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Vous avez sélectionné:
Rip It Up
Chorale SATB
Partitions à imprimer
21 partitions trouvées
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1
It Is Not Death to Die
It Is Not Death to Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
#
Robert Myers
#
#
It Is Not Death to Die
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WheatMyer Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music...
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Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25 ≈
¥15.78
Toccata and Fugue in D minor, BWV 538 - Transcription for SATB Choir
Toccata and Fugue in D minor, BWV 538 - Transcription for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Alessio Niccolai
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Toccata and Fugue in D minor,
#
Alessio Niccolai
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 p...
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Choral Choir (SATB) - Level 4 - SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 pages. Alessio Niccolai #5794845. Published by Alessio Niccolai (A0.1029541). The transcription for SATB Choir of the famous organ work of J.S. Bach, consists in a counterpoint explosion of the harmonies through a melodic construction that sometimes corresponds to one of the themes identifiable in the original piece and sometimes has been entirely reinvented; to facilitate the vocal performance of each of the four voices, Alessio Niccolai adapted a text to the musical sequences: it is made up of a set of ancient Latin proverbs.The execution is not the easiest: a casual pronunciation of Italian is certainly optimal for being able to correctly execute the Latin passages. Furthermore, the organ has its own native difficulty which could be significantly reduced with the performance on the piano (possibly in combination with an instrument that operates in the lower registers of the sound range) because the percussion of the hammers increases the auditory perception of the rhythm.However, the performance is not impossible even for an advanced amateur choir and guarantees an impact on the public.The idea of a transcription for choir of a purely organist work like this, was born in Alessio Niccolai's head from his first listening.
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Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
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Chorale SATB
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INTERMÉDIAIRE
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Barry Mann
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Dan Signor
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Who Put The Bomp
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Sig
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1005698 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Dan Signor. A Cappella. Octavo. 8 pages. Sig ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1005698 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Dan Signor. A Cappella. Octavo. 8 pages. Sig #6037937. Published by Sig (A0.1005698). I am sure we can all agree that altos are a very special part of any ensemble. Don't they deserve to be featured? You bet they do! Here is a fun song that will give them a chance to let their hair down and let it rip. (Musical note- the alto line is simply written up an octave for notation clarity. The melody can also be sung by a tenor if that is a better fit for your ensemble.).
$2.99 ≈
¥20.96
Funhouse
Funhouse
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Chorale SATB
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FACILE
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Pink
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Eric Weber
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Funhouse
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Eric Weber
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1472017 By Pink. By Alecia Moore, Jimmy Harry, and Tony Kanal. Arranged by Eric Weber. A Cappella,Po...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1472017 By Pink. By Alecia Moore, Jimmy Harry, and Tony Kanal. Arranged by Eric Weber. A Cappella,Pop. 6 pages. Eric Weber #1049714. Published by Eric Weber (A0.1472017). Funhouse is a song recorded by American singer Pink for her fifth studio album of the same name (2008). Lyrically, the song is about Pink's break-up with Carey Hart. Billboard gave Funhouse a positive review, stating: Pink once again shows her versatility on this complex number, which calls for blues, funk and rock vocal styles that few other pop stars have been able to pull off. Experience this up-tempo song in a rousing arrangement for four voices and fun body percussion. The arrangement starts with the VAMP, originally after the triplet halftime bridge, which isn't included. You can add a piano if you like and get creative with the spoken lyrics or the arrangement of the parts. Dive into P!nk - you'll love it!Funhouse ist ein Song, aus dem gleichnamigen fünften Studioalbum der amerikanischen Sängerin P!nk. Inhaltlich handelt der Song von Pinks Trennung von Carey Hart. Der Song wurde unter anderem mit den Worten Pink beweist einmal mehr ihre Vielseitigkeit in dieser komplexen Nummer, die Blues-, Funk- und Rock-Gesangsstile erfordert, die nur wenige andere Popstars zustande gebracht haben. gelobt. Erleben Sie diese Up-Tempo-Nummer in einem mitreißenden Arrangement für vier Stimmen und spaßige Bodypercussion. Das Arrangement beginnt mit dem VAMP, welcher ursprünglich nach der Triolen-Halftimefeel-Bridge kommt, welche hier nicht mit enthalten ist. Sie können ein Klavier hinzufügen, wenn Sie möchten, und mit dem gesprochenen Text oder der Anordnung der Teile kreativ werden. Tauchen Sie ein in die Welt von P!nk - Sie werden es lieben!
