Partitions Numériques de A GIFT pour Euphonium, Piano (duo)

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A GIFT
Non classifié 509

Piano & claviers
Piano seul 410
Piano, Voix 177
Piano, Voix et Guitare 115
Accompagnement Piano 76
Piano Facile 69

Orgue 41
1 Piano, 4 mains 15
2 Pianos, 4 mains 9
Instruments en Do 8
Piano Trio: piano, violon, violoncelle 5
Orgue, Piano (duo) 5
Piano grosses notes 5
Piano Quatuor: piano, violon, alto, violoncelle 5
Piano Quatuor: piano, 2 violons, violoncelle 5
Accordéon 1
Ligne De Mélodie, Piano 1

+ 11 instrumentations

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Guitares
Piano, Guitare (duo) 111
Guitare 25
Guitare notes et tablatures 20
2 Guitares (duo) 5
Ligne De Mélodie, (Paroles) et Accords 4

Ukulele 2
Dulcimer 2
4 Guitares (Quatuor) 2
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 352
Chorale 3 parties 68
Chorale 2 parties 57
Chorale Unison 49
Voix Soprano, Piano 32

Voix Alto, Piano 19
Chorale TTBB 19
Voix Tenor, Piano 18
Chorale SSAA 15
Voix duo, Piano 8
Chorale 5
Voix seule 5
Voix haute 4
Voix Baryton, Piano 4
Voix Tenor 4
Voix duo 2
Voix Mezzo-Soprano, Piano 2
Voix basse, Piano 2
Voix moyenne, Piano 2
Chorale SSAATTBB 1
Chorale SSATTB 1
Voix Soprano 1

+ 17 instrumentations

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Vents
Hautbois, Piano (duo) 210
Clarinette et Piano 188
Flûte traversière et Piano 181
Saxophone Tenor et Piano 131
Saxophone Alto et Piano 129

2 Saxophones (duo) 95
2 Clarinettes (duo) 43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 41
2 Flûtes traversières (duo) 34
Clarinette, Violon (duo) 28
Flûte traversière 25
Clarinette, Trompette (duo) 22
Flûte, Clarinette (duo) 21
Hautbois (partie séparée) 19
Saxophone Alto 19
Clarinette 18
Hautbois, Clarinette (duo) 16
Flûte, Violon 15
Flûte, Hautbois (duo) 15
Saxophone, Clarinette (duo) 14
Flûte, Alto (duo) 13
Flûte, Saxophone (duo) 13
Hautbois, Basson (duo) 13
2 Hautbois (duo) 13
Clarinette et Alto 13
Quatuor de Clarinettes: 4 clarinettes 11
Hautbois, violon (duo) 11
Flûte, Trompette (duo) 9
Flûte, Hautbois, Clarinette, Basson 8
Ensemble de Clarinettes 7
Quintette de Saxophone: 5 saxophones 6
3 Clarinettes (trio) 5
Saxophone Baryton, Piano 5
Saxophone Soprano et Piano 5
3 Saxophones (trio) 5
Ensemble de saxophones 5
Quatuor de Saxophones: 4 saxophones 4
Trio de Flûtes: 3 flûtes 4
Flûte, Hautbois, Clarinette (trio) 3
Flûte, Clarinette et Basson 3
Flûte, Violon et Violoncelle 3
2 Flûte à bec (duo) 3
Quatuor de Flûtes : 4 flûtes 3
Flûte, Basson et Piano 2
Flûte et Guitare 2
Flûte, Hautbois, Violon 2
Hautbois 2
Flûte, Clarinette, Violon (trio) 2
Flûte, trombone et piano 2
Flûte à Bec 2
Clarinette, trompette et piano 2
Clarinette (partie séparée) 2
Clarinette, Harpe (duo) 2
Hautbois, Flûte 2
Ensemble de Flûtes 2
Quintette de Flûte : 5 flûtes 2
Flûte, Violon, Violoncelle et Piano 1
Saxophone et Harpe 1
Flûte irlandaise 1
Flûte, Violoncelle 1
Flûte à bec Soprano 1
Flûte, Violoncelle, Piano (trio) 1
Cor anglais, Piano 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte et Quatuor à Cordes 1
Quintette de Clarinettes: 5 clarinettes 1
Cornemuse 1
3 Flûtes à bec (trio) 1
Clarinette Basse, Piano 1
Hautbois, Harpe 1
Flûte, Hautbois, Piano (trio) 1
Clarinette, Violoncelle, Piano (trio) 1
Harmonica 1
Flûte, Clarinette, Piano (trio) 1

+ 69 instrumentations

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Cuivres
Trombone et Piano 153
Trompette 81
Trompette, Piano 80
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 25
2 Trombones (duo) 19

Trombone 17
Trompette, Trombone (duo) 16
Cor et Piano 16
Quatuor de Cuivres : 2 trompettes, trombone, tuba 15
2 Trompettes (duo) 15
Trompette, Saxophone (duo) 14
Trompette (partie séparée) 10
Tuba 4
Cor 4
Tuba et Piano 4
2 Cors (duo) 4
Trompette, Cor (duo) 3
Euphonium, Piano (duo) 2

Quatuor de cuivres: 4 trombones 2
Ensemble de Trompettes 2
3 Trombones (trio) 2
Tuba et Orgue 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Ensemble de Trombones 2
Instruments en Sib 1
Quatuor de Cuivres 1
Trompette, Harpe 1
Bass Clef Instruments 1
Cor anglais, Piano 1
Cor, Violoncelle (duo) 1
Quatuor de cuivres: 4 trompettes 1
Cor et Harpe 1
Trompette, Tuba (duo) 1
Trio de Cuivres 1
Trombone basse et Piano 1

+ 30 instrumentations

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Cordes
Violon et Piano 181
Alto, Piano 180
Violoncelle, Piano 148
Quatuor à cordes: 2 violons, alto, violoncelle 43
Violon 28

Violoncelle 25
Violon, Alto (duo) 21
2 Violons (duo) 20
Violon, Violoncelle (duo) 19
2 Violoncelles (duo) 18
2 Altos (duo) 17
Alto seul 12
Harpe 12
Alto (partie séparée) 10
Trio à Cordes: violon, alto, violoncelle 9
2 Harpes (duo) 9
Trio à cordes: 3 violins 7
Piano Trio: Violon, Alto, Piano 5
Violon (partie séparée) 4
Contrebasse, Piano (duo) 4
Quatuor à cordes: 4 violons 3
Harpe, Flûte (duo) 3
Trio à Cordes: 2 violons, violoncelle 3
Trio à Cordes: 2 violons, alto 2
Harpe, Violon (duo) 2
Contre Basse 1
Alto et Harpe 1
Violon, Clarinette, Piano (trio) 1
Violon, Guitare (duo) 1
Ensemble d'Altos 1
Harpe, Violoncelle (duo) 1
Ensemble de Violons 1
Violoncelle, Orgue 1
4 Violoncelles 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Contrebasse (partie séparée) 1

+ 31 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 116
Cloches 24
Orchestre à Cordes 24
Orchestre 16
Jazz combo 10

Ensemble de cuivres 9
Orchestre de chambre 6
Ensemble Jazz 4
Ensemble de Percussions 1
Piano et Orchestre 1
Percussion 1

+ 6 instrumentations

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A GIFT

Euphonium, Piano (duo)

Partitions à imprimer

2 partitions trouvées

Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano

Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano #Euphonium, Piano (duo) #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...(+)

Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.00€

Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano

Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano #Euphonium, Piano (duo) #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...(+)

Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.00€

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