I can\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Non classifié 5 367 Piano & claviers Piano seul 4 875 Piano, Voix 2 116 Piano, Voix et Guitare 1 978 Piano Facile 778 Instruments en Do 588 Piano grosses notes 370 Orgue 323 Accordéon 162 1 Piano, 4 mains 78 Accompagnement Piano 50 2 Pianos, 4 mains 46 Piano Trio: piano, violon, violoncelle 28 Ligne De Mélodie, Piano 12 Piano (partie séparée) 11 Clavier 10 Piano Quintette: piano, 2 violons, alto, violoncelle 9 Orgue, Trompette (duo) 7 Piano Quatuor: piano, violon, alto, violoncelle 7 Piano Quatuor: piano, 2 violons, violoncelle 7 Orgue, Piano (duo) 6 Clavecin 4 Accordéon, Voix 3 Instrument seul et Orgue 2 1 Piano, 6 mains 1 Ensemble d'Accordéons 1
Voix Chorale SATB 1 430 Chorale 3 parties 493 Chorale 2 parties 466 Voix seule 317 Chorale TTBB 201 Voix duo, Piano 178 Chorale Unison 168 Chorale SSAA 110 Voix duo 58 Chorale 48 Voix Soprano, Piano 34 Voix haute 22 Voix Alto, Piano 6 Voix Tenor, Piano 6 Voix moyenne, Piano 6 Voix basse, Piano 5 Voix Mezzo-Soprano, Piano 5 Voix Tenor 4 Voix Baryton, Piano 4 Chorale SSATTB 3 Chorale SSAB, Piano 3 Chorale SSATB 3 Voix, Guitare 2 Chorale SAATB A Cappella 1 Chorale SSAATTBB 1 Chorale SSAB a cappella 1 Voix basse 1 Soli, choeur mixte et accompagnement 1
Vents Saxophone 1 012 Flûte traversière 796 Clarinette 602 Flûte traversière et Piano 396 Hautbois, Piano (duo) 345 Clarinette et Piano 315 Saxophone Alto et Piano 263 Saxophone Alto 240 Saxophone Tenor et Piano 239 Saxophone Tenor 227 Saxophone (partie séparée) 168 2 Saxophones (duo) 165 Quatuor de Saxophones: 4 saxophones 159 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 135 Flûte, Hautbois, Clarinette, Basson 125 Flûte à Bec 116 2 Flûtes traversières (duo) 115 2 Clarinettes (duo) 97 Quatuor de Clarinettes: 4 clarinettes 96 Hautbois (partie séparée) 92 Quatuor de Flûtes : 4 flûtes 79 Saxophone Soprano et Piano 76 Quintette de Saxophone: 5 saxophones 66 Ensemble de Clarinettes 64 Flûte à bec Soprano 52 Ensemble de saxophones 51 Flûte et Guitare 50 Flûte, Clarinette (duo) 47 2 Hautbois (duo) 44 Saxophone Baryton, Piano 43 Saxophone Soprano 35 Hautbois 35 Ensemble de Flûtes 33 Clarinette (partie séparée) 30 Trio de Flûtes: 3 flûtes 29 Hautbois, Basson (duo) 26 3 Saxophones (trio) 25 Flute (partie séparée) 24 3 Clarinettes (trio) 24 Clarinette, Guitare (duo) 20 Hautbois, Clarinette (duo) 20 Quatuor de Flûtes à bec 19 2 Flûte à bec (duo) 18 Quintette de Clarinettes: 5 clarinettes 17 Cor anglais, Piano 17 Flûte, Violon 16 Clarinette et Alto 14 Saxophone, Clarinette (duo) 14 Clarinette, Violon (duo) 14 Flûte, Violoncelle 13 Clarinette Basse, Piano 12 Flûte, Violon et Violoncelle 12 Flûte à bec Alto 11 Hautbois, Flûte 11 Flûte, Alto (duo) 11 Instruments en Mib 11 Quintette de Flûte : 5 flûtes 11 Clarinette, Trompette (duo) 10 Cor Anglais 9 Hautbois, Guitare (duo) 8 Cor anglais, Guitare (duo) 8 Flûte, Harpe et Violoncelle 6 Hautbois, Clarinette, Basson (trio d'anches) 6 Flûte à bec Tenor 6 Flûte, Basson et Piano 6 Flûte irlandaise 5 Flûte à bec Alto, Piano 5 Flûte, Hautbois (duo) 5 Flûte à bec Soprano, Piano 5 Flûte, Hautbois, Clarinette (trio) 5 Flûte, Saxophone (duo) 5 Clarinette, Harpe (duo) 5 Clarinette, Violoncelle (duo) 5 Saxophone et Guitare 5 2 Flûtes traversières, Piano 5 Quintette de Clarinette: Clarinette, Quatuor à Cordes 4 2 Saxophones, Piano 4 Flute, harpe et violon 4 Flûte, Violoncelle, Piano (trio) 4 Flûte, Clarinette, Piano (trio) 4 Harmonica 4 2 Clarinettes, Piano 3 Hautbois, Basson et Piano 3 Piccolo 3 Clarinette, Basson (duo) 3 2 Cors Anglais Et Pianoforte 3 Flûte, Trombone (duo) 3 3 Flûtes à bec (trio) 3 Ensemble De Flûte à bec 3 Flûte, Violon, Piano 3 Flûte, Hautbois, Basson 3 Saxophone Baryton 3 Flûte, Clarinette et Basson 3 Ocarina 2 Clarinette, Violoncelle, Piano (trio) 2 Saxophone, Violon (duo) 2 Clarinette, Basson, Piano (trio) 2 Flûte et Trio à cordes 2 Flûte, trombone et piano 2 Piccolo, Piano 2 Saxophone et Piano 1 Clarinette, Orchestre 1 Flute, Cor (duo) 1 Clarinette, trompette et piano 1 2 Hautbois, Piano 1 Flûte, Alto et Violoncelle 1 Hautbois, Violoncelle 1 5 Flûtes à bec 1 Clarinette, Contrebasse (duo) 1 Saxophone et Orgue 1 Flûte, Alto et Piano 1 Clarinette, Tuba 1 Hautbois, Harpe 1 Flûte à bec Alto, Basse continue 1 Clarinette, Orgue 1 Clarinette, Trombone (duo) 1 4 Hautbois 1 Flûte et Quatuor à Cordes 1 Cornemuse 1 Flûte, Clarinette, Violon (trio) 1 Flûte, Hautbois, Piano (trio) 1 Clarinette, Alto et Piano (trio) 1
Cuivres Trompette 611 Trombone 484 Trombone et Piano 267 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 223 Trompette, Piano 202 Trompette (partie séparée) 122 Cor 110 Quatuor de Cuivres : 2 trompettes, trombone, tuba 104 Trombone (partie séparée) 94 Cor et Piano 91 Tuba 59 2 Trompettes (duo) 49 Quatuor de Cuivres 47 2 Trombones (duo) 44 Ensemble de Trompettes 43 Euphonium 39 Ensemble de Trombones 34 Quatuor de cuivres: 4 trombones 33 Tuba et Piano 30 Trompette, Trombone (duo) 30 Cor (partie séparée) 28 Quatuor de Cuivres: 2 trompettes, Cor, trombone 24 Euphonium, Piano (duo) 21 2 Cors (duo) 18 Cor anglais, Piano 17 Instruments en Sib 14 Tuba (partie séparée) 14 Bass Clef Instruments 14 2 Tubas (duo) 13 Trombone, Tuba (duo) 12 Trio de Cuivres 11 Trompette, Saxophone (duo) 11 Quatuor de cuivres: 4 cors 11 Quatuor de cuivres: 4 trompettes 9 Cor Anglais 9 Cor anglais, Guitare (duo) 8 2 Euphoniums et 2 Tubas 8 Trompette, Cor (duo) 6 2 Euphoniums (duo) 5 Trompette, violon (duo) 4 Ensemble de Cors 4 Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3 2 Cors Anglais Et Pianoforte 3 Quatuor de cuivres: 2 trompettes, 2 trombones 2 Instruments en Fa 2 3 Trompettes (trio) 2 Trompette, Violoncelle (duo) 2 4 Tubas 1 2 Cors, Piano 1 Cor et Orgue 1 3 Trombones (trio) 1 4 Euphoniums 1 Trompette, Euphonium (duo) 1 Tuba ou Euphonium ou Saxhorn 1 Euphonium, Tuba (duo) 1 2 Trombones, Piano 1 Ensemble de Tubas 1 Trombone et orchestre 1 2 Trompettes, Clavier (piano ou orgue) 1 Trombone basse et Piano 1 Clarinette, Cor (duo) 1
Cordes Quatuor à cordes: 2 violons, alto, violoncelle 1 020 Violon 825 Violon et Piano 465 Violoncelle 433 Violon, Violoncelle (duo) 424 Trio à Cordes: violon, alto, violoncelle 346 Alto, Piano 323 Violoncelle, Piano 298 Alto seul 260 Harpe 232 Quintette à cordes: 2 violons, alto, violoncelle, basse 157 2 Harpes (duo) 156 2 Violons (duo) 131 Violon, Alto (duo) 103 2 Violoncelles (duo) 76 2 Altos (duo) 74 Contre Basse 60 Alto (partie séparée) 56 Trio à Cordes: 2 violons, violoncelle 52 Violon (partie séparée) 38 Alto, Violoncelle (duo) 37 Contrebasse (partie séparée) 36 Contrebasse, Piano (duo) 30 Violon, Guitare (duo) 25 Harpe, Flûte (duo) 19 Harpe, Violon (duo) 18 Violoncelle, Contrebasse (duo) 16 Piano Trio: Violon, Alto, Piano 16 Violoncelle , Guitare (duo) 16 Quatuor à cordes: 4 violons 14 4 Violoncelles 13 2 Contrebasses (duo) 13 Harpe, Violoncelle (duo) 11 Ensemble de Violons 10 Trio à Cordes: 2 violons, alto 10 2 Violons, Piano 9 Alto et Harpe 9 Trio à cordes: 3 violins 8 Quintette à cordes: 2 violons, 2 altos, violoncelle 7 Violoncelle (partie séparée) 7 Ensemble d'Altos 7 Trio à Cordes: 3 violoncelles 7 Flûte, Contrebasse (duo) 6 Harpe, Voix 6 Alto, Guitare (duo) 5 Violoncelle, Orchestre 5 Harpe, Violon, Violoncelle 4 4 Contrebasses 4 Quintette à cordes : 2 violons, alto et 2 violoncelles 4 Quatuor à cordes : 4 altos 4 Harpe et Piano 3 2 Altos, Piano 2 Trio à cordes: 3 altos 2 Harpe (partie séparée) 2 2 Violoncelles, Piano 1 Violoncelle, Orgue 1 Violon, Tuba (duo) 1 3 Harpes 1 Violon, Clarinette, Piano (trio) 1 Alto et Basson 1 Ensemble de Violoncelles 1