$1.99 ≈
¥13.95
La Cura
La Cura
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Chorale SATB
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Contemporain
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Franco Battiato
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Bacco Baccanels
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La Cura
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Bacco Baccanels
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. ...
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Choral Choir (SATB) - SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. 8 pages. Bacco Baccanels #5989447. Published by Bacco Baccanels (A0.978040). Description is first in Italiano e then in English, since I think the song is quite famous in Italy but little known abroad.[ITALIANO]Arrangiare un brano di Franco Battiato è molto difficile perché la sua interpretazione staccata e narrativa, la sua voce dal timbro molto alto e l'argomento, di solito lontano nel tempo e dalla realtà ma qui estremamente vicino a raccontare l'amore in una delle fasi più intense della vita rischiano di stravolgerla. In più, ogni tentantivo di reinterpretarla con altra musica richiede di essere un artista altrettanto grande: io non sono nè grande nè artista, al limite... essere.Ho cercato perciò di stare vicino all'orginale, riconoscibile dal motivetto in sedicesimi che si ripete per tutta la canzone.Poiché si sa che la versione vocale stufa prima delle versioni suonate e l'originale dura 4 minuti, ho tagliato l'intera strofa Ti porterò.... Per chi volesse reinserirla, è facile: dalla battuta 41 si torna alla 5, si ripercorre fino alla 18 (con il testo cambiato per il solista, Ti porterò..., ma le altre voci sono identiche ) e si riprende dalla 42 fino alla fine.[ENGLISH]Arranging a piece by Franco Battiato it's not an easy game: lyrics are often very far in time and his singing very personal and narrative. Here the lyrics tells a love in a hard moment of life and every element is placed in a delicate balance where any change can be disruptive.Even trying to modify the music style would require an artist of the same weight, and I am not.So I tried to stay close to the original, using the most recognizable pattern of the song (the notes in sixteenth).Since we know that the vocal versions have to be shorter than the played ones (ears get bored before) and the original song if 4 minutes long, I cut the entire verse Ti porterò.... For those who want to play also the missing part, it’s easy: from bar 41 go back to bar 5, sing up to bar 18 (with the lyrics changed for the lead, Ti porterò..., other voices do not change) and then go ahead to bar 42 and from there to the end.
$2.99 ≈
¥20.96
Dia
Dia
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Chorale SATB
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AVANCÉ
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Candace R
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Dia
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Candace R. Lambert
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.
$15.00 ≈
¥105.17
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99 ≈
¥70.04
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
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Chorale SATB
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AVANCÉ
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D
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Fountains of the Deep
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051....
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Choral Choir (SATB) - Level 5 - SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051. Published by D. M. Gardner Music (A0.799654). SATB, Piano, Horns, Timpani, PercussionBE ADVISED, IF YOU SIT IN THE FRONT ROW, YOU MAY WANT TO BRING A RAINCOAT!In the six hundredth year of Noah's life, in the second month, the seventeenth day of the month, the same day were all the fountains of the great deep broken up, and the windows of heaven were opened. And the rain was upon the earth forty days and forty nights. (Gen 7:11-12 KJV)Quietly the first drops of rain begin to fall... One, two... The wind begins to stir, becoming audible. And in a moment it seems thousands of heavy raindrops fall upon the mountains and hills and plains, as though a veil of water had suddenly descended upon the earth from the heavens. Fountains of the Deep musically portrays the events of the Bible concerning the great waters in a tumultuous storm of notes thundering from the grand piano and percussion. Simultaneously, the choir calls out for help while being tossed by the tempestuous seas, swallowed by a great fish, and chased to the edge of the sea by Pharaoh.The text in Fountains of the Deep is a mixed narrative that combines scripture with an imagined exclamation at the cataclysmic events of the day. Still comes the rain, still comes the rain, never ceasing! Whether it was one man, thousands, or all of mankind, the Lord has chosen to use the great depths of the sea to do his Will. This dramatic sonic reenactment brings the listener as close to the action as one would wish to get.PURCHASE INCLUDES FULL SCORE AND ALL PARTS - priced to be purchased as a choral score, so, please purchase one copy per performer...Thank you!)Difficulty: Moderate (Choir)/Intermediate/Advanced (Piano)NOTE: While Ab minor may seem like an extreme key, it plays very well on the piano and gives the choir a very full sound. However, Fountains can easily be performed in A minor, as desired, by simply removing the key signature (for the Horns, also add a sharp (E minor)Approx. 4 minutes and 50 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.99 ≈
¥20.96
Bread Upon The Water
Bread Upon The Water
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Bill Grein and Jenny Grein
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Ron Swim
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Bread Upon The Water
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Ron Swim
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1170371 Composed by Bill Grein and Jenny Grein. Arranged by Ron Swim. Christian,Contemporary,Jazz,Pop,Praise & W...
