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If I Could Be With You
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Vous avez sélectionné:
If I Could Be With You
Chorale SATB
Partitions à imprimer
21 partitions trouvées
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1
Do You Hear How Many You Are?
Do You Hear How Many You Are?
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindri...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25 ≈
2.02€
Please Don't Talk About Me When I'm Gone
Please Don't Talk About Me When I'm Gone
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Chorale SATB
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INTERMÉDIAIRE
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Sam H
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Jay Dougherty
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Please Don't Talk About Me Whe
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1281261 Composed by Sam H. Stept and Sidney Clare. Arranged by Jay Dougherty. A Cappella,Contempor...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1281261 Composed by Sam H. Stept and Sidney Clare. Arranged by Jay Dougherty. A Cappella,Contemporary,Jazz,Standards. 5 pages. Jay Dougherty #872605. Published by Jay Dougherty (A0.1281261). As sung by Ella Fitzgerald, this big band classic is arranged by Jay Dougherty for SAATB+solo (6 total parts) a cappella. It is meant to be performed with a jazz ensemble accompaniment, but could be performed solo as a short piece without repeat. It serves well as a fun, upbeat concert closer or encore piece!Please note that there is a 10-copy minimum purchase even though there are only 6 parts. If your ensemble has fewer than 10 singers, you're still getting a great piece for a good price by purchasing the rights to 10 copies.Learning tracks are available at www.jmdougherty.comFor more information on compositions and arrangements by Jay Dougherty, visit www.jmdougherty.com.
$2.49 ≈
2.23€
The Dead Shall be Raised (I Thessalonians 4)
The Dead Shall be Raised (I Thessalonians 4)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Carol Taylor
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Carol Taylor
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The Dead Shall be Raised
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C.Taylor
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.934048 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Sacred,Spiritual. Octavo. 13 pages. C.Taylo...
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Choral Choir (SATB) - Level 4 - SKU: A0.934048 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Sacred,Spiritual. Octavo. 13 pages. C.Taylor #3111381. Published by C.Taylor (A0.934048). This is a big piece with much emotion about the Resurrection. Words are directly taken from I Thessalonians 4It is inspirational and the focal point of all Christian religion--the ResurrectionBecause it is scripture set to music it is appropriate for all Christian organizationsBrass and Timpani/Drums could be added for emphasis (though I have not specifically written those parts--they are rather obvious!)Please excuse the MP3 quality. I did not have a choir to record my piece and cannot sing bass or tenor properly. This is just to give you an idea of the sound and really needs a full size choir to perform. It takes about 6 minutes to perform and ends on a very big high! I have extensive contacts on many Facebook sites both secular and religiousI am part of a worldwide Church organization and this piece has been used privately in one service for a special High day we celebrate each yearI am not part of any Performing Rights groupsMy contact information is: Caroltaylor27@yahoo.com please contact me with questions or if you would like the music in individual parts or if you would like me to write a brass or Timpani parts.SATB with the melody shifting from soprano to bass to tenor. MUST have a strong bass section to handle this piece
$2.99 ≈
2.68€
I Wonder on That Christmas Day, a sacred Christmas hymn
I Wonder on That Christmas Day, a sacred Christmas hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Wonder on That Christmas Day
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1125754 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Religious,Sacred,Spiritual....
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Choral Choir (SATB) - Level 4 - SKU: A0.1125754 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #726494. Published by Kevin G. Pace (A0.1125754). A lovely, Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: I wonder on that Christmas day, when Baby Jesus slept on hay, If He dreamed the world would sing sweet songs about the love He’d bring? I wonder when the star shone bright if sheep were startled by the light? Did the shepherds stop and pray to find where Baby Jesus lay? I wonder if the cattle stirred when cries from Jesus could be heard? Did his mother wrap him tight and sing to Him throughout the night? I wonder when the wisemen came, if they were told the Baby’s Name? Were the precious gifts they brought then used by Jesus as He taught? I wonder on that Christmas day, when Baby Jesus slept on hay, If He knew He’d grow to be God’s greatest gift for you and me? I wonder if dear Joseph stayed with Mary to give needed aid? Did he feed the donkey there, or give sweet Mary all his care?
