Partitions Numériques de Up to the Sky pour Hautbois, Piano (duo)

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Up to the Sky
Non classifié 52

Piano & claviers
Piano seul 71
Piano, Voix et Guitare 45
Piano grosses notes 13
Piano Facile 9
Piano, Voix 9

Orgue 6
Instruments en Do 5
2 Pianos, 4 mains 3
1 Piano, 4 mains 3
Clavier 1
Piano Trio: piano, violon, violoncelle 1

+ 6 instrumentations

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Guitares
Guitare notes et tablatures 5
Basse electrique 2
Ukulele 1
Ligne De Mélodie, (Paroles) et Accords 1
Guitare 1

2 Guitares (duo) 1
3 Guitares (trio) 1

+ 2 instrumentations

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Voix
Chorale SATB 27
Chorale 3 parties 7
Chorale 2 parties 5
Voix Soprano, Piano 3
Chorale SSAATTBB 2

Voix Alto, Piano 2
Chorale SSAA 2
Chorale Unison 1
Chorale TTBB 1
Chorale SSATTB 1
Voix duo 1

+ 6 instrumentations

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Vents
Flûte traversière et Piano 6
Hautbois, Piano (duo) 4

Saxophone Alto et Piano 2
Ensemble de saxophones 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2

Flûte, Hautbois, Clarinette, Basson 1
2 Flûtes traversières (duo) 1
Flûte traversière 1
Ensemble de Flûtes 1
Saxophone Baryton, Piano 1
Flûte, Clarinette (duo) 1
Clarinette et Piano 1
Hautbois 1
Saxophone Soprano et Piano 1
Trio de Flûtes: 3 flûtes 1
Saxophone Tenor et Piano 1
Quatuor de Saxophones: 4 saxophones 1
Cor anglais, Piano 1
Clarinette Basse, Piano 1

+ 14 instrumentations

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Cuivres
Euphonium, Piano (duo) 3
Trompette, Piano 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Ensemble de Cors 1
Trombone et Piano 1

Quatuor de Cuivres 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Cor anglais, Piano 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 5
Violon et Piano 4
Violoncelle, Piano 3
Alto, Piano 3
Violoncelle 2

Violon (partie séparée) 1
2 Violons (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Harpe 1
Alto seul 1
Harpe, Voix 1
Violon 1

+ 7 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 29
Orchestre de chambre 17
Orchestre à Cordes 11
Orchestre 7
Ensemble Jazz 3

Ensemble de cuivres 3
Ensemble de Percussions 1
2 Marimbas 1

+ 3 instrumentations

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Up to the Sky

Hautbois, Piano (duo)

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4 partitions trouvées

Out Under the Sky! (WIND QUARTET & PIANO)

Out Under the Sky! (WIND QUARTET & PIANO) #Hautbois, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #Musique Sacrée #Traditional Appalachian Carol #Greg Engell #Out Under the Sky! #Greg Engell #SheetMusicPlus

Small Ensemble Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1082112 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by ...(+)

Small Ensemble Clarinet,Flute,Horn,Oboe,Piano - Level 4 - SKU: A0.1082112 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Christmas,Holiday,Praise & Worship,Sacred,Spiritual. Score and parts. 46 pages. Greg Engell #686251. Published by Greg Engell (A0.1082112). Ring in the Christmas Season with this medley of two sacred classics...Appalachian Carol / We Three Kings. From the opening fanfare to the refelctive melody, your listeners will feel the awe of that first Christmas night. Look up, gaze into the sky...imagine the Star! This set Is arranged for a WIND QUARTET with PIANO. Flute, Oboe, Clarinet, Horn are the main instruments with SUB PARTS for Flute 2 (Oboe), Clarinet 2 (Oboe), Alto Saxophone (Horn) Suitable for concert and worship settings. Rehearsal Piano Track also available. similar versions available for full orchestra (MJ104-SOR) ;ADVANCED and INTERMEDIATE FLUTE SOLO (MJ104-FS): VIOLIN/CELLO DUET (MJ!04-VCS) .Demo Audio is MIDI.

$15.99 ≈ £12.13

Signs of Winter

Signs of Winter #Hautbois, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #New Age #Contemporain #Sydney Stevens #Oboe. Full score & #Signs of Winter #Sydney Stevens, Water Music #SheetMusicPlus

Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.859676 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score a...(+)

Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.859676 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 6 pages. Sydney Stevens, Water Music #3089185. Published by Sydney Stevens, Water Music (A0.859676). Contact: sydneystevenspianostudio@gmail.comSigns of Winter (from Seasons Suite):Trees stand bare against the sky..Introspective, dark instrumental. Arranged for Piano & Oboe. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, David Nevue, Scott Cossu, Christine Brown, A la Windham HillFrom Album: Seasons Theme: Music that portrays the turning of Autumn into the darker season of Winter.Mood: Dark, flowing, suspenseful, foreboding.Musical Traits: Arpeggiated left hand piano under driving eighth note repeated pattern in right hand.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 1:50Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com https://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevensâ€™ piano and Iimoriâ€™s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musicianâ€™s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrowâ€™s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Seasonâ€™s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.

$5.50 ≈ £4.17

Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano

Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano #Hautbois, Piano (duo) #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...(+)

Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ £15.14

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