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The Reason Why
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Vous avez sélectionné:
The Reason Why
Chorale SATB
Partitions à imprimer
19 partitions trouvées
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1
They Smile And Speak As They Pass By. Serio-Comic Ditty
They Smile And Speak As They Pass By. Serio-Comic Ditty
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Chorale SATB
#
Frank Drayton
#
Frank Drayton
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They Smile And Speak As They P
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.5074 Composed by Frank Drayton. Portraits, Youth, Courtship, Love, Deception. Lester S. Levy Collection...
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Piano and voice (solo and SATB chorus) - SKU: LV.5074 Composed by Frank Drayton. Portraits, Youth, Courtship, Love, Deception. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5074). They Smile And Speak As They Pass By. Serio-Comic Ditty. By Frank Drayton. Published 1883 by M.D. Swisher, Publisher, No. 123 S. 10th St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Youth, Courtship, Love, Deception. First line reads They smile and speak as they pass by, and do you know the reason why?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.57
The Reason Why
The Reason Why
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Chorale SATB
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Musique Sacrée
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Lani Smith
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The Reason Why
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
By Lani Smith. For SATB choir. Sacred Anthem. Holy Week. Easy. Published by Lorenz Publishing - Digital Sheet Music ...
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By Lani Smith. For SATB choir. Sacred Anthem. Holy Week. Easy. Published by Lorenz Publishing - Digital Sheet Music
$2.40 ≈
£1.83
Love Is the Reason Why
Love Is the Reason Why
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Chorale SATB
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Noël
#
Phil Nitz
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Love Is the Reason Why
#
SheetMusicPlus
Arranged by Phil Nitz. Sacred Anthem, Christmas, General. Octavo. 20 pages. Lorenz Publishing - Digital Sheet Music #e10/5730MD. Published by Lorenz P...
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Arranged by Phil Nitz. Sacred Anthem, Christmas, General. Octavo. 20 pages. Lorenz Publishing - Digital Sheet Music #e10/5730MD. Published by Lorenz Publishing - Digital Sheet Music
$2.95 ≈
£2.25
In the Bleak Midwinter
In the Bleak Midwinter
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Chorale SATB
#
INTERMÉDIAIRE
#
Noël
#
Matthew M Tang
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Matthew M Tang
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In the Bleak Midwinter
#
Matthew M Tang
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1088976 By Matthew M Tang. By Words: Christina Rossetti Melody: Gustav Holst, Harold Darke. Arranged by M...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1088976 By Matthew M Tang. By Words: Christina Rossetti Melody: Gustav Holst, Harold Darke. Arranged by Matthew M Tang. A Cappella,Christmas,Classical,Holiday. Octavo. 13 pages. Matthew M Tang #693187. Published by Matthew M Tang (A0.1088976). This beautiful arrangement combines two of the most common and well known melodies of “In the Bleak Midwinter,’ a poem written by Christina Rossetti into the same song. The first by Gustav Holst and the second by Harold Darke. This arrangement will take the audience through a journey of key signatures beginning in F Major, continuing through Bb, G, E and finally ending in Ab Major. Each key signature helps to convey the meaning of that particular verse. This is geared more towards a smaller choir, preferably a choir of 16 singers and it is also meant for one on a part situations. The harmonies in this arrangement are simple, yet powerful and reverent. I hope this arrangement helps remind us of the real reason why we celebrate Christmas. Gifts and Santa Claus are fun traditions but the real reason why we celebrate Christmas is because it is the birth of our Savior, Jesus Christ. I hope you guys enjoy it!!!
$1.99 ≈
£1.52
That's Why I Love Him So
That's Why I Love Him So
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Chorale SATB
#
INTERMÉDIAIRE
#
W
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That's Why I Love Him So
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Bible Truth Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.770917 Composed by W. Elmo Mercer. Christian,Gospel. Octavo. 5 pages. Bible Truth Music #4301271. Published by B...
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Choral Choir (SATB) - Level 3 - SKU: A0.770917 Composed by W. Elmo Mercer. Christian,Gospel. Octavo. 5 pages. Bible Truth Music #4301271. Published by Bible Truth Music (A0.770917). A reflective arrangement recalling the reasons why we love our Savior and Redeemer!
$2.05 ≈
£1.56
Why Do the Shepherds Sing?
Why Do the Shepherds Sing?
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Chorale SATB
#
Musique Sacrée
#
John Parker and Lloyd Larson
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Why Do the Shepherds Sing?
