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Vous avez sélectionné:
Take It From Me
Chorale SATB
Partitions à imprimer
43 partitions trouvées
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1
26
Agnus Dei from Reconciliation
Agnus Dei from Reconciliation
#
Chorale SATB
#
INTERMÉDIAIRE
#
Christian contemporain
#
Musique Sacrée
#
Tyler Merideth
#
Agnus Dei from Reconciliation
#
Tyler Merideth
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Meride...
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Choral Choir (SATB) - Level 3 - SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Merideth #4810437. Published by Tyler Merideth (A0.782530). Agnus Dei is the tenth movement from a larger work entitled Reconciliation, a set of 12 Latin prayers. Each movement takes it's inspiration from individual postcards containing pictures of St. Michael's Cathedral in Coventry, England. When performed in sequence, Reconciliation can serve as a worship service however, the individual movements also can stand alone. Although the tenth movement in Reconciliation, Agnus Dei was the initial small seed catalyst that grew into the idea to write a 12 movement work. The idea came to me when I first visited Coventry Cathedral and saw a statue entitled Reconciliation by Josefina de Vasconcellos. The statue depicts two figures kneeling in an embrace. What makes this statue so powerful is that the placement of the statue is among the ruins of the original Cathedral after the bombing by German Aircraft in WWII. I immediately sketched an idea for this movement on the bus after my college choir rehearsed in the cathedral. When I returned to the United States, I wrote a rough vocal line and string orchestra accompaniment. The composition then lay dormant for more than a decade with no major changes. It was only this past week (almost fifteen years later) that I rewrote the accompaniment for piano and cleaned up the choral part. The opening unison vocal line can be timeshared among the voice parts. Since it covers a wide range, let the lower voices sing what range they sing well and the higher voices reciprocate. Please feel free to vary the tempo with rubato throughout the piece to allow for proper breath support. Do not be shy leaning into the dissonances found in the suspensions as the ultimate resolution in the grant us peace
$3.99 ≈
3.59€
O Lord, you have searched me out
O Lord, you have searched me out
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Philip Le Bas
#
O Lord, you have searched me o
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Philip Le Bas
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. Philip Le Bas #1072778. Published by Philip Le Bas (A0.1496253). A new setting of Psalm 139 by Philip Le Bas, which begins O Lord, you have searched me out and known me - text printed below. The psalm is a deeply personal reflection by the psalmist on the wonder of my being and on the inescapability of God's love, wherever we might try to hide, and whatever we might do ourselves or might experience - even death. This gentle setting for unaccompanied SATB choir uses the full range of all four choral voices, with just one divisi passage at the end of the composition in the tenor and bass parts. The piece should be sung meditatively, without too much drama, even in the fortissimo passages, aiming for a sense of wonder and inner peace. Psalm 139 O Lord, you have searched me out and known me; you know all my sitting down and rising; you discern my thoughts from afar. You mark all my journeys and my resting place and are acquainted with all my ways. For not a word is on my tongue but, Lord, you know it altogether. You encompass me, behind and before me, you lay you hand upon me. O where can I go from your spirit? Or where can I flee from your presence? If I climb up to heaven you are there; you are there if the grave is where I lie. If I take the wings of the morning, or dwell in the depths of the sea, even there your hand shall lead me, your right hand hold me fast. You created my innermost parts; you knit me together in my mother's womb. I thank you for the wonder of my being, I marvel at all your works. Amen.