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Brincando no ar (Canto nupcial / Wedding song)
Brincando no ar (Canto nupcial / Wedding song) # Chorale SATB # INTERMÉDIAIRE # César del Caño # English) and other details # Brincando no ar # Cesar del Cano # SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 p...(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 pages. Cesar del Cano #6418517. Published by Cesar del Cano (A0.1030297). · · Polyphonic a cappella work for four mixed voices (S, A, T/B) with divisi and solo voices. · Approximate duration: 1:30 · Pages (4): Cover (1), Score (2, 3), Lyrics (4): Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition. · A video-score from YouTube is attached. · [ENG] Brincando no ar (Dancing in the air) Wedding song. Text, music and polyphonic work: César del Caño She: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. He: You came to me like the moon comes to the night, and nobody will steal from me this nest I have made for you. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak it came, dancing in the air. [ESP] Brincando no ar (Danzando en el aire) Canto nupcial Texto, música y obra polifónica: César del Caño Obra polifónica para cuatro voces mixtas (Soprano, Contralto, Tenor y Bajo), con divisi. Ella: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Él: Llegaste a mà como la luna viene a la noche, y nadie me robará el nido que he hecho para ti. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico llegó, danzando en el aire. · Composer data: Website: https://www.cesardelcano.com Facebook: https://www.facebook.com/cesardelcano.esp YouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT ·
I Can See It Clearly Now Alpha Waves
I Can See It Clearly Now Alpha Waves # Chorale SATB # INTERMÉDIAIRE/AVANCÉ # Leerseite # John Fries # I Can See It Clearly Now Alpha # John Fries # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1230085 By Leerseite. By Claes Nilsson. Arranged by John Fries. 20th Century,Pop,Standards. 16 pages. Joh...(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1230085 By Leerseite. By Claes Nilsson. Arranged by John Fries. 20th Century,Pop,Standards. 16 pages. John Fries #825844. Published by John Fries (A0.1230085). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. I Can See Clearly Now is a song written and recorded by American singer-songwriter Johnny Nash. It was the lead single from his album, I Can See Clearly Now (1972), and achieved success in the United States and the United Kingdom when it was released in 1972, reaching number one on the US Billboard Hot 100 and Cash Box charts. It also reached number one in Canada and South Africa.  After Nash wrote and composed the original version, he recorded it in London with members of the Fabulous Five Inc., and produced it himself. The song's arrangements and style are both heavily laced with reggae influences, as Nash had earlier collaborated with Bob Marley and his approach drew strongly from Marley's reggae style.
