Partitions Numériques de Friend pour 4 Guitares (Quatuor)

Friend

Friend

You're My Best Friend for Guitar Ensemble
You're My Best Friend for Guitar Ensemble

#You're My Best Friend for Guit

You're My Best Friend for Guitar Ensemble
You're My Best Friend for Guitar Ensemble #4 Guitares (Quatuor) #INTERMÉDIAIRE #Folk Rock #Queen #Dan Jones (www #You're My Best Friend for Guit #danjonesguitarist.com #SheetMusicPlus

Guitar Quartet with Optional Chords - Intermediate - By Queen. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts. 18 pages. P...(+)

Guitar Quartet with Optional Chords - Intermediate - By Queen. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts. 18 pages. Published by danjonesguitarist.com
You?reMy Best Friend

composed by John Deacon as played by Queen

Arranged for Guitar Quartet with optional Chords andoptional bass guitar

by DanJones

Thisarrangement of You?re My Best Friend hasbeen made for intermediate-levelguitarists

Guitar1 is the main vocal line, as sung by Freddie Mercury

Guitars2 & 3 contain many of the backing-vocal figures plus the electric guitarriffs and solo as played by Brian May

Guitar 4is a transcription of the bass line. It is an interesting andrhythmically-exciting part. Chord symbols are given in this part allowingchords to be added should the ensemble want these.

Guitar4 can also be played by a bass guitar. The part is also given in bass clef(sounding an octave lower).

A film of this arrangement will be available by the end of January 2020

It is myintention to provide arrangements which are exciting, original, stimulating,flexible and which people want to play. Films of all of my arrangements forboth guitar solo and guitar ensemble can be found at:

www.danjonesguitarist.com

Readabout my life as a guitarist working and living in rural France here:

www.danjonesauthor.com

Thankyou! Please be in touch.

O Come, All Ye Faithful (Adeste Fideles) - Acoustic Guitar Quartet
O Come, All Ye Faithful (Adeste Fideles) - Acoustic Guitar Quartet #4 Guitares (Quatuor) #FACILE #Traditional #Valdir Maia #O Come, All Ye Faithful #Valdir Maia #SheetMusicPlus

Guitar Ensemble Guitar - Level 2 - SKU: A0.1108201 Composed by Traditional. Arranged by Valdir Maia. Christian,Christmas,Classical,Praise & Worship,Trad...(+)

Guitar Ensemble Guitar - Level 2 - SKU: A0.1108201 Composed by Traditional. Arranged by Valdir Maia. Christian,Christmas,Classical,Praise & Worship,Traditional. Score and parts. 7 pages. Valdir Maia #710827. Published by Valdir Maia (A0.1108201). O Come, All Ye Faithful (Adeste Fideles), a beautiful Christmas song loved and known by all those who appreciate good music, in an arrangement for acoustic guitar quartet or acoustic guitar ensemble. You can play with your students, friends, family and with your musical group. Would you like to see my other arrangements? See my page!

Antonin Dvorak - Theme From 'The New World Symphony' for Easy Guitar Quartet
Antonin Dvorak - Theme From 'The New World Symphony' for Easy Guitar Quartet #4 Guitares (Quatuor) #DÉBUTANT #Classique #Antonin Dvorak #Dan Jones (www #Antonin Dvorak - Theme From 'T #danjonesguitarist.com #SheetMusicPlus

Guitar Tab, Guitar Quartet (Beginners) - Easy/Beginner - Composed by Antonin Dvorak (1841-1904). Arranged by Dan Jones (www.danjonesguitarist.com). ...(+)

Guitar Tab, Guitar Quartet (Beginners) - Easy/Beginner - Composed by Antonin Dvorak (1841-1904). Arranged by Dan Jones (www.danjonesguitarist.com). Romantic Period, Classroom. Score, Set of Parts, Tablature. 11 pages. Published by danjonesguitarist.com
A short, easy arrangement of the theme from Antonin Dvorak's famous New World Symphony (2nd Movement).

This arrangement provides a full score plus individual parts in both notes and TAB. The notes and TAB are given on separate sheets as I am aware that some teachers avoid TAB.

The parts are equally balanced with every guitarist enjoying some melodic interest.

The level is suitable for very early stage players. The music:

(1) Remains in open position
(2) Uses finger-friendly pentatonic shapes (as supported by many major pedagogic schemes)
(3) Requires players to alternate single notes between both thumb and fingers
(4) Gives time and space before engaging more-tricky fretted notes.