$2.99 ≈
2.69€
This Is Me
This Is Me
#
Chorale SATB
#
FACILE
#
The Greatest Showman Ensemble
#
Paul Lorenz
#
This Is Me
#
Paul Lorenz
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1388031 By The Greatest Showman Ensemble. By Benj Pasek and Justin Paul. Arranged by Paul Lorenz. A Cappe...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1388031 By The Greatest Showman Ensemble. By Benj Pasek and Justin Paul. Arranged by Paul Lorenz. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 15 pages. Paul Lorenz #971626. Published by Paul Lorenz (A0.1388031). Discover the Power of Individuality with This Is Me from The Greatest Showman At Paul Lorenz Music, we are thrilled to present our exclusive collection of This Is Me sheet music, derived from the unforgettable anthem of resilience and self-acceptance featured in The Greatest Showman. This powerful piece has not only captivated audiences worldwide but has also become a beacon of empowerment for many. Whether you're a seasoned musician or a budding pianist, our This Is Me piano sheet music and comprehensive PDF arrangements are designed to inspire and enhance your musical journey. Unleash Your Musical Talent with This Is Me Piano Sheet Music Dive into the heart of The Greatest Showman with our meticulously crafted This Is Me piano sheet music. Perfect for pianists of all levels, this arrangement captures the spirit and dynamism of the original score. Explore our This Is Me piano notes to bring the essence of this powerful song to life right at your fingertips. For those seeking the convenience of digital music sheets, our This Is Me sheet music PDF is just a click away, offering instant access to this inspiring composition. Elevate Your Choir's Performance with This Is Me SATB and Choral Arrangements Transform your choir's repertoire with our This Is Me SATB and choral arrangements. Paul Lorenz Music takes pride in offering This Is Me choir sheet music that resonates with choirs and audiences alike. Our This Is Me choral arrangement is specifically designed to capture the song's uplifting and inclusive message, making it a perfect addition to any concert or event. Experience the Magic of This Is Me Free Sheet Music At Paul Lorenz Music, we believe in the power of music to inspire and unite. That's why we offer This Is Me free sheet music, allowing musicians and educators to access this remarkable piece without barriers. Our commitment to making music accessible to all is reflected in our diverse range of This Is Me the Greatest Showman sheet music, ensuring everyone can experience the joy and empowerment this song provides.
$2.99 ≈
2.69€
Don't Tell Me
Don't Tell Me
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Chorale SATB
#
FACILE
#
Hudson Taylor
#
G
#
Don't Tell Me
#
G. M. Morley
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.500724 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G...
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Choral Choir (SATB) - Level 2 - SKU: A0.500724 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 10 pages. G. M. Morley #6450803. Published by G. M. Morley (A0.500724). Taken from the 2015 album Singing for Strangers, Don't Tell Me has potential to be a loud and raucous anthem of defiance for any performance. While my arrangement was originally intended to be performed at a Pride event, due to restrictions across the UK regarding choral groups we were unable to perform it.Although not officially part of the LGBTQ community, interviews indicate that Hudson Taylor are LGBTQ Allies. This song can be performed as a rallying cry for any march or protest for equality.
$4.49 ≈
4.04€
This Is Me
This Is Me
#
Chorale SATB
#
INTERMÉDIAIRE
#
Benj Pasek and Justin Paul
#
Greg Link
#
This Is Me
#
Greg Link
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.828274 Composed by Benj Pasek and Justin Paul. Arranged by Greg Link. A Cappella. Octavo. 10 pages. Greg Link #6...
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Choral Choir (SATB) - Level 3 - SKU: A0.828274 Composed by Benj Pasek and Justin Paul. Arranged by Greg Link. A Cappella. Octavo. 10 pages. Greg Link #6370477. Published by Greg Link (A0.828274). The Golden Globe winning song ‘This is Me’ has become one of the most popular songs of the past few years. Taken from the hugely successful film ‘The Greatest Showman’, it is a powerful anthem which inspires confidence, energy, and individuality. This upbeat and energising arrangement is written for a cappella SATB and encourages acting through song, good breath control, and sustained lines. The popular melody is shared across parts, giving each voice line an opportunity to utilise a cappella accompaniment skills as well as a moment to deliver the catchy tune itself. Simple vocal percussion is also used in the bass part to give an extra kick to the song. This arrangement is ideal for high school choirs, chamber choirs, or a cappella groups interested in exploring a song which is both fun to perform and great to listen to as an audience member. The song works equally well as a bold opener, encore or as part of a film music or musical theatre set or theme.Arranged by Greg Link, a London-based professional singer, arranger and workshop leaderDuration: 3:30
$2.99 ≈
2.69€
Even In The Quietest Moments
Even In The Quietest Moments
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Chorale SATB
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AVANCÉ
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Supertramp
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Kirstie Smith
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it just flowed out of me
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Even In The Quietest Moments
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Kirstie Smith
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Cent...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Rock,Spiritual. 17 pages. Kirstie Smith #1067132. Published by Kirstie Smith (A0.1490292). A wholly unique choral arrangement of Supertramp's 'Even In the Quietest Moments', from the album of the same name.A beautiful song lovingly crafted for SATB divisi and piano, featuring advanced vocal techniques and improvisational elements with an uplifting Gospel style coda. Composer Roger Hodgson stated on his Facebook page [24 March 2020] Even in the Quietest Moments was written during a very powerful time of Spiritual searching and discovery for me. I used to spend time alone in nature, camping, and one night while playing my guitar and looking up at the stars, the song came to me; it just flowed out of me. It’s a love song to God but it could also be to a woman. I’ve left it ambiguous so that people can take it how they wish. Basically, it’s just about a guy who’s searching. I’m a seeker. I think I’ll always be a seeker. The change of wording from 'Come on, let the sun' to 'The morning sun' is deliberate, based on singing wrong words to the album track as a child!
