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Vous avez sélectionné:
Selected works for piano
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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Cantata for Good Friday
Cantata for Good Friday
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Brian Lockard
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Cantata for Good Friday
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Brian Lockard
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.741351 Composed by Brian Lockard. Easter,Romantic Period,Sacred. Octavo. 44 pages. Brian Lockard #5209319. Publi...
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Choral Choir (SATB) - Level 4 - SKU: A0.741351 Composed by Brian Lockard. Easter,Romantic Period,Sacred. Octavo. 44 pages. Brian Lockard #5209319. Published by Brian Lockard (A0.741351). Composed for small choir(12-24 voices, SATB), piano, narrator and congregation. Text selected from Matthew chapters 26 and 27 is narrated over piano and important quotes are sung by the Chorus. Four traditional hymns are included as part of the cantata and are arranged to be sung along with the congregation as the story unfolds.(What Wondrous Love is This?, O the Deep, Deep Love of Jesus, O Sacred Head Now Wounded, When I Survey the Wondrous Cross)Total time: 18 min.Tonal throughout, with classical elements.Works well for the musical portion of a Good Friday service followed by a message and communion.
$2.50 ≈
£1.94
Two Views of Scott Joplin
Two Views of Scott Joplin
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Chorale SATB
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INTERMÉDIAIRE
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings...
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Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99 ≈
£7.73
Song of the Mountains
Song of the Mountains
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Chorale SATB
#
INTERMÉDIAIRE
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Greg Bartholomew
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Song of the Mountains
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Ba...
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Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video: https://www.youtube.com/watch?v=5VVW1Ah6kqE SONG OF THE MOUNTAINS Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us. The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
$2.50 ≈
£1.94
Three Nonsense Songs (SATB and optional childrens' choir)
Three Nonsense Songs (SATB and optional childrens' choir)
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Chorale SATB
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INTERMÉDIAIRE
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Alan Bullard
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Three Nonsense Songs
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Colne Edition / BullardMusic
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1179916 Composed by Alan Bullard. Children,Comedy. Octavo. 24 pages. Colne Edition / BullardMusic #779863. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.1179916 Composed by Alan Bullard. Children,Comedy. Octavo. 24 pages. Colne Edition / BullardMusic #779863. Published by Colne Edition / BullardMusic (A0.1179916). Three Nonsense Songs for SATB choir, optional unison childrens’ choir, and piano (or brass quintet) - words by Edward Lear 1. Broom, Shovel, Poker and Tongs 2. The Owl and the Pussycat 3. The Table and the Chair Rediscover the magical world of Edward Lear: the Table and Chair who learnt to walk, the eventful Sunday outing of the Broom, Shovel, Poker and Tongs, and of course the romantic courtship of the Owl and Pussycat!Three Nonsense Songs are selected from Mr Lear, an entertainment for SATB choir with optional childrens’ choir and narrator, with piano or brass quintet (Colne Edition CE49). The three songs are also available separately, all from this site.More details: https://www.alanbullard.co.uk/score/three-nonsense-songs/Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99 ≈
£3.09
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