$1.99 ≈
1.78€
If I Ever Forget You (Let My Tongue Be Silenced) (SATB)
If I Ever Forget You (Let My Tongue Be Silenced) (SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Musique Sacrée
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Stephen DeCesare
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If I Ever Forget You
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1200418 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Octavo....
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Choral Choir (SATB) - Level 2 - SKU: A0.1200418 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Octavo. 10 pages. Exultet Music #799243. Published by Exultet Music (A0.1200418). Tender setting of Psalm 137 that could be easily utilized in any church Lenten service or concert program. Scored for SATB with Piano accompaniment. Â An accompaniment and a rehearsal track are also available.
$3.99 ≈
3.58€
If I Would Leave You In Peace
If I Would Leave You In Peace
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael D
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If I Would Leave You In Peace
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Michael D. McClish
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.940834 Composed by Michael D. McClish. Christian,Contemporary,Sacred. Octavo. 6 pages. Michael D. McClish #57977...
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Choral Choir (SATB) - Level 4 - SKU: A0.940834 Composed by Michael D. McClish. Christian,Contemporary,Sacred. Octavo. 6 pages. Michael D. McClish #5797731. Published by Michael D. McClish (A0.940834). This original poem and piece was written with Ascension Sunday/Week in mind, but could certainly be used in a general service. It is intermediate-advanced level, requiring good reading skills, SATB+piano. The poetry is non-denominational.I use the women and men as double choirs. It's less than 4 min, perfect for services or in a collection of pieces in a concert.
$2.00 ≈
1.79€
I'm Stone In Love With You
I'm Stone In Love With You
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Chorale SATB
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INTERMÉDIAIRE
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Anthony Salvatore Bell, Linda
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Kevin Keller
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I'm Stone In Love With You
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Kevin Keller
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.816209 Composed by Anthony Salvatore Bell, Linda Creed, and Thomas Bell. Arranged by Kevin Keller. 20th Century,...
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Choral Choir (SATB) - Level 3 - SKU: A0.816209 Composed by Anthony Salvatore Bell, Linda Creed, and Thomas Bell. Arranged by Kevin Keller. 20th Century,A Cappella. Octavo. 6 pages. Kevin Keller #5286289. Published by Kevin Keller (A0.816209). SATB a cappella version - could also be men's if required - melody on top.
$2.99 ≈
2.68€
Spero te et hunc natalem
Spero te et hunc natalem
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Chorale SATB
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FACILE
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Tim Attride
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Spero te et hunc natalem
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Tim Attride
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.851325 Composed by Tim Attride. Holiday. Octavo. 3 pages. Tim Attride #6234643. Published by Tim Attride (A0.851...
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Choral Choir (SATB) - Level 2 - SKU: A0.851325 Composed by Tim Attride. Holiday. Octavo. 3 pages. Tim Attride #6234643. Published by Tim Attride (A0.851325). This piece was written at the request of the wife of the Musical Director of the Thanet Chamber Choir as a surprise for her husband's 40th birthday. The brief was either an anthem or some special arrangement of Happy Birthday. Well, using words from Pliny (the Younger?) and a very disguised version of the latter, I arrived at the attached. The MP3 was recorded by individuals at home during the second COVID lockdown and put together to be played on his birthday. If you are looking for something more than the usual, either as a birthday treat or a concert guess the tune item, this could be for your choir. All well within the range of any competent choir and with just one optional split (for any second basses).
$2.99 ≈
2.68€
I will magnify - Magnificat
I will magnify - Magnificat
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Chorale SATB
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Musique Sacrée
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Roger Jones
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I will magnify - Magnificat
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.927409 Composed by Roger Jones. Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Christian Music Ministries #3820089. ...
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Choral Choir (SATB) - SKU: A0.927409 Composed by Roger Jones. Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Christian Music Ministries #3820089. Published by Christian Music Ministries (A0.927409). A lively setting of the words of the Magnificat from Luke 1 for solo soprano, SATB choir and piano. The score also includes guitar chords. With simple backing choir parts and an arrangement that builds to an exciting climax, this piece would be perfect for any carol service. It is also suitable to use as an anthem on other occasions. If your choir does not have a solo soprano, a small group of singers could take on the solo line.
