Partitions Numériques de Prelude in G Minor pour Chorale SATB

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Prelude in G Minor
Non classifié 35

Piano & claviers
Piano seul 140
Orgue 25
Piano Facile 15
Piano, Voix 3
Instruments en Do 2

Clavecin 2
Accompagnement Piano 1
Piano, Voix et Guitare 1
Clavier 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 4
Banjo 2
Guitare 2

Voix
Chorale SATB 3

Vents
Quatuor de Saxophones: 4 saxophones 6
Flûte traversière et Piano 5
Saxophone Tenor et Piano 4
Hautbois, Piano (duo) 4
Flûte, Hautbois, Clarinette, Basson 3

Saxophone Baryton, Piano 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Cor anglais, Piano 2
Clarinette et Piano 2
Saxophone Alto et Piano 2
Clarinette 2
Ensemble de Clarinettes 2
Saxophone Soprano et Piano 2
Flûte, trombone et piano 1
Clarinette Basse, Piano 1
Flûte, Violon 1
3 Saxophones (trio) 1
Flûte traversière 1
Quatuor de Clarinettes: 4 clarinettes 1
Clarinette, trompette et piano 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Violoncelle 1

+ 18 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5
Euphonium, Piano (duo) 4
Trompette, Piano 3
2 Euphoniums et 2 Tubas 3
Cor et Piano 3

Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Cor anglais, Piano 2
Ensemble de Trombones 2
Trombone et Piano 2
4 Tubas 2
Trio de Cuivres 1
Tuba et Piano 1
Trompette 1

+ 8 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 15
Violoncelle, Piano 4
Alto seul 3
Violon et Piano 3
Violon (partie séparée) 3

Alto, Piano 3
Trio à cordes: 3 violins 2
Trio à Cordes: violon, alto, violoncelle 2
Contrebasse, Piano (duo) 2
Violon 2
Violoncelle (partie séparée) 2
Harpe, Voix 1
Contre Basse 1
Harpe 1
2 Violoncelles (duo) 1
Alto (partie séparée) 1
Trio à Cordes: 2 violons, violoncelle 1
4 Violoncelles 1
Quatuor à cordes: 4 violons 1
Violon, Alto (duo) 1

+ 15 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 24
Orchestre à Cordes 12
Orchestre 5
Ensemble de cuivres 2
Cloches 1

Percussion 1

+ 1 instrumentations

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Prelude in G Minor

Chorale SATB

Partitions à imprimer

3 partitions trouvées

Prelude

Prelude #Chorale SATB #Musique Sacrée #Frederic Chopin #Patrick M #Choral Octavo #Prelude #Jubilate Music Group - Digital #SheetMusicPlus

Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-4935 Based upon Prelude in C Minor. Composed by Frederic Chopin. Arranged by Patrick M. Lieberge...(+)

Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-4935 Based upon Prelude in C Minor. Composed by Frederic Chopin. Arranged by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Masterworks; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Holy Week; Lent; Masterwork Arrangement; Romantic; Sacred; Spring. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-4935. Published by Jubilate Music Group - Digital (JX.00-4935). English. Jeremiah 31:31-34; Hebrews 5:7-10; Psalm 51:10-17; John 12:20-33.In the spirit of the classic Bach/Gounod Ave Maria, Patrick Liebergen has transformed the famous Chopin Prelude in G minor into a transportive choral supplication. The traditional English/Latin text. Kyrie elesion, Lord have mercy is perfect for Lent or anytime of year. This beautiful anthem sings itself, and is certain to become a church standard!

$2.25 ≈ $3.11

Bach Little Fugue in G Minor for Double Reed Choir BWV 578

Bach Little Fugue in G Minor for Double Reed Choir BWV 578 #Chorale SATB #AVANCÉ #Classique #Johann Sebastian Bach #Stephanie Daige #Bach Little Fugue in G Minor f #Stephanie Daige #SheetMusicPlus

Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...(+)

Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875

$17.99 ≈ $24.90

BEHOLD HE IS COMING (SATB) – Revelation 1:7

BEHOLD HE IS COMING (SATB) – Revelation 1:7 #Chorale SATB #INTERMÉDIAIRE #Michael A #BEHOLD HE IS COMING #M.A. Morizio #SheetMusicPlus

Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Publ...(+)

Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle Johnâ€™s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!

$1.99 ≈ $2.75

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