I See You
I See You # Chorale SATB # INTERMÉDIAIRE # Michelle Willis # I See You # Teton Music # SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published b...(+)
Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
Holy Saturday: Easter Vigil I (Downloadable)
Holy Saturday: Easter Vigil I (Downloadable) # Chorale SATB # INTERMÉDIAIRE # Musique Sacrée # Luke Mayernik # Holy Saturday: Easter Vigil I # MorningStar Music Publishers - Digital Sheet Music # SheetMusicPlus
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-040E Composed by Luke Mayernik. Psalm Setting,...(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-040E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Easter Vigil, 21st Century. 4 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-040E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-040E). English. Psalms 104, 33.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
Extended Pentecost Vigil I (Downloadable)
Extended Pentecost Vigil I (Downloadable) # Chorale SATB # INTERMÉDIAIRE # Musique Sacrée # Luke Mayernik # Extended Pentecost Vigil I # MorningStar Music Publishers - Digital Sheet Music # SheetMusicPlus
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-065E Composed by Luke Mayernik. Psalm Setting,...(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - SKU: MQ.80-416-065E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Pentecost, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-065E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-065E). English. Psalms 33.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
Eugenio de Ligniville - Stabat Mater à tre voci in Canone - First Part (canons 1-10)
Eugenio de Ligniville - Stabat Mater à tre voci in Canone - First Part (canons 1-10) # Chorale SATB # INTERMÉDIAIRE # Eugenio de Ligniville # Guido Menestrina # Eugenio de Ligniville - Stabat # Guido Menestrina # SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.828748 Composed by Eugenio de Ligniville. Arranged by Guido Menestrina. Baroque. Octavo. 12 pages. Guido ...(+)
Choral Choir (SATB divisi) - Level 3 - SKU: A0.828748 Composed by Eugenio de Ligniville. Arranged by Guido Menestrina. Baroque. Octavo. 12 pages. Guido Menestrina #2069709. Published by Guido Menestrina (A0.828748). Dedicato à S.A.R. Pietro Leopoldo Principe Reale d'Ungheria, e di Boemia Arciduca d'Austria Granduca di Toscana & & & (1767) Trascrizione a cura di Guido Menestrina Eugenio de Ligniville (o De Lignyville), spirito libero e inquieto, appassionato ed esperto di musica, agronomia ed esperimenti scientifici, fu «Sovrintendente alla musica della Real Camera e Cappella», il dipartimento musicale della Corte fiorentina, ma anche... Generale delle Poste. Fu proprio a Firenze che negli anni '60 del 1700 produsse le sue migliori composizioni, viste con rispetto, pare, anche dal giovane Mozart, che ne avrebbe in parte riutilizzate qualche decennio più tardi. Qui si propone la prima parte del suo Stabat Mater (i canoni da 1 a 10), sempre per tre voci, ma sempre diverse: tre soprani, tre contralti, soprano tenore e basso, ecc... Follow the score on youtube: https://youtu.be/EA_7gs4q3_s.
I May Not Be the One - an original hymn for SATB voices
I May Not Be the One - an original hymn for SATB voices # Chorale SATB # INTERMÉDIAIRE/AVANCÉ # Musique Sacrée # sending His Son who let me in # Kevin G # I May Not Be the One - an orig # Kevin G. Pace # SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701452 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevi...(+)
Choral Choir (SATB) - Level 4 - SKU: A0.701452 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3125159. Published by Kevin G. Pace (A0.701452). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/BGhqSeLVhqgI may not be the one to brighten your eye, I may not be the one whose heart makes you fly, I may not be the one who shows you His ways, But know I am one who for you prays. I may not be the one who gave everything To bring you back to God, our glorious King, I cannot save your soul or cleanse it or mend, But this I can do, forever be your friend. I may not be the one who knows all the truth. It's true I may have been a faltering youth, But now I know my God, who saved me from sin By sending His Son who let me in. So now I am the one who will testify, And now I am the one who'll reach out to try To bless a friend in need, just as I've been blessed, Until we in heaven find eternal rest.