$1.99 ≈
1.78€
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Gordon Thornett
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Prelude and Cherubic Hymn, inc
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Gordon John Thornett
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Gordon John T...
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Choral Choir (SATB) - Level 3 - SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Gordon John Thornett #3861793. Published by Gordon John Thornett (A0.821201). Prelude and Cherubic Hymn was commissioned by the John F. Kennedy School in Berlin, to mark the 25th anniversary of their annual Advent services held in Berlin Cathedral. It was performed by joint choirs, drawn from students, parents and faculty, and choir members of the American Church in Berlin on 29 November 2017.The piece is built around the ancient hymn, Let all mortal flesh keep silence. I was asked to write an organ prelude, to serve as a processional as the choirs assembled. This may be ordered separately through SwirlyMusic.org - and now also through SheetMusicPlus.After an opening fanfare-like section, the hymn setting starts gently, with sopranos singing in unison, with successive verses using contrasting choral forces to reflect the words, and the music builds to a big climax, with a return of the fanfare opening, for the final verse, At his feet the six-winged seraph, ending with joyful Alleluias. Although originally conceived for a large chorus with orchestral accompaniment, the setting may be performed with just organ or piano.There's a youtube video at https://youtu.be/HQwYDJRdmcc - this is an extract from the first performance in the magnificent setting of Berlin Cathedral, which was packed to capacity. The quality of both sound and picture isn't great, but it will provide you with an idea of the atmosphere and impact of the piece. The sound recording covers the whole piece, using Sibelius sounds. (You may also like to hear a computer generated recording of the whole piece.)Dr. Joseph R. Curtis, Choral Director at the JFK School, writes:Prelude and Cherubic Hymn is a grand arrangement of the timeless carol 'Let All Mortal Flesh Keep Silence'. Utilizing choir, full orchestra and organ, it is sure to please and impress performers and audience alike. At a recent performance in the Berlin Cathedral, the piece received spontaneous applause (which was a first for this kind of event).NOTE - Although originally scored for orchestra, the piece would work well with just choir and organ - in which case the fanfare sections at the beginning and the first 6 measures at letter F could be omitted. If orchestral score and parts are needed, please go to https://www.swirlymusic.org/music/choral-music/gordon-thornett-cherubic-hymn/.]
$2.50 ≈
2.24€
Out of the Depths
Out of the Depths
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Out of the Depths
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770...
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Choral Choir (SATB) - Level 4 - SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770087. Published by Philip Le Bas (A0.818179). This setting of Psalm 130 (Out of the depths have I cried to you, O Lord) was written as a response to the covid-19 lockdown crisis. It is a prayer for help in the midst of difficulty and sin, waiting for God with hope in his compassion and forgiveness. Its tempo marking of soulful, but rhythmic highlights the character of the weary, bluesey theme in B flat minor and its falling chromatic accompaniment. However, there are signs of hope throughout the setting, and the last verse mixes its principal key of G major with the original rise and fall of the minor third interval (G to B flat). Hope is, after all, sure and certain, yet it is a trust in a God who is ultimately unseen and unknownable.Psalm 130: Out of the depths have I cried to you, O Lord, Lord, hear my voice,O let your ears be attentive to the voice of my supplications. If you, O Lord, should mark our iniquities, Lord, who could stand? But there is forgiveness with you, that you may be feared. I wait for the Lord, I wait for the Lord.My soul waits, and in his word I hope. My soul waits for the Lord more than those who watch for the morning, more than those who watch for the morning. O Israel, hope in the Lord, for with the Lord there is steadfast love and great power to redeem. The Lord will redeem you, O Israel, from all your iniquities.