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Choral Choir (SATB) - Level 3 - SKU: A0.1170371 Composed by Bill Grein and Jenny Grein. Arranged by Ron Swim. Christian,Contemporary,Jazz,Pop,Praise & Worship. Octavo. 15 pages. Ron Swim #770740. Published by Ron Swim (A0.1170371). Bread Upon the Water is an up tempo Gospel song with a jazz feel. This arrangement can be sung by any SATB group ranging from quartet to full choir. The scripture for the lyrics are Ecclesiaster 11:1 - Cast your bread upon the waters and Luke 6:38 - Give, and it will be given to you. A good measure, pressed down, shaken together and running over, will be poured into your lap. For with the measure you use, it will be measured to you.â€A fun and lively song for any worship presentation.
$1.99 ≈
¥13.95
Come, Let Us Sing (Let Us Rejoice) SATB
Come, Let Us Sing (Let Us Rejoice) SATB
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Chorale SATB
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FACILE
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Gospel Spirituel
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Traditional Spiritual
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Joanna Mills
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Come, Let Us Sing
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.781307 Composed by Traditional Spiritual. Arranged by Joanna Mills. Easter,Holiday,Sacred,Spiritual,Tradi...
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Choral Choir (SATB divisi) - Level 2 - SKU: A0.781307 Composed by Traditional Spiritual. Arranged by Joanna Mills. Easter,Holiday,Sacred,Spiritual,Traditional. Octavo. 8 pages. Joanna Mills Music #4285481. Published by Joanna Mills Music (A0.781307). This fresh arrangement of this unusual traditional spiritual will have your choir AND your congregation or audience tapping their toes and clapping their hands. It starts with a canon-style introduction, and then jumps into a swinging gospel beat. In true traditional gospel style, the song is repetitive, encouraging your congregation to sing along, but uses harmony, dynamics and wonderful layered break-down section to build the excitement right up to the final triumphant refrain. The harmonies are easy to learn, making this the perfect selection for any choir. Suitable for Palm Sunday, Holy Humor Sunday, Bright Sunday, Black History Month, Thanksgiving or general worship services. Scripture reference:Psalm 66:1 Themes: Inner Peace; Testimony, Witness and Evangelism; Worship and Adoration, Joy, Laughter
$1.99 ≈
¥13.95
A Good Measure
A Good Measure
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Chorale SATB
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Karen Keele Kober, Julia Andre
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A Good Measure
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Homegrown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1030985 Composed by Karen Keele Kober, Julia Andrews West. Christian,Gospel,Sacred. Octavo. 14 pages. Homegrown ...