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Monarch Music
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SheetMusicPlus
SATB choir - SKU: LX.10-2682M Composed by John Parker and Lloyd Larson. Sacred Anthem, Christmas, General. Octavo. 12 pages. Monarch Music #e10/2682M. P...
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SATB choir - SKU: LX.10-2682M Composed by John Parker and Lloyd Larson. Sacred Anthem, Christmas, General. Octavo. 12 pages. Monarch Music #e10/2682M. Published by Monarch Music (LX.10-2682M). UPC: 000308058963.Vigorous rhythms accentuate this joyous anthem about the reason for singing Jesus is born!
$2.50 ≈
£1.91
The Night We Met
The Night We Met
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Chorale SATB
#
INTERMÉDIAIRE
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Lord Huron
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Arr
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The Night We Met
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Lance Fisher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.941247 By Lord Huron. By Ben Schnieder. Arranged by Arr. Lance Fisher. A Cappella. Octavo. 12 pages. Lance Fishe...
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Choral Choir (SATB) - Level 3 - SKU: A0.941247 By Lord Huron. By Ben Schnieder. Arranged by Arr. Lance Fisher. A Cappella. Octavo. 12 pages. Lance Fisher #4758791. Published by Lance Fisher (A0.941247). A contemporary A Capella arrangement of the popular Lord Huron song. Heard most famously on 13 Reasons Why. Has up to 8 parts including splits and features a soloist. Lots of tight harmonies in this arrangement. LEARNING TRACKS are available through my email fisherlance8@gmail.com .
$1.99 ≈
£1.52
What Really Matters?
What Really Matters?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Hannah Cheetham
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Hannah Cheetham
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What Really Matters?
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Hannah Cheetham
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.482335 Composed by Hannah Cheetham. A Cappella,Classical,Contemporary. Octavo. 7 pages. Hannah Cheetham #...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.482335 Composed by Hannah Cheetham. A Cappella,Classical,Contemporary. Octavo. 7 pages. Hannah Cheetham #102081. Published by Hannah Cheetham (A0.482335). Amidst the trials & wins, the reason why we live can become faded or lost. 'What Really Matters?' is an attempt to contemplate what matters most in life. When I wrote this piece, I wanted to write something that would cause listeners to think & perhaps re-align perspective to what is important in life. Lyrics & Music By Hannah Cheetham.
$4.99 ≈
£3.80
To Bethlehem, a sacred Christmas hymn
To Bethlehem, a sacred Christmas hymn
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
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To Bethlehem, a sacred Christm
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1145430 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,...
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Choral Choir (SATB) - Level 4 - SKU: A0.1145430 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 2 pages. Kevin G. Pace #745667. Published by Kevin G. Pace (A0.1145430). A beautiful, Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: To Bethlehem, so very long ago, A mother, with her husband’s care, was trav’ling on a donkey there. Even great with Child that day, through many miles they made their way to Bethlehem. To Bethlehem a hallowed Baby came! God’s holy Child on the earth fulfilled past forecasts of his birth. Jesus Christ came from above and brought with Him pure endless love to Bethlehem. To Bethlehem a wondrous star appeared. While lighting up a night-time sky blessed angels echoed reasons why. Trumpeting the awesome sight, called shepherds ran this holy night to Bethlehem. To Bethlehem all people now could look. Messiah, who forgives mankind, would be the Savior through all time. Jesus is his holy Name! So long ago this Baby came to Bethlehem . . . to Bethlehem.
$1.99 ≈
£1.52
Eight Hymns of Isaac Watts
Eight Hymns of Isaac Watts
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Brian Joyce
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Eight Hymns of Isaac Watts
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Brian Joyce
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joy...
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Choral Choir (SATB) - Level 3 - SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.
$2.50 ≈
£1.91
When I Land
When I Land
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #4972...
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Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25 ≈
£1.72
Jingle Bells for Choir and piano in G major
Jingle Bells for Choir and piano in G major
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Chorale SATB
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DÉBUTANT
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James L
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Jps Arrangements
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Jingle Bells for Choir and pia
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Jps Arrangements
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476295 Composed by James L. Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. ...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476295 Composed by James L. Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 5 pages. Jps Arrangements #1053805. Published by Jps Arrangements (A0.1476295). Jingle Bells for Choir and piano in G major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchasing choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score can be adapted for different choral formations. Captivating Harmonies: Jingle Bells' lively, infectious harmonies are perfect for creating a festive mood. They engage listeners and encourage participation.Universal Appeal: Music transcends cultures and languages. It is known around the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance Opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an accessible and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and start rehearsing with enthusiasm.The arrangement is in G major and has the numbers.
