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One More Broken Heart
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Vous avez sélectionné:
One More Broken Heart
Chorale SATB
Partitions à imprimer
5 partitions trouvées
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1
Despondency
Despondency
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Chorale SATB
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INTERMÉDIAIRE
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Jay Dougherty
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Despondency
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1394423 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. ...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1394423 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 4 pages. Jay Dougherty #977907. Published by Jay Dougherty (A0.1394423). Despondency by Jay Dougherty explores the depths of human emotion, expressing profound feelings of pain, anguish, and desolation. Through the utilization of the overtone series, “Despondency†portrays a haunting soundscape that gradually builds into a solemn tone cluster, evoking a sense of emptiness and sadness. The overtone series serves as the foundation upon which the composition unfolds, weaving together a tapestry of natural harmonies that resonate with an ethereal quality. Despite the simplicity of its text, consisting of only four sung words – Nothing. Aching. Empty. Broken. – these words reflect the raw and unfiltered experience of despair and sorrow. “Despondency†is movement 3 of Jay Dougherty’s Phoenix Cantata, which is a six-movement vocal and piano work that explores the themes of resilience and the transformative power of change. The music and lyrics are the creative work of Dr. Jay Dougherty, with a piano accompaniment by Justin La. Drawing inspiration from the mythical symbolism of the phoenix, this cantata narrates the journey through life's challenges and tribulations and explores how we can learn to comprehend, embrace, and grow from them. Although the Phoenix is not explicitly mentioned, the underlying message resonates with the tale of the phoenix: after facing adversity or transformation, we emerge stronger and more beautiful. Each of the 6 movements centers on a flower garden, the gardener's affection for the garden, the looming storm that could devastate it, and the gardener's eventual realization that, even after the storm, the garden remains beautiful and precious. Movement 3, Despondency, is performed a cappella and makes use of the overtone series and chord clusters to convey the gardener's torment and heartbreak as the garden has lost its innocence after a torrential storm. It is a heartbreaking lament that portrays the gardener's profound sorrow.About the ComposerDr. Jay Dougherty is the Performing Arts Department Chair and Director of Choral Activities at Drury University in Springfield, MO.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.comPlease purchase one copy for each performer.
$2.49 ≈
£1.90
Hallelujah
Hallelujah
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Chorale SATB
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INTERMÉDIAIRE
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gard...
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Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99 ≈
£1.52
Jesus of Nazareth, Savior and King, a sacred hymn
Jesus of Nazareth, Savior and King, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Jesus of Nazareth, Savior and
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1435314 Composed by Kevin G. Pace (ASCAP), Hugh W. Dougall. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1435314 Composed by Kevin G. Pace (ASCAP), Hugh W. Dougall. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1015404. Published by Kevin G. Pace (A0.1435314). Exquisitely beautiful new music to the much-loved hymn text Jesus of Nazareth, Savior and King. Music by Kevin G. Pace. Text by Hugh W. Dougall (1872-1963).Text:Jesus of Nazareth,Savior and King!Triumphant over death,Life thou didst bring,Leaving thy Father’s throne,On earth to live,Thy work to do alone,Thy life to give.While of this broken breadHumbly we eat,Our thoughts to thee are ledIn rev’rence sweet.Bruised, broken, torn for usOn Calvary’s hill—Thy suff’ring borne for usLives with us still.As to our lips the cupGently we press,Our hearts are lifted up;Thy name we bless!Guide us where’er we go,Till in the endLife evermore we’ll knowThrough thee, our Friend.
$1.99 ≈
£1.52
Jesus of Nazareth, Savior and King, sacred music for SATB choir
Jesus of Nazareth, Savior and King, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Jesus of Nazareth, Savior and
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1436298 Composed by Kevin G. Pace (ASCAP), Hugh W. Dougall. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1436298 Composed by Kevin G. Pace (ASCAP), Hugh W. Dougall. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Kevin G. Pace #1016408. Published by Kevin G. Pace (A0.1436298). Extremely beautiful new choral music. Newly composed to the much-loved hymn text Jesus of Nazareth, Savior and King by Kevin G. Pace. Text by Hugh W. Dougall (1872-1963).Text:Jesus of Nazareth,Savior and King!Triumphant over death,Life thou didst bring,Leaving thy Father’s throne,On earth to live,Thy work to do alone,Thy life to give.While of this broken breadHumbly we eat,Our thoughts to thee are ledIn rev’rence sweet.Bruised, broken, torn for usOn Calvary’s hill—Thy suff’ring borne for usLives with us still.As to our lips the cupGently we press,Our hearts are lifted up;Thy name we bless!Guide us where’er we go,Till in the endLife evermore we’ll knowThrough thee, our Friend.
$1.99 ≈
£1.52
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
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