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Choral Choir (SATB) - Level 2 - SKU: A0.1030985 Composed by Karen Keele Kober, Julia Andrews West. Christian,Gospel,Sacred. Octavo. 14 pages. Homegrown Music #2075709. Published by Homegrown Music (A0.1030985). As a lyricist, one of Karen’s favorite things is to set useful scripture texts that, for various and mostly unknown reasons, have been mostly neglected in the vocal music world. Here, we set the Luke 6:37-42, 46-49 passages (Judge not…, etc.) as a jazzy, syncopated SATB arrangement. Our test choirs have loved the addictive melody, and found the rhythms and harmonies to be mildly challenging, but worth the practice time. Plus, the piano really shines as a truly collaborative voice, rather than mere accompaniment, even including a section in the coda where the vocals sing back-up to a lively piano solo. This is truly a unique piece in the contemporary sacred choral repertoire and we highly recommend it for most church choirs.
$2.95 ≈
¥20.68
Regret Not Me
Regret Not Me
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Chorale SATB
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AVANCÉ
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Nicholas White
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Regret Not Me
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nich...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nicholas White Music #850259. Published by Nicholas White Music (A0.1256872). A challenging, unaccompanied, pastoral setting of Thomas Hardy's poem, scored for SATB divisi featuring a high soprano!Regret not me;   Beneath the sunny treeI lie uncaring slumbering peacefully.    Swift as the light   I flew my faery flight;Ecstatically I moved, and feared no night.    I did not know   That heydays fade and go,But deemed that what was would be always so.    I skipped at morn   Between the yellowing corn,Thinking it good and glorious to be born.    I ran at eves   Among the piled-up sheaves,Dreaming, 'I grieve not, therefore nothing grieves.'    Now soon will come   The apple, pear, and plumAnd hinds will sing, and autumn insects hum.    Again you will fare   To cider-makings rare,And junketings; but I shall not be there.    Yet gaily sing   Until the pewter ringThose songs we sang when we went gipsying.    And lightly dance   Some triple-timed romanceIn coupled figures, and forget mischance;    And mourn not me   Beneath the yellowing tree;For I shall mind not, slumbering peacefully.
$2.00 ≈
¥14.02
One More Time Chuck Corea – Gene Puerling – SSATBB A Cappella
One More Time Chuck Corea – Gene Puerling – SSATBB A Cappella
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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The Singers Unlimited
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Gene Puerling
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One More Time Chuck Corea &nda
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University of North Texas - Gene Puerling Collection
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1093534 By The Singers Unlimited. By Gene Puerling. Arranged by Gene Puerling. A Cappella,Contemporary,Ja...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1093534 By The Singers Unlimited. By Gene Puerling. Arranged by Gene Puerling. A Cappella,Contemporary,Jazz. Octavo. 11 pages. University of North Texas - Gene Puerling Collection #697595. Published by University of North Texas - Gene Puerling Collection (A0.1093534). This wordless, instrumentally-inspired piece was composed in May 1979 by Gene Puerling and recorded by The Singers Unlimited on their album “A Cappella III†(and contained in the “Magic Voices†box set). This is NOT a transcription, but an authentic edition created from the handwritten manuscript of Gene Puerling. The influence of Chick Corea is found in the simple repetitive harmonies and driving rhythms. Two vocalists are featured melodically throughout the piece (with melodic line inspired by Chuck Mangione, thus the mash-up name in the title!), with up to six parts in the ensemble vocal parts. More accessible than many other Puerling charts, this piece gives lots of opportunity to work on ensemble tuning and rhythmic vitality! (Level IV) [Note: The YouTube link below takes you to someone else's post of this copyrighted recording. We do not own the rights to it, it's simply provided for reference, but obviously any serious musician or student will purchase the recording legally!].
$7.50 ≈
¥52.58
I Beseech More Earnestly, a sacred hymn
I Beseech More Earnestly, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Beseech More Earnestly, a sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1472492 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1472492 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1050138. Published by Kevin G. Pace (A0.1472492). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Like the fog in a storm and the sun who hides its face,Like pure shadows at noon, or a star out of place,Like the moon overhead in a dark and unclear night,I beseech more earnestly, seeking God’s pure light.Like bold sighs braving pain in Gethsemane’s lone space,Like the rock placed therein meant for grief’s leaning place,As blood dripping like rain for the pain is far too great,I beseech more earnestly, seeking God’s own traits.Like a child asking “How?” to his Father up above,Like each step to ascend on his ladder of love,Like each stretch sure to reach far beyond what I now know,I beseech more earnestly, trusting God to show.All at once I see light like a ray in shadowed sky,And it peers through each sphere as God’s voice in reply.Then more light, as if day, sheds its warmth into my soul . . .I still ask more earnestly, trusting to be whole.Perfect light comes from Him as He answers from his sky;From my bowed, lowered head, I can know Him on high.Perfect love shines below, from his ever-holy form,Right into my mended soul . . . his love to adorn.
