Partitions Numériques de If I Had You pour Hautbois, Piano (duo)

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If I Had You
Non classifié 264

Piano & claviers
Piano, Voix et Guitare 387
Piano seul 135
Piano, Voix 28
Instruments en Do 15
Piano Facile 13

Orgue 10
1 Piano, 4 mains 2
Piano grosses notes 2
Piano Quatuor: piano, 2 violons, violoncelle 1
Accordéon 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Accompagnement Piano 1

+ 7 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 13
Guitare 9
Paroles et Accords 7
Guitare notes et tablatures 5
Basse electrique 3

4 Guitares (Quatuor) 1

+ 1 instrumentations

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Voix
Chorale SATB 24
Chorale TTBB 8
Chorale 3 parties 8
Chorale 2 parties 4
Voix Tenor 2

Voix duo 2
Voix Baryton, Piano 2
Voix Alto, Piano 1
Chorale SSAB, Piano 1
Chorale Unison 1
Chorale SSAA 1

+ 6 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 55
Ensemble de saxophones 13
Ensemble de Clarinettes 11
Quatuor de Clarinettes: 4 clarinettes 8

Quintette de Flûte : 5 flûtes 7
Flûte traversière 5
Quatuor de Saxophones: 4 saxophones 5
Saxophone Alto 5
Flûte, Hautbois, Clarinette, Basson 4
Hautbois, Piano (duo) 3

Flûte, Violon 3
Saxophone Tenor 3
2 Saxophones (duo) 3
Flûte traversière et Piano 2
Saxophone Alto et Piano 2
Clarinette 2
Quintette de Clarinettes: 5 clarinettes 2
Clarinette, Trombone (duo) 1
2 Flûtes traversières, Piano 1
Clarinette, Trompette (duo) 1
Flûte, Clarinette (duo) 1
Hautbois (partie séparée) 1
Clarinette, Violoncelle (duo) 1
Ensemble de Flûtes 1
Saxophone (partie séparée) 1
Cor Anglais 1
Flûte, Alto (duo) 1
Saxophone Soprano et Piano 1
Clarinette, Basson (duo) 1
2 Clarinettes (duo) 1
Clarinette et Piano 1
Quatuor de Flûtes : 4 flûtes 1
2 Flûtes traversières (duo) 1
Saxophone et Orgue 1
Saxophone Tenor et Piano 1

+ 31 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 15
Ensemble de Trombones 8
Trompette 7
Ensemble de Trompettes 6

Trombone 3
Cor 2
Ensemble de Tubas 1
Trompette, Saxophone (duo) 1
2 Tubas (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Tuba 1
Cor Anglais 1
Cor et Piano 1
2 Trompettes (duo) 1
2 Trombones (duo) 1
Trompette, Euphonium (duo) 1

+ 12 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 13
Violon et Piano 10
Violon 9
Violon, Violoncelle (duo) 7
Ensemble de Violons 7

Quintette à cordes: 2 violons, alto, violoncelle, basse 7
Ensemble d'Altos 5
2 Altos (duo) 3
Alto seul 3
Harpe 3
2 Violoncelles (duo) 3
Violoncelle 3
Alto, Piano 2
2 Violons (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
Ensemble de Violoncelles 1
Trio à Cordes: 2 violons, violoncelle 1
Trio à Cordes: 3 violoncelles 1
Trio à cordes: 3 violins 1
Contrebasse (partie séparée) 1
Alto et Basson 1
Violon (partie séparée) 1
Alto, Violoncelle (duo) 1

+ 18 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 59
Orchestre de chambre 17
Orchestre 12
Ensemble Jazz 11
Orchestre à Cordes 10

Ensemble de Percussions 5
Ensemble de cuivres 4
Cloches 3
Jazz combo 3
Batterie 1

+ 5 instrumentations

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Vous avez sélectionné:

If I Had You

Hautbois, Piano (duo)

Partitions à imprimer

3 partitions trouvées

3 Romances, Op. 94 for Oboe and Piano - Robert Schumann

3 Romances, Op. 94 for Oboe and Piano - Robert Schumann #Hautbois, Piano (duo) #AVANCÉ #Robert Schumann #Zellev #3 Romances, Op. 94 for Oboe an #Zellev Music #SheetMusicPlus

Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score ...(+)

Oboe,Piano - Level 5 - SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to DÃ¼sseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and FranÃ§ois Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.

$20.00 ≈ 18.12€

Sonata Franckoniana

Sonata Franckoniana #Hautbois, Piano (duo) #AVANCÉ #Contemporain #Cesar Auguste Franck #Robert Fruehwald #Sonata Franckoniana #Robert Fruehwald #SheetMusicPlus

Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...(+)

Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.

$8.99 ≈ 8.15€

A Night In Tunisia

A Night In Tunisia #Hautbois, Piano (duo) #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pa...(+)

Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.15€

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