$1.99 ≈
1.78€
Stevenson Prayer and Epitaph (Give us grace)
Stevenson Prayer and Epitaph (Give us grace)
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Chorale SATB
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INTERMÉDIAIRE
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Sara Garrard
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Stevenson Prayer and Epitaph
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Sara Garrard
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.819481 Composed by Sara Garrard. Contemporary,Folk,Patriotic,World. Octavo. 7 pages. Sara Garrard #6092459. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.819481 Composed by Sara Garrard. Contemporary,Folk,Patriotic,World. Octavo. 7 pages. Sara Garrard #6092459. Published by Sara Garrard (A0.819481). SATB unaccompanied | Duration: 2m30 | Difficulty: Moderate (needing good breath support) with rehearsal piano.Texts by Robert Louis Stevenson (1850-1894) A setting of two separate texts appearing on Stevenson's memorial in St. Giles Cathedral. The first part is flowing, irregular, folk-like; the second a solemn but joyful hymn. This could be either a concert piece or used in a ceremony of remembrance. 2019 Give us grace and strength to forbear and to persevere. Give us courage and gaiety, and the quiet mind. Spare to us our friends, soften to us our enemies. Bless us, if it may be, in all our innocent endeavours. If it may not, give us the strength to encounter that which is to come, that we may be brave in peril, constant in tribulation, temperate in wrath, and in all changes of fortune, and down to the gates of death, loyal and loving to one another.Under the wide and starry sky,Dig the grave and let me lie.Glad did I live and gladly die,And I laid me down with a will.This be the verse you grave for me:Here he lies where he longed to be;Home is the sailor, home from sea,And the hunter home from the hill.Robert Louis Stevenson, Scotland, prayer, thanksgiving, memorial, funeral, remembrance, folk, anthem.The youtube link is to a piano version of the second half of this piece beginning: Under the wide and starry sky
$4.25 ≈
3.81€
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
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Chorale SATB
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INTERMÉDIAIRE
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D
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Caffeinated Dreams
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Published by D. M. Gardner Music (A0.799640). Caffeinated Dreams is a humorous piece that pokes fun at high-dollar coffee by depicting a figurative monkey that is constantly trying to steal your latte. Anyone who has had the need for a nice warm caramel latte on a cold day (or any day) will enjoy this composition. Caffeine addicted people everywhere understand how difficult it is to get that monkey off your back... The one that's always telling you to cut back on your coffee habit. Watch out, or he'll steal your latte too! Caffeinated Dreams was inspired by the large number of coffee shops in Omaha, Nebraska, specifically one called Caffeine Dreams. If you are ever in the area, you should check it out. Also of note, there are small humorous illustrations throughout the score and parts to help inspire the performers. Perhaps you could attempt to get a local establishment to let you sing this piece for acup of java. I would.Humorous - You and your audience will love this piece!SATB/Solo Monkey with Conga, Bass Drum, Claves, Sand Block**Please note the MIDI audio sample does not reproduce any of the choir's non-singing vocalizations, of which there are many. Additionally, no monkey could be reached in time to make this recording, so that too is omitted. That being said, I think you will still very much enjoy this piece!Premiere: University of Nebraska at Omaha - University ChorusDifficulty: Moderate - A great piece for just about any choir...but especially for those old enough to drink a lot of coffee.Approx. 2 minutes and 30 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$1.99 ≈
1.78€
Round Me Falls the Night
Round Me Falls the Night
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night
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Anastace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1316582 By Stacey Plays Hymns. By W. Romanis / Stacey Plays Hymns. Arranged by Anastace. A Cappella,Chris...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1316582 By Stacey Plays Hymns. By W. Romanis / Stacey Plays Hymns. Arranged by Anastace. A Cappella,Christian,Religious,Sacred,Spiritual. 4 pages. Anastace #905306. Published by Anastace (A0.1316582). This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much and felt that a minor melody would suit it extraordinarily well. This piece works well as a choir anthem for funerals or for any evensong themed service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.For other formats including large print or special congregtional versions contact me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!As heard on YouTube!
$1.99 ≈
1.78€
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
8.96€
Daddy Fox (English folk song arranged for a cappella choir)
Daddy Fox (English folk song - a cappella choir)
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Chorale SATB
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INTERMÉDIAIRE
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Trad arr Cat McGill
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Cat McGill
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Daddy Fox
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Cat McGill
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887689 Composed by Trad arr Cat McGill. Arranged by Cat McGill. A Cappella,Folk,World. Octavo. 3 pages. Cat McGi...