$1.99 ≈
¥13.95
What Happened in Bethlehem
What Happened in Bethlehem
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Mary Rose Jensen
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What Happened in Bethlehem
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Garden Rose Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.874151 Composed by Mary Rose Jensen. Christian,Christmas,Contemporary,Sacred,Standards. Octavo. 12 pages. Garden...
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Choral Choir (SATB) - Level 3 - SKU: A0.874151 Composed by Mary Rose Jensen. Christian,Christmas,Contemporary,Sacred,Standards. Octavo. 12 pages. Garden Rose Music #5991027. Published by Garden Rose Music (A0.874151). Christmas SATB Choral Anthem with Organ Accompaniment. Text follows:What happened in Bethlehem changes the world.A baby born there seemed like millions before.His mother was Mary, a virgin, still pure.His Father was God, the Creator, the Lord.His birthplace, a town unimportant and small.His shelter, a stable for animals there.His bed was a trough where those beasts had been fedAnd plain strips of cloth were what He had to wear. What happened in Bethlehem changes the world.The King of the universe lived here on earth.Though He was far richer than anyone elseHe chose to be humble and poor in His birth.He’d cared for His people for thousands of years,But they had rebelled and rejected His ways.Instead of harsh punishment richly deserved,His promised redemption would soon be in place. What happened in Bethlehem changes the world.God’s Word in the flesh made the prophecies clear.He called for the people to come follow HimAnd preached that the kingdom of heaven was near.This kingdom was nothing like any on earth,Not weapons, but sacrifice caused it to spread.For Jesus the sinless One died for our crimesAnd gave us new life when He rose from the dead. What happened in Bethlehem changes the world.The people of God are still following Christ.And though we forget Him and stumble aroundHe picks us up safely and gives us His light.The woes of our planet, with hunger and warsAre lessened by those who will love as He said.For those who seek heaven bring grace to the earthAnd those who love Jesus will rise from the dead.
$1.99 ≈
¥13.95
The Storm for choir
The Storm for choir
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Chorale SATB
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INTERMÉDIAIRE
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Roland Rogers
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David Warin Solomons
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The Storm for choir
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.576776 Composed by Roland Rogers. Arranged by David Warin Solomons. Christian,Romantic Period. Octavo. 7 pages. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.576776 Composed by Roland Rogers. Arranged by David Warin Solomons. Christian,Romantic Period. Octavo. 7 pages. David Warin Solomons #432529. Published by David Warin Solomons (A0.576776). Transcription of Roland Rogers' victorian choral piece The Storm, with words by Adelaide Anne Procter (who also wrote the words for the famous song by Arthur Sullivan The Lost Chord) An arrangement of this music for woodwind quartet is also available on this site. The sound sample is sung by me (transposed down a fourth). The tempest rages wild and high, The waves lift up their voice and cry Fierce answers to the angry sky, - Miserere Domine. Through the black night and driving rain, A ship is struggling, all in vain To live upon the stormy main; - Miserere Domine. The thunders roar, the lightnings glare, Vain is it now to strive or dare; A cry goes up of great despair, - Miserere Domine. The stormy voices of the main, The moaning wind, the pelting rain Beat on the nursery window pane: - Miserere Domine. Warm curtained was the little bed, Soft pillowed was the little head; The storm will wake the child, they said: Miserere Domine. Cowering among his pillows white He prays, his blue eyes dim with fright, Father save those at sea to-night! Miserere Domine. The morning shone all clear and gay, On a ship at anchor in the bay, And on a little child at play, - Gloria tibi Domine!