$3.25 ≈
2.93€
Dixit Maria - SATB
Dixit Maria - SATB
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Lloyd Buck
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Dixit Maria - SATB
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Lloyd Buck
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1304530 Composed by Lloyd Buck. Advent,Christmas,Early Music,Latin,Sacred. 3 pages. Lloyd Buck #89...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1304530 Composed by Lloyd Buck. Advent,Christmas,Early Music,Latin,Sacred. 3 pages. Lloyd Buck #893998. Published by Lloyd Buck (A0.1304530). Dixit Maria was written for Portishead Summer Singers in 2006 to be premiered in a service of Nine Lessons and Carols. The Latin text translates as:Mary said to the Angel: Behold, I am the handmaid of the Lord, let it be done to me, according to your word.The work is written in four parts, but splits into eight for a short section. It is based around the key of F# major, but modulates to other keys, some of which are unexpected. There are two big climaxes, and the music dies away at the end as Mary understands the meaning of the angel's words. Dixit Maria takes inspiration from the intricate and rich textures of the Renaissance era, while infusing it with the harmonic depth and complexity of more contemporary music.
$4.00 ≈
3.60€
Savin' Jeremiah - SATB Choir
Savin' Jeremiah - SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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a chariot of fire, But the pro
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo...
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Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99 ≈
1.79€
I Will Lift Mine Eyes (Psalm 121)
I Will Lift Mine Eyes (Psalm 121)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Carol Taylor
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Carol Taylor
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I Will Lift Mine Eyes
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C.Taylor
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.934049 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.934049 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. C.Taylor #3111369. Published by C.Taylor (A0.934049). Words from Psalm 121SATBInspirational and Christian ReligiousWould be excellent for choirs or ensembles in Church or schoolPlease excuse the MP3 quality. I did not have an ensemble to record my music so it is just SAT (I cannot sing bass! :-) This is just to give you a rough idea of how it sounds!Has challenging harmonies but easy enough for most singersI have an extensive contact list on several Facebook sitesThis music has been performed for Church services privately by a small 8 member ensemble.The words are taken almost directly from Psalm 121 so ANY Christian group should find it suitable and uplifting and worshipful for servicesIt can also be used as a vocal or piano solo if desiredI belong to a Church organization but no Performing Rights organizationsThis piece will take approximately 4 minutes to sing Can contact me through email: CarolTaylor27@yahoo.com
$1.99 ≈
1.79€
The Dead Shall be Raised (I Thessalonians 4)
The Dead Shall be Raised (I Thessalonians 4)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Carol Taylor
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Carol Taylor
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The Dead Shall be Raised
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C.Taylor
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.934048 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Sacred,Spiritual. Octavo. 13 pages. C.Taylo...
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Choral Choir (SATB) - Level 4 - SKU: A0.934048 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Sacred,Spiritual. Octavo. 13 pages. C.Taylor #3111381. Published by C.Taylor (A0.934048). This is a big piece with much emotion about the Resurrection. Words are directly taken from I Thessalonians 4It is inspirational and the focal point of all Christian religion--the ResurrectionBecause it is scripture set to music it is appropriate for all Christian organizationsBrass and Timpani/Drums could be added for emphasis (though I have not specifically written those parts--they are rather obvious!)Please excuse the MP3 quality. I did not have a choir to record my piece and cannot sing bass or tenor properly. This is just to give you an idea of the sound and really needs a full size choir to perform. It takes about 6 minutes to perform and ends on a very big high! I have extensive contacts on many Facebook sites both secular and religiousI am part of a worldwide Church organization and this piece has been used privately in one service for a special High day we celebrate each yearI am not part of any Performing Rights groupsMy contact information is: Caroltaylor27@yahoo.com please contact me with questions or if you would like the music in individual parts or if you would like me to write a brass or Timpani parts.SATB with the melody shifting from soprano to bass to tenor. MUST have a strong bass section to handle this piece
$2.99 ≈
2.69€
Psalm 102: pellicano solitudinis (Pelican In The Wilderness) (Downloadable Choral Score)
Psalm 102: pellicano solitudinis (Pelican In The Wilderness) (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Howard Goodall
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Psalm 102: pellicano solitudin
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and keyboard, with optional string quartet - Medium - SKU: MQ.56-0009-E Composed by Howard Goodall. 23 pages. MorningStar Music Publishers - ...