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Choral Choir (SATB) - Level 3 - SKU: A0.887689 Composed by Trad arr Cat McGill. Arranged by Cat McGill. A Cappella,Folk,World. Octavo. 3 pages. Cat McGill #4594595. Published by Cat McGill (A0.887689). This is a really fun song to sing, that tells the story of a naughty fox who steals geese from the farmer. It's got a hearty refrain after every verse which you can really belt out and enjoy! If you're looking for something a bit different for your community choir this could be just the thing.There are no minimum order quantities with any of the songs I arrange, as they are all designed to be taught by ear.
$4.60 ≈
4.12€
Once in Royal David's City
Once in Royal David's City
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Chorale SATB
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INTERMÉDIAIRE
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Richard N
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Once in Royal David's City
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Shorten Studio Utah
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.980867 Composed by Richard N. Shorten. Christian,Christmas,Sacred. Octavo. 7 pages. Shorten Studio Utah #3579807...
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Choral Choir (SATB) - Level 3 - SKU: A0.980867 Composed by Richard N. Shorten. Christian,Christmas,Sacred. Octavo. 7 pages. Shorten Studio Utah #3579807. Published by Shorten Studio Utah (A0.980867). SATB with piano and cello (cello part could be played on organ or another instrument). Just over 2 min. The traditional words set to a new, beautiful melody. Yes, I know the traditional melody is very nice but this is also a worthy offering for the lyrics we love. I think you'll like what this mellow version has to offer. Give it a listen and see if you don't agree. It being short and sweet, you might even want to listen twice.
$2.20 ≈
1.97€
Sway (quien Sera)
Sway (quien Sera)
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Dean Martin
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Bacco Baccanels
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Sway
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Bacco Baccanels
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.978048 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Bacco Baccane...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.978048 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Bacco Baccanels. Pop. Octavo. 7 pages. Bacco Baccanels #6672563. Published by Bacco Baccanels (A0.978048). A choral version with a strong focus on rhythm and to the role of horns to give the song the original latin sound.Keep in mind that the role of the bass is crucial. I gave the tempo a little speed (150bpm). If not the result could be a little boring.I really hope you enjoy it.For any suggestion please contact me at facebook/baccobaccanels.
$2.99 ≈
2.68€
Jesus Is The Way (Anthem) - Piano Accompaniment
Jesus Is The Way (Anthem) - Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747199 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pages. Christopher ...
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Choral Choir (SATB) - Level 3 - SKU: A0.747199 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pages. Christopher Brown #4628111. Published by Christopher Brown (A0.747199). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$5.99 ≈
5.37€
Pretty Paper
Pretty Paper
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Chorale SATB
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Kenny Chesney featuring Willie
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Dana Usealman
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Pretty Paper
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Dana Usealman
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.897947 By Kenny Chesney featuring Willie Nelson. By Willie Nelson. Arranged by Dana Usealman. A Cappella,Rock. Octavo. 6 p...
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Choral Choir (SATB) - SKU: A0.897947 By Kenny Chesney featuring Willie Nelson. By Willie Nelson. Arranged by Dana Usealman. A Cappella,Rock. Octavo. 6 pages. Dana Usealman #3691701. Published by Dana Usealman (A0.897947). 2018 Holiday Contest EntrySSAATTBThis arrangement should be performable by a high school choir, but can also be appreciated by a more advanced choir.Willie Nelson's iconic song, made famous by Roy Orbison, was written about a disabled street vendor that would sell gift wrap, ribbons, and pencils during the holiday season. It was later embellished and published as a short story. It's a beautiful, yet somber song, that reminds us that not everyone is jolly during the Christmas season. This is a good piece for the middle of a concert to provide a contrast to the typical Christmas genre or to bring awareness and support to those that struggle during the season. Pretty Paper is typically a simple country song with swinging 8ths, but I've arranged it with full harmonies and straight 8ths for a completely different feel. You could still perform it with swinging 8ths if you'd like more of the original character of the piece. I originally thought it would be an a Capella arrangement and arranged all of the voice parts first, but felt it needed a bit more rhythmic pull and added the piano. It could still be performed a Capella for a more simple, thoughtful performance.
$1.99 ≈
1.78€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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