$2.99 ≈
¥20.96
Emily
Emily
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Chorale SATB
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AVANCÉ
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Johnny Mandel
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Gene Puerling
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Emily
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University of North Texas - Gene Puerling Collection
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.893242 Composed by Johnny Mandel. Arranged by Gene Puerling. A Cappella. Octavo. 9 pages. University of N...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.893242 Composed by Johnny Mandel. Arranged by Gene Puerling. A Cappella. Octavo. 9 pages. University of North Texas - Gene Puerling Collection #6495673. Published by University of North Texas - Gene Puerling Collection (A0.893242). This stunning a cappella ballad arrangement of the Johnny Mandel/Johnny Mercer song Emily was penned in 1971 for The Singers Unlimited and still holds up as one of the most beautiful Gene Puerling charts ever written! It was recorded on their debut album, A Cappella (and contained in the Magic Voices box set). This is NOT a transcription, but an authentic edition created from the handwritten manuscript of Gene Puerling. The majority of this piece is divided into six parts, with some four- and five-part sections with lush harmonies in a variety of textures, making this a rubato ballad-lovers delight! (Level V) [Note: The YouTube link below takes you to someone else's post of this copyrighted recording. We do not own the rights to it, it's simply provided for reference, but obviously any serious musician or student will purchase the recording legally!]
$7.50 ≈
¥52.58
Byzantine Hymn: TI IPERMAHO
Byzantine Hymn: TI IPERMAHO
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Romanos o Melodos
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Marilena Zlatanou
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Byzantine Hymn: TI IPERMAHO
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatan...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatanou #929063. Published by Marilena Zlatanou (A0.1343535). BYZANTINE HYMN: TI IPERMAHO (To the defender army leader) arranged for SATB choir and pianoDuring a siege of Constantinople in the 6th cent., and while the regular army was engaged in fighting elsewhere, the city was attacked by Avars. The women, children and seniors left there fought as best they could, but finally realized that they had to give up. As a last resort, they carried the icon of Panayia (St. Mary, always referred to as all-holy in Greek), alongside the city walls, something that produced an unexpected effect: The besiegers left! For three days the citizens participated in liturgies addressed to Her, in a hymn called AKATHISTOS YMNOS (=Non-sitting Hymn), where this tropation is central, as it is most actively still used in the Greek Orthodox Church at many other relevant services. The first part is the original, in unison, or sung by a soloist. The piano part and the following choir arrangement are my contribution.duration: 3'33'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00 ≈
¥140.22
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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This Is Me (The Greatest Showman) SATB Choir
This Is Me (The Greatest Showman) SATB Choir
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Chorale SATB
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INTERMÉDIAIRE
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Comédie Musicale
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Keala Settle and The Greatest
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Michael Pilley
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This Is Me
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Michael Pilley Music
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SheetMusicPlus
Piano Accompaniment, Choir, SATB - Intermediate - Digital Download By Keala Settle and The Greatest Showman Ensemble. Arranged by Michael Pilley. Score. 14...
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Piano Accompaniment, Choir, SATB - Intermediate - Digital Download By Keala Settle and The Greatest Showman Ensemble. Arranged by Michael Pilley. Score. 14 pages. Published by Michael Pilley Music
From the smash hit movie musical The Greatest Showman comes a stirring song that encompasses the moral lesson of self-acceptance and triumph under adversity. Scored for SATB choir with soloist at an intermediate difficulty, this arrangement is a direct transcription off the original soundtrack and will be a sure fire hit in any program.
With music by the award winning Pasek and Paul, The Greatest Showman is a movie musical based on the life of P.T. Barnum. It is a story of overcoming adversity, rising above social classes and the establishment of an entertainment visionary. Brilliantly played by Keala Settle, the bearded lady gives us an emotional rendition of This Is Me, with lyrics such as ?I won?t let them break me down to dust? and ?I am who I?m meant to be?, speaking of the struggle to be accepted in society.
If you would like to accompany this with a rhythm section and 4 piece horn section, you can also buy those parts here: https://bit.ly/2HcXyVD
And if you want to add some extra percussion that mirrors the original orchestration, pick up the Brass Band version here: https://bit.ly/2zxu5ig
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