Partitions Numériques de Keep It Simple 5 pour Chorale SATB

Tout le site ▾

Mon compte
(connectez-vous)

EUR €USD $GBP £CAD $CNY ¥

English

Partitions Gratuites ▾
Partitions Numériques
Librairie Musicale ▾

Matériel de Musique ▾

STUDIO | SONO |

ACCESSOIRES |

Keep It Simple 5
Non classifié 9

Piano & claviers
Piano seul 15
Piano Facile 7
Piano, Voix 3
Orgue 1

Guitares
Basse electrique 1
3 Guitares (trio) 1
Dulcimer 1

Voix
Chorale 2 parties 3
Voix duo 2
Chorale TTBB 1
Chorale SATB 1

Vents
2 Flûtes traversières (duo) 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Quintette de Flûte : 5 flûtes 1
Quatuor de Saxophones: 4 saxophones 1

Cuivres
Trompette, Trombone (duo) 1
Trompette, Piano 1
Trombone et Piano 1

Cordes
Harpe 1
Alto, Piano 1
Piano Trio: Violon, Alto, Piano 1
Violoncelle, Piano 1
Quatuor à cordes: 2 violons, alto, violoncelle 1

2 Violons (duo) 1
Violoncelle 1

+ 2 instrumentations

Retracter

Percussions & orchestre
Cloches 3
Ensemble de cuivres 1
Orchestre de chambre 1
Orchestre d'harmonie 1
Orchestre 1

Ensemble Jazz 1
Batterie 1
Ensemble de Percussions 1
Fanfare 1

+ 4 instrumentations

Retracter

Autres

Imprimer aprés achat

Accueil

Européens

Américains

Chez Virtualsheetmusic

Artistes Internationaux

Artistes Francophones

Top artistes

POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman

Artistes :
• Simple Minds
• Simple Plan

PARTITIONS GRATUITES
188 000+ partitions

BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison

PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer

MATERIEL DE MUSIQUE
Accessoires & Instruments

Partitions Numériques, Accès après l'Achat

Expédition postale Téléchargement

Tri et filtres :

avec audio

avec vidéo

avec play-along

Vous avez sélectionné:

Keep It Simple 5

Chorale SATB

Partitions à imprimer

1 partition trouvée

Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)

Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book) #Chorale SATB #INTERMÉDIAIRE #Nathan Petitpas - Dots and Bea #Rhythm Only - Book 2 - Eighths #Dots and Beams #SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...(+)

Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series youâ€™ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They donâ€™t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If youâ€™re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.

$10.00

Acheter des Partitions Numériques à Imprimer

Accueil
A propos
Contact, mentions légales
Espace membre
Service de license
Faire un don

PARTITIONS GRATUITES
LIBRAIRIE MUSICALE
PARTITIONS NUMÉRIQUES
MATERIEL DE MUSIQUE
CONCOURS DE COMPOSITION
ANNUAIRE WEB

Suivre free-scores.com