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If I Had A Heart
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Vous avez sélectionné:
If I Had A Heart
Chorale SATB
Partitions à imprimer
5 partitions trouvées
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A Believing Heart, sacred music for choir
A Believing Heart, sacred music for choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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A Believing Heart, sacred musi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1287904 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1287904 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 14 pages. Kevin G. Pace #878991. Published by Kevin G. Pace (A0.1287904). A wonderful, sacred choral arrangement for mixed choir.  Music by Kevin G. Pace.  Text by Kathryn W. Hales. I often wonder if I’d been there On the shores of Galilee, Would I have stopped and listened toA stranger I happened to see,A man called Jesus, from Nazareth,Whose words right from the startMight come to my ears as something sweet’Would I have had a believing heart?Chorus:A believing heart, a special giftOf faith that I might seeEternal truths from God above,That I might say and do and beA willing servant committed toThe Master’s work below;A believing heart, a willing mind,To Him I’d like to show.I often wonder if I’d been thereIn another time and place,Would I have listened to Alma’s words:Or with a multitude seen the faceAnd touched the feet of Jesus Christ,Of His people been a part?From pages of Book of MormonI learn of those with believing hearts.I often wonder if I’d been thereIn Ohio or Missouri,Would I have listened to Joseph Smith,Or a jeering scorner beBecause of tradition or fear of men,Would I have quickly turned apart?Or would I have stayed and heard his words?Would I have had a believing heart?And now I live in the latter daysGod’s message I have always knownThroughout my days of mortal life,Gospel truths from parents at home,Or from missionaries bold and strong,Yet I must still choose to testify.
$1.99 ≈
1.80€
IN THE BLEAK MIDWINTER
IN THE BLEAK MIDWINTER
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bradley
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IN THE BLEAK MIDWINTER
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Bradley .S. Parker
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1031266 Composed by Bradley .S. Parker. Christian,Christmas,Contemporary,Sacred. Octavo. 4 pages. Bradley .S. Pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1031266 Composed by Bradley .S. Parker. Christian,Christmas,Contemporary,Sacred. Octavo. 4 pages. Bradley .S. Parker #3360733. Published by Bradley .S. Parker (A0.1031266). A contemporary setting of 'IN THE BLEAK MIDWINTER' by Christina Rossetti. The work was written for Bath Spa University's Chamber Choir. It was first performed on the 4th December 2014, as part of a Carol Service in Bath Abbey, England. In the bleak midwinter, frosty wind made moanEarth stood hard as iron, water like a stone;Snow had fallen, snow on snow, snow on snow, In the bleak midwinter, long ago. Our God, Heaven cannot hold him, nor earth sustain;Heaven and Earth shall flee away when He comes to reign. In the bleak midwinter a stable place sufficedThe Lord God Almighty, Jesus Christ. What can I give him poor as I am?If I were a shepherd I would bring a lamb;If I were a wise man I would do my partYet what I can I give him, give my heart. Christina Rossetti (1830-1894)approx. 3.18.
$3.99 ≈
3.61€
Eventide
Eventide
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David Baldwin
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'tis eventide
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Eventide
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David Baldwin
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1319175 Composed by David Baldwin. A Cappella,Christian,Classical,Renaissance,Sacred. 22 pages. Da...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1319175 Composed by David Baldwin. A Cappella,Christian,Classical,Renaissance,Sacred. 22 pages. David Baldwin #907808. Published by David Baldwin (A0.1319175). Eventide is powerfully narrative in style: a yearning and intimate prayer that our Shepherd would be near in the night (symbolic of difficult times). The piece uses M.L. Hofford's lyrics, which he penned in response to the human cost of war. On a personal level, Hofford's lyrics struck me as especially comforting after an unusually sobering death in the community. The verses are decidedly minimalist and have a chant-like beauty to them, so as to emphasize pondering. The refrains fill out in texture (up to 7 parts) as the prayer shifts to beckoning.1. Abide with me; 'tis eventide. The day is past and gone; the shadows of the evening fall; the night is coming on. Within my home a welcome guest, within my home abide.2. Abide with me, 'tis eventide. Thy walk today with me has made my heart within me burn as I communed with thee. Thy earnest words have filled my soul and kept me near thy side.3. Abide with me, 'tis eventide. And lone will be the night if I cannot commune with thee, nor find in thee my light. The darkness of this world, I fear, would in my home abide.Refrain: O Savior, stay this night with me; behold, 'tis eventide. Amen.
$3.25 ≈
2.94€
Four Quotes by Francis of Assisi
Four Quotes by Francis of Assisi
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Chorale SATB
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David Ã…berg
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Four Quotes by Francis of Assi
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus a cappella - SKU: BJ.1392 Composed by David Ã…berg. Christian. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1392. Published by Bo Ejeby F...
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SATB chorus a cappella - SKU: BJ.1392 Composed by David Ã…berg. Christian. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1392. Published by Bo Ejeby Forlag - Digital (BJ.1392). 8.27 x 11.7 inches.Heartfelt and sincere music based on quotes and prayers.If God can work through me, he can work through anyone. A single sunbeam is enough to drive away many shadows. Lord, grant that I might not so much seek to be loved as to love. Lord, make me an instrument of thy peace. Where there is hatred, let me sow love.
$3.60 ≈
3.25€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.51€
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