I'll Be Dar
I'll Be Dar # Chorale SATB # James S # Harry F # I'll Be Dar # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4801 Composed by James S. Putnam. Arranged by Harry F. Williams. African Americans, Dialects, Plantatio...(+)
Piano and voice (solo and SATB chorus) - SKU: LV.4801 Composed by James S. Putnam. Arranged by Harry F. Williams. African Americans, Dialects, Plantations, Cotton, Corn, Sugarcane, Love, Marriage, Celebrations, Ethnic stereotypes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4801). I'll Be Dar. Words & Music by James S. Putnam. Arranged by Harry F. Williams. Published 1880 by White, Smith & Company, 516 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include African Americans, Dialects, Plantations, Cotton, Corn, Sugarcane, Love, Marriage, Celebrations, Ethnic stereotypes. First line reads To morrow I am gwine away, if the weather it is fine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Canning. Safely Rocked in Mother's Arms
Canning. Safely Rocked in Mother's Arms # Chorale SATB # Effie I # Effie I # Canning. Safely Rocked in Moth # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.818 Composed by Effie I. Canning. Portraits, Mothers & children, Lullabies, Children sleeping, Love. Le...(+)
Piano and voice (solo and SATB chorus) - SKU: LV.818 Composed by Effie I. Canning. Portraits, Mothers & children, Lullabies, Children sleeping, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.818). Popular Songs By Effie I. Canning. Safely Rocked in Mother's Arms. Words and Music Effie I. Canning. Published 1887 by Chas. D. Blake & Co., 488 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Mothers & children, Lullabyes, Children sleeping, Love. First line reads Gently, slowly to and fro, sways the old armchair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
I Hear the Banjo Play. Song and Chorus
I Hear the Banjo Play. Song and Chorus # Chorale SATB # H # I Hear the Banjo Play. Song an # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4263 Composed by H.P. Danks. Dialects, Slavery, African Americans, Courtship, Weddings, Happiness. Lest...(+)
Piano and voice (solo and SATB chorus) - SKU: LV.4263 Composed by H.P. Danks. Dialects, Slavery, African Americans, Courtship, Weddings, Happiness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4263). I Hear the Banjo Play. Song and Chorus. Words by A.W. French. Music by H.P. Danks. Published 1875 by C.H. Ditson & Co., 711 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dialects, Slavery, African Americans, Courtship, Weddings, Happiness. First line reads I'se a gay and careless darkey, just as happy as can be.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
American Triptych: I. i thank You God (Downloadable Piano/Choral Score)
American Triptych: I. i thank You God (Downloadable Piano/Choral Score) # Chorale SATB # David Conte # American Triptych: I. i thank # E. C. Schirmer Music Company - Digital # SheetMusicPlus
SATB choir and piano 4-hands, or soprano saxophone, percussion (3 Players), harp, contrabass, and piano 4-hands - Moderately Difficult - SKU: MQ.7926-E ...(+)
SATB choir and piano 4-hands, or soprano saxophone, percussion (3 Players), harp, contrabass, and piano 4-hands - Moderately Difficult - SKU: MQ.7926-E Composed by David Conte. 25 pages. Duration 5 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7926-E. Published by E. C. Schirmer Music Company - Digital (MQ.7926-E). English.American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. Commissioned by the Reading Choral Society, Reading, Pennsylvania, David DeVenney, conductor. The work received its premiere performance on November 13, 1999.The first movement, i thank You God, is an extroverted fanfare of praise to God the Creator, with liberal use of mixed meter, syncopation and minimalist rhythmic patterns. The chosen ensemble of instruments (harp, soprano saxophone, double bass, piano and percussion) gives the work a decidedly American character. This work can also be performed with piano four-hands alone, or with piano four-hands and any combination of the ensemble instruments, with the two pianists omitting any doublings as indicated by the cues. Duration: 5:30.
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche # Chorale SATB # FACILE # Nicola Vaccaj # Antonio Cericola # VACCAJ - Metodo pratico di can # Antonio Cericola # SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages...(+)
Choral Choir (SATB) - Level 2 - SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria già trasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.
