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Let Them Be Little
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Vous avez sélectionné:
Let Them Be Little
Chorale SATB
Partitions à imprimer
10 partitions trouvées
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1
Let Them Come to Me for SATB and piano
Let Them Come to Me for SATB and piano
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Chorale SATB
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Musique Sacrée
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Alan Beyel
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Let Them Come to Me for SATB a
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Alan Beyel
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.847416 Composed by Alan Beyel. Sacred. Octavo. 17 pages. Alan Beyel #3637213. Published by Alan Beyel (A0.847416). ...
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Choral Choir (SATB) - SKU: A0.847416 Composed by Alan Beyel. Sacred. Octavo. 17 pages. Alan Beyel #3637213. Published by Alan Beyel (A0.847416). Based on the familiar text from Mark 10: 14-15 where Jesus welcomes the little children, this anthem would be a meaningful addition to your Children's Sunday, Baptism, or General Worship service. The original anthem briefly quotes the melody O Come , Little Children, by J.A.P. Schultz. Easy to learn by your choir, the product includes a bonus separate piano part to minimize page turns during performance.
$2.50 ≈
$3.36
Let It Be Christ (SATB)
Let It Be Christ (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael Ware
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Let It Be Christ
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Michael Ware Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.889060 By Michael Ware. By Michael Ware. Classical,Praise & Worship,Sacred,Traditional. 12 pages. Michael...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.889060 By Michael Ware. By Michael Ware. Classical,Praise & Worship,Sacred,Traditional. 12 pages. Michael Ware Music #495343. Published by Michael Ware Music (A0.889060). Let It Be Christ is Michael Ware’s choral adaptation of a little know hymn text by James Montgomery. The lyrics are inspired from Paul’s words in Philippians 1:21, “For me to live is Christ, and to die is gain.†This stately anthem which was commissioned for the 2022 Baptist Church Music Conference features an instrumental solo which can be played on violin, flute, or clarinet. SATB and TTBB versions are available.
$2.60 ≈
$3.49
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
$40.32
Now That the Son is Beaming Bright
Now That the Son is Beaming Bright
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Richard Joseph Barber
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Now That the Son is Beaming Br
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #...
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Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340–397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day. The key to the style of this piece is rhythmic vitality. The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay. They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).
$3.00 ≈
$4.03
Of time you would make a stream
Of time you would make a stream
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Chorale SATB
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Sven Hagvil
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Of time you would make a strea
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus a cappella - SKU: BJ.1462 Composed by Sven Hagvil. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1462. Published by Bo Ejeby Forlag - Digital...
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SATB chorus a cappella - SKU: BJ.1462 Composed by Sven Hagvil. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1462. Published by Bo Ejeby Forlag - Digital (BJ.1462). 8.27 x 11.7 inches.Winner of the 2nd prize in Bo Ejeby Förlag’s composition award 2021.The Lebanese American philosopher and poet Khalil Gibran’s book The Prophet has accompanied me for a long time, ever since I was first introduced to it by a friend, a Lebanese refugee, many years ago. I’ve returned to it often, to read and to make use of passages in compositions. The Prophet is a wondrous treasure trove of amazing poetry – covering life, death, and everything in between: love, friendship, children, work, power. And time.I always focus carefully on any texts I wish to use, read and rhythmize them in different ways they could be read and interpreted, and choose words and sentences that deserve to be emphasized, to stop and ponder on, or simply let go and flow. So too in this, in my opinion, magnificent poem. Sometimes there’s very little movement, sometimes it courses on in a mighty and unfathomable manner. Never predictable. I hope I managed to bring out the timelessness. – Sven Hagvil.
$4.00 ≈
$5.38
Songs of Worship for Choir, Sacred Choral Music
Songs of Worship for Choir, Sacred Choral Music
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Songs of Worship for Choir, Sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1379267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1379267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 158 pages. Kevin G. Pace #963943. Published by Kevin G. Pace (A0.1379267). Songs of Worship for Choir is a collection of 19 sacred choral compositions with piano accompaniment. 17 of these are for SATB, one for SAA, and one for TTBB. Music composed by Kevin G. Pace. Text by Mary Ann W. Snowball.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:If I Had Knelt at CalvaryFather, Dear FatherTarry a Little LongerOfferingsWith Open ArmsWho Is This God?Dear Holy Father Spare These Thy Children, TTBBWhy Did the Savior Die For Me?Psalm of Mercy Let All Creation Praise His Coming May We Be One Awake and Arise No Other Gift Until the Perfect Day I Was Not There Saving Love Awake, My Soul in Christ For Such a Time as This, SSA.
$18.99 ≈
$25.52
Two Views of Scott Joplin
Two Views of Scott Joplin
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Chorale SATB
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INTERMÉDIAIRE
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings...
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Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99 ≈
$13.43
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
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$7.53
The King Shall Come
The King Shall Come
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Chorale SATB
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FACILE
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Noël
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Michael Myrick
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Michael Myrick
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The King Shall Come
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1267802 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Advent,Christian,Christmas,Sacred,Trad...
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Choral Choir (SATB) - Level 2 - SKU: A0.1267802 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Advent,Christian,Christmas,Sacred,Traditional. Octavo. 76 pages. MICHAEL MYRICK #860350. Published by MICHAEL MYRICK (A0.1267802). The King Shall Come is a complete set of nine anthems arranged for use as a Lessons and Carols service, but can also be used individually. The anthems are written and arranged for (S)SATB & treble choir, soloists, piano, organ, handbells and small orchestra. This anthology is arranged so that it can be easily tailored to fit the needs of any church choral situation, large or small, amateur or professional. Suggestions for service format are included to help you customize the service for your choir and congregation. Orchestra score and parts are also available by following this link: Score and Parts LinkTitles include: I.           Once in Royal David’s City                    II.          The King Shall Come                        III.         While Shepherds Watched Their Flocks         IV.         O Sing a Song of Bethlehem                        V.          O Little Town of Bethlehem                        VI.         Sing We Now of Christmas                   VII.        The First Noel                              VIII.       The King Shall Come – REPRISE               IX.         Joy to the World                           X.        Silent Night, Holy Night.
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$16.06
BEHOLD HE IS COMING (SATB) – Revelation 1:7
BEHOLD HE IS COMING (SATB) – Revelation 1:7
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
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$2.67
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