$2.99 ≈
£2.28
Jingle Bells for Choir in G major
Jingle Bells for Choir in G major
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Chorale SATB
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DÉBUTANT
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James Lord Pierpont
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Jps Arrangements
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Jingle Bells for Choir in G ma
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Jps Arrangements
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476301 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476301 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 5 pages. Jps Arrangements #1053814. Published by Jps Arrangements (A0.1476301). Jingle Bells for Choir in G major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchasing choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score can be adapted for different choral formations. Captivating Harmonies: Jingle Bells' lively, infectious harmonies are perfect for creating a festive mood. They engage listeners and encourage participation.Universal Appeal: Music transcends cultures and languages. It is known around the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance Opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an accessible and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and start rehearsing with enthusiasm.The arrangement is in G major and has the numbers.
$2.99 ≈
£2.28
Jingle Bells for Choir and piano in G major
Jingle Bells for Choir and piano in G major
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Chorale SATB
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DÉBUTANT
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James Lord Pierpont
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Jps Arrangements
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Jingle Bells for Choir and pia
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Jps Arrangements
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476300 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476300 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 5 pages. Jps Arrangements #1053813. Published by Jps Arrangements (A0.1476300). Jingle Bells for Choir and piano in G major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchasing choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score can be adapted for different choral formations. Captivating Harmonies: Jingle Bells' lively, infectious harmonies are perfect for creating a festive mood. They engage listeners and encourage participation.Universal Appeal: Music transcends cultures and languages. It is known around the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance Opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an accessible and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and start rehearsing with enthusiasm.The arrangement is in G major and does not have the numbers.
$2.99 ≈
£2.28
Jingle Bells for Choir in G major
Jingle Bells for Choir in G major
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Chorale SATB
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DÉBUTANT
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James Lord Pierpont
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Jps Arrangements
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Jingle Bells for Choir in G ma
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Jps Arrangements
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476303 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1476303 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 5 pages. Jps Arrangements #1053817. Published by Jps Arrangements (A0.1476303). Jingle Bells for Choir in G major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchasing choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score can be adapted for different choral formations. Captivating Harmonies: Jingle Bells' lively, infectious harmonies are perfect for creating a festive mood. They engage listeners and encourage participation.Universal Appeal: Music transcends cultures and languages. It is known around the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance Opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an accessible and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and start rehearsing with enthusiasm.The arrangement is in G major and does not have the numbers.
$2.99 ≈
£2.28
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindri...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25 ≈
£1.72
Alleluia
Alleluia
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Chorale SATB
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Henrik Dahlgren
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Alleluia
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus a cappella - SKU: BJ.1444 Composed by Henrik Dahlgren. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1444. Published by Bo Ejeby Fo...
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SATB chorus a cappella - SKU: BJ.1444 Composed by Henrik Dahlgren. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1444. Published by Bo Ejeby Forlag - Digital (BJ.1444). 8.27 x 11.7 inches.The single word alleluia is used as the basis for harmonic exploration as the slowly moving pulsed a cappella harmonies build and diminish. Feature a soprano soloist or the section on an ethereal descant that elevates the texture to sublime heights.This piece came about for two different reasons. The initial musical idea evolved while I was working on a short study for piano, so the piece was strictly instrumental.The other idea stemmed from a discussion with my friend and mentor Dr Phillip Cooke, about why the word “Alleluia is so commonly used in choral music. Apart from the obvious reasons – “Alleluia being a significant word in the sacred music tradition, and so on – we discussed the multiple possibilities a composer has with a word like that, in the sense that different syllables can be stressed, such as alleluia, alleluia or alleluia.This was something I used as the other structural building block in the composition, and I added “Alleluia as the only word, but with the emphasis moving to different syllables throughout the piece. For me, the setting of a single word like “Alleluia is far from any texts I usually set. The word, however, has a strong anchorage in musical tradition and composers have always set this word in all kinds of different ways.In this composition, I am interested in the word itself, the build-up of the word, the structure of the music, and adding something to the musical tradition of setting this famous word to music.This piece was premiered by the University of Aberdeen Chapel Choir at King’s College Chapel in Aberdeen, Scotland. The performance was conducted by their Director of Chapel and Ceremonial Music, Stuart Muir. – Henrik Dahlgren.
$3.60 ≈
£2.74
Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #...
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Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00 ≈
£1.52
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
£3.80
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