Alien Stars,' is about the bonding of the human spirit to the land. The third piece, 'A Hoopla,' depicts a barn dance and vocalists circle ‘round the instruments, stomp, clap, and generally perform with abandon, vigor, and boisterousness. The Settling Years was commissioned and premiered by The Singing Sergeants and the United States Air Force Band for the 150th anniversary of the Music Educators National Convention.-Libby LarsenInstrumental Parts include: Flute, Oboe, Clarinet, Horn, Bassoon, and Piano.
$3.25 ≈
2.94€
Depth of Mercy! Can There Be?
Depth of Mercy! Can There Be?
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Chorale SATB
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Musique Sacrée
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Carl Maria von Weber
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Thomas Coker
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Depth of Mercy! Can There Be?
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Thomas Rembert Coker Jr
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.933612 Composed by Carl Maria von Weber. Arranged by Thomas Coker. Christian,Sacred. Octavo. 6 pages. Thomas Rembert Coker...
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Choral Choir (SATB) - SKU: A0.933612 Composed by Carl Maria von Weber. Arranged by Thomas Coker. Christian,Sacred. Octavo. 6 pages. Thomas Rembert Coker Jr #3504391. Published by Thomas Rembert Coker Jr (A0.933612). About the hymn According to Scotty Wayne Gray’s description in Handbook to the Baptist Hymnal (1992), John Wesley first published Depth of Mercy! In 1740 under the heading After a Relapse into Sin. The original hymn included 13 four-line stanzas. Later, these were reduced to a more manageable four stanzas, here altered by Brenda Coker. This hymn has been very meaningful, especially in Methodist circles where it has been published in almost all of their hymnals. It clearly reflects the struggle of repentance and acceptance of God’s forgiveness in Christ. The tune is taken from the opening chorus of Carl Maria von Weber’s last opera, Oberon and was put in hymn format by the organist of the Center Church in Hartford, CT, Henry W. Greatorex, in 1851. About the arrangement Originally written in the late 70’s or early 80’s for the Sanctuary Choir at Columbia Baptist Church in Falls Church, VA, this arrangement was published in 1998 by Alliance Music in Houston, TX. Given back to the composer about 2009, the current version uses the same page and bar numbers as the originally published version.
$2.25 ≈
2.04€
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