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SATB choir and keyboard, with optional string quartet - Medium - SKU: MQ.56-0009-E Composed by Howard Goodall. 23 pages. MorningStar Music Publishers - Digital Sheet Music #56-0009-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0009-E). English.This seven-minute SATB setting of a section of the 1640 text from the Bay Psalm Book takes wing like the birds it first mentions. What would normally be a somber litany of affliction is set to music that hints at eternal things and the saving power of God. The middle section “I said, ‘In the middle of my days, O my God, do not take away me†is set, amazingly, in Latin, which gives a wonderful contrast to the more lyrical beginning. The beginning material returns as the Latin text is now sung in English, concluding “Thy years throughout all ages are.†This music is sublime and transcendent.
$3.70 ≈
3.33€
Beyond The Sea
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
9.01€
Toxic
Toxic
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Britney Spears
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Jason Howard
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Toxic
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Jason Howard
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arra...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Jason Howard. A Cappella,Contemporary,Pop. Octavo. 9 pages. Jason Howard #858044. Published by Jason Howard (A0.1265200). This arrangement of Toxic is a fresh take on the popular 2000's hit! Taking inspiration from the original and several other different covers of this song, I've written out what is probably one of my favorite arrangements I've written. It's sure to challenge your performers and keep your audience engaged from start to finish!It starts with a soft drone in the Basses that continuously adds chord tones and volume to build sonic intensity and set the tone right out of the gate! We then move on to a slowed down first verse with the melody supported only by chords in the choir. Vocal Percussion leads us into a tempo change and explosive snippet of the melody before the piece hits its stride. Lots of upbeats, syncopations, and altered melodic tones throughout adds a high level of difficulty to this piece. As we get to the end of this piece, the ensemble will suddenly alter time to a half time feel that not only adds to excitement but also helps to bring the piece to a dramatic closing.This is written for Solo voice and SSAATTBB choir and a Vocal Percussionist.As with most of my arrangements I leave many of the syllables blank to encourage the director/performers to put their own spin on the arrangement with their own choice of syllables! Suggested syllables in certain spots and all necessary melodic lyrics have all been included for you!I hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$1.99 ≈
1.79€
Three Evening Canticles — SATB voices, organ
Three Evening Canticles — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Three Evening Canticles &mdash
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Pub...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00 ≈
2.70€
Jesus Is The Way (Anthem) - Piano Accompaniment
Jesus Is The Way (Anthem) - Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747199 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pages. Christopher ...
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Choral Choir (SATB) - Level 3 - SKU: A0.747199 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pages. Christopher Brown #4628111. Published by Christopher Brown (A0.747199). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$5.99 ≈
5.39€
I See You
I See You
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Chorale SATB
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INTERMÉDIAIRE
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published b...
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Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49 ≈
2.24€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
27.02€
U. F. O. A new & original 'Sci-Fi' stage musical
U. F. O. A new & original 'Sci-Fi' stage musical
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dennis A
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U. F. O. A new & original
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Tyne Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. Tyne Music #58713...
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Choral Choir (SATB) - Level 4 - SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. Tyne Music #5871343. Published by Tyne Music (A0.999346). U. F. O. : Is my newest sci-fi full length modern play in the TYNE ONSTAGE series of original musicals. I wrote this specifically for the senior students of the Performing Arts. It has many leading parts for both sexes and has a hint of the 60-70 style of writing found in those musicals of the times but modern in context. The story line includes opportunities for many individual performances covering song and dance numbers, group singing, contemporary dance, dramatic interludes and strong comedy parts. This is an original story taking a humorous look at a possible visitation from our space neighbours. The story begins with the arrival of GS2, an ‘Interstellar Space Surveyor’ on its mission to map this part of the Universe. Whilst reporting its position to the home base ‘Niva’, the surveyor informs them that one of the planets (Earth) appears to have intelligent life forms. On receiving this information Niva decides to dispatch a party of college students to study this unique planet, much to the annoyance of GS2 who take umbridge at being appointed, what he calls a Galactic Nanny! Events take a dramatic turn when the surveyor is called away on an ‘emergency rescue mission’ so has to beam the students down to planet Earth, where during transmutation, they are warned not to integrate with the population. But ‘students being students’ the consequences are both hilarious and profound.This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/u-f-oP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming senior student to take on.SONG TITLES 1) Earthbound 2) Hold the Front Page 3) Sex Talk 4) We’re In This Together 5) The Annual Bazaar 6) You Are Me 7) Body Talk 8) Bionic Love
$70.00 ≈
63.05€
Soon We Will Be Done (Downloadable)
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20 ≈
2.88€
Desert Blossom - an original hymn based on Isaiah 35:1-2
Desert Blossom - an original hymn based on Isaiah 35:1-2
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Thy Hand, this land redeem
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Kevin G
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may my work not be in vain
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Desert Blossom - an original h
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701736 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pag...