How Can I Be Like Jesus? - sacred music for SATB choir
How Can I Be Like Jesus? - sacred music for SATB choir # Chorale SATB # INTERMÉDIAIRE/AVANCÉ # Musique Sacrée # Kevin G # go where He leads # How Can I Be Like Jesus? - sac # Kevin G. Pace # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1352071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1352071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 13 pages. Kevin G. Pace #936900. Published by Kevin G. Pace (A0.1352071). An epically beautiful, sacred choral composition for SATB choir.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:How Can I Be Like Christ?“Come, follow Me . . .†(Luke 18:22)How can I be like Christ while on the earth?How can I live His ways and heed His words?How can I love the same as He loves me?How can I be aware and help those who plead?Follow His ev’ry step; go where He leads.Love ev’ry friend alike, or enemy.Lighten each burden shown from suff’ring souls.Shepherd them to His side; He will make each whole.How can my walk through life show God I care?Will others know to trust so I can share?How do I reach each one when in a crowd?Can I still help these souls ev’n though sin abounds?Follow His ev’ry step; go where He leads.Give of your meager store when one’s in need.Search for the lonely heart with eyes attuned.Loving each child of God can diminish wounds.How can I be like Christ, ev’n as I am?He gives sure promises; I am His lamb.As I go where He leads, gath’ring His souls,My love will shepherd them where Christ makes each whole.
How Can I Be Like Jesus? - a sacred hymn
How Can I Be Like Jesus? - a sacred hymn # Chorale SATB # INTERMÉDIAIRE/AVANCÉ # Musique Sacrée # Kevin G # go where He leads # How Can I Be Like Jesus? - a s # Kevin G. Pace # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1311956 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1311956 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #900848. Published by Kevin G. Pace (A0.1311956). An attractive, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:How Can I Be Like Christ?“Come, follow Me . . .†(Luke 18:22)How can I be like Christ while on the earth?How can I live His ways and heed His words?How can I love the same as He loves me?How can I be aware and help those who plead?Follow His ev’ry step; go where He leads.Love ev’ry friend alike, or enemy.Lighten each burden shown from suff’ring souls.Shepherd them to His side; He will make each whole.How can my walk through life show God I care?Will others know to trust so I can share?How do I reach each one when in a crowd?Can I still help these souls ev’n though sin abounds?Follow His ev’ry step; go where He leads.Give of your meager store when one’s in need.Search for the lonely heart with eyes attuned.Loving each child of God can diminish wounds.How can I be like Christ, ev’n as I am?He gives sure promises; I am His lamb.As I go where He leads, gath’ring His souls,My love will shepherd them where Christ makes each whole.
How Can I Serve Thee Lord? - sacred music for SATB choir
How Can I Serve Thee Lord? - sacred music for SATB choir # Chorale SATB # INTERMÉDIAIRE/AVANCÉ # Kevin G # How Can I Serve Thee Lord? - s # Kevin G. Pace # SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sa...(+)
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #1040433. Published by Kevin G. Pace (A0.1461686). Gorgeous, sacred choral anthem with music composed by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
How Can I Serve Thee Lord? - a sacred hymn
How Can I Serve Thee Lord? - a sacred hymn # Chorale SATB # INTERMÉDIAIRE/AVANCÉ # Kevin G # How Can I Serve Thee Lord? - a # Kevin G. Pace # SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sa...(+)
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1019306. Published by Kevin G. Pace (A0.1439299). A beautiful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
What Can I Offer? - a sacred hymn
What Can I Offer? - a sacred hymn # Chorale SATB # INTERMÉDIAIRE/AVANCÉ # Musique Sacrée # Kevin G # What Can I Offer? - a sacred h # Kevin G. Pace # SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1165781 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1165781 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #766151. Published by Kevin G. Pace (A0.1165781). A beautiful, heart-felt hymn with music composed by Kevin G. Pace and text written by Mark R. Fotheringham.Text:What can I offer, Lord up above,He who has blessed me with perfect love?Thou suffered for my sins, grace to impart. So,What can I offer? Only my heart.What can I offer? Only my heart. What shall I give Thee, Lord of mankind?Thou great Creator, all things are thine,Treasures throughout the earth moving and still. So,What shall I give Thee? I'll give my will.What shall I give Thee? I'll give my will. How can I know Thee, Savior divine,He who has taught me, line upon line?If I can do Thy will, serve Thee at length, thenThus can I know Thee, yielding my strength.Thus can I know Thee, yielding my strength.