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Vous avez sélectionné:
Who Could Ever Love You More
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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1
Out of the Depths
Out of the Depths
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Out of the Depths
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770...
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Choral Choir (SATB) - Level 4 - SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770087. Published by Philip Le Bas (A0.818179). This setting of Psalm 130 (Out of the depths have I cried to you, O Lord) was written as a response to the covid-19 lockdown crisis. It is a prayer for help in the midst of difficulty and sin, waiting for God with hope in his compassion and forgiveness. Its tempo marking of soulful, but rhythmic highlights the character of the weary, bluesey theme in B flat minor and its falling chromatic accompaniment. However, there are signs of hope throughout the setting, and the last verse mixes its principal key of G major with the original rise and fall of the minor third interval (G to B flat). Hope is, after all, sure and certain, yet it is a trust in a God who is ultimately unseen and unknownable.Psalm 130: Out of the depths have I cried to you, O Lord, Lord, hear my voice,O let your ears be attentive to the voice of my supplications. If you, O Lord, should mark our iniquities, Lord, who could stand? But there is forgiveness with you, that you may be feared. I wait for the Lord, I wait for the Lord.My soul waits, and in his word I hope. My soul waits for the Lord more than those who watch for the morning, more than those who watch for the morning. O Israel, hope in the Lord, for with the Lord there is steadfast love and great power to redeem. The Lord will redeem you, O Israel, from all your iniquities.
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£1.56
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
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Chorale SATB
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INTERMÉDIAIRE
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D
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Caffeinated Dreams
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Published by D. M. Gardner Music (A0.799640). Caffeinated Dreams is a humorous piece that pokes fun at high-dollar coffee by depicting a figurative monkey that is constantly trying to steal your latte. Anyone who has had the need for a nice warm caramel latte on a cold day (or any day) will enjoy this composition. Caffeine addicted people everywhere understand how difficult it is to get that monkey off your back... The one that's always telling you to cut back on your coffee habit. Watch out, or he'll steal your latte too! Caffeinated Dreams was inspired by the large number of coffee shops in Omaha, Nebraska, specifically one called Caffeine Dreams. If you are ever in the area, you should check it out. Also of note, there are small humorous illustrations throughout the score and parts to help inspire the performers. Perhaps you could attempt to get a local establishment to let you sing this piece for acup of java. I would.Humorous - You and your audience will love this piece!SATB/Solo Monkey with Conga, Bass Drum, Claves, Sand Block**Please note the MIDI audio sample does not reproduce any of the choir's non-singing vocalizations, of which there are many. Additionally, no monkey could be reached in time to make this recording, so that too is omitted. That being said, I think you will still very much enjoy this piece!Premiere: University of Nebraska at Omaha - University ChorusDifficulty: Moderate - A great piece for just about any choir...but especially for those old enough to drink a lot of coffee.Approx. 2 minutes and 30 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
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Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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Prayer of Saint Francis
Prayer of Saint Francis
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Sebastian Temple
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Kelvyn Koning
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Prayer of Saint Francis
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Kelvyn Koning
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.991908 Composed by Sebastian Temple. Arranged by Kelvyn Koning. Gospel,Sacred,Spiritual. Octavo. 12 pages. Kelvy...
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Choral Choir (SATB) - Level 4 - SKU: A0.991908 Composed by Sebastian Temple. Arranged by Kelvyn Koning. Gospel,Sacred,Spiritual. Octavo. 12 pages. Kelvyn Koning #3556857. Published by Kelvyn Koning (A0.991908). Prayer of Saint Francis is based on the hymn Make Me a Channel of Your Peace by Sebastian Temple, which uses text from a prayer written by Saint Francis of Assisi. Part of the inspiration for the piece comes from Madison CRC, a church I belonged to and worked in for about five years, which was focused on interracial development and combating racism. It is often clear to a person who has belonged to any group of people (for example, a multi-racial church or a choir), that it takes a lot of effort for different people to unite harmoniously to achieve something greater than what any lone person could accomplish. This song is a prayer about unity, about peace between people who are different from each other. Different, in this case, refers to every sort of difference, whether in race, ethnicity, background, social class, gender, sexuality, age, religion, politics, personality, preferences, musical ability, etc. This piece includes different musical styles working in tandem, thus illustrating that differences can work together to create beauty and harmony. Though written by Christians, this is not just a prayer for Christians, but for all of us, that we may treat those around us with love, care, and respect, thus bringing peace to our communities, both locally and globally. I am honored to have had this piece premiered by the Berkshire Choral Apprentices of 2018 at Skidmore College in Saratoga Springs, NY.
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