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Choral Choir (SATB) - Level 4 - SKU: A0.701736 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3363271. Published by Kevin G. Pace (A0.701736). An original hymn for SATB voices with text by Mark Fotheringham below. Dedicated to pioneers, the early Utah Mormon pioneers in particular.YouTube video: https://youtu.be/9JVJAuc7P_ABless this arm, keep it sound, as I turn this desert ground. Water flows from mountain stream. By Thy Hand, this land redeem. Sanctify all who toil, blessing all that grows. Let the desert now rejoice, blossom as the rose. Bless all seeds, as I sow. Let them here take root and grow. Send Thy rains from up above, warming sunshine filled with love. May the toil of these hands, bring Thy blessings close. Let the desert now rejoice, blossom as the rose. Fire or frost, wind or rain; may my work not be in vain. Help me prosper ev'ry day. Keep the locust still at bay. Through each trial, help me stand, in Thy strength repose. Let the desert now rejoice, blossom as the rose. In my soul, deserts be, waiting to be turned by Thee. Let Thy blessing as the rain, open up my heart again. May the Lord, bless my toil, ev'ry weed dispose. Let the desert now rejoice, blossom as the rose.
$1.99 ≈
1.79€
#WeToo
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99 ≈
1.79€
Laudate Dominum in sanctis ejus
Laudate Dominum in sanctis ejus
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Hieronymus Praetorius
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Vincent O
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Laudate Dominum in sanctis eju
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Vincent Miller
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.935610 Composed by Hieronymus Praetorius. Arranged by Vincent O. Miller. Baroque,Latin,Multicultural,Sacr...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.935610 Composed by Hieronymus Praetorius. Arranged by Vincent O. Miller. Baroque,Latin,Multicultural,Sacred,World. 12 pages. Vincent Miller #5306249. Published by Vincent Miller (A0.935610). This is a sacred polychoral piece from the early Baroque period, written for an eight part mixed choir, or two SATB choirs. It is suitable for most high school and church choirs, although it may be beyond some. Range may be a limiting factor for some, as soprano and tenor both take frequent excursions to A natural. A beautiful peice from an under-appreciated composer. If you have questions or comments, feel free to contact me at vm5899556@gmail.com. Thank you!
$1.99 ≈
1.79€
Anim Zemiros
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
2.70€
Wade in the Water
Wade in the Water
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Chorale SATB
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AVANCÉ
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Gospel Spirituel
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Traditional Spiritual
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Mark Lehnowsky
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I personally guarantee it
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Wade in the Water
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Mark Lehnowsky Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1097087 Composed by Traditional Spiritual. Arranged by Mark Lehnowsky. A Cappella,Contest,Festival,Histor...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1097087 Composed by Traditional Spiritual. Arranged by Mark Lehnowsky. A Cappella,Contest,Festival,Historic,Spiritual,Traditional. Octavo. 10 pages. Mark Lehnowsky Music #700179. Published by Mark Lehnowsky Music (A0.1097087). Premiered by Dr. Anthony Leach and Essence of Joy at the Celebration of African American Spirituals (now known as the African American Music Festival), this arrangement was a hit at ACDA National Convention in Chicago. From concept to premiere in under a month, Wade in the Water quickly became a choir favorite. It is an in-your-face fusion of styles that ends with an enormous bang. It has a steep learning curve, but your choir will take enormous pride in the accomplishment. Its effect on audiences is special; I personally guarantee it. If you do this piece, I would like to know. Please email me in advance. I am more than happy to meet with your choir. There are some stories that will entertain them.
$2.95 ≈
2.66€
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