Partitions Numériques de A Choral pour Piccolo, Piano

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A Choral
Non classifié 9 807

Piano & claviers
Piano seul 462
Orgue 453
Piano (partie séparée) 288
Piano, Voix 248
Piano, Voix et Guitare 90

Piano Facile 67
Accompagnement Piano 47
Piano Trio: piano, violon, violoncelle 29
Instruments en Do 23
Orgue, Piano (duo) 9
1 Piano, 4 mains 8
2 Pianos, 4 mains 6
Piano Quatuor: piano, violon, alto, violoncelle 6
Orgue, Trompette (duo) 4
Piano Quatuor: piano, 2 violons, violoncelle 3
Piano Quintette: piano, 2 violons, alto, violoncelle 3
Clavecin 1
Piano grosses notes 1

+ 13 instrumentations

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Guitares
Guitare (partie séparée) 282
Guitare 28
Guitare notes et tablatures 27
Ligne De Mélodie, (Paroles) et Accords 17
Basse électrique (partie séparée) 10

Ukulele 5
4 Guitares (Quatuor) 5
2 Guitares (duo) 2
Banjo 2
Piano, Guitare (duo) 1
Paroles et Accords 1
Mandoline 1
Basse electrique 1

+ 8 instrumentations

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Voix
Chorale SATB 34 254
Chorale 3 parties 11 064
Chorale 2 parties 8 793
Chorale TTBB 7 784
Chorale SSAA 5 253

Chorale Unison 4 430
Chorale 1 845
Chorale SSAATTBB 126
Chorale SSATB 96
Chorale SSAB a cappella 80
Chorale SSATTB 41
Chorale SSATBB 30
Voix duo, Piano 30
Chorale SSAB, Piano 23
Voix Soprano, Piano 21
Voix duo 16
Chorale SAATB A Cappella 14
Chorale SSAATB 11
Chorale SATBB 10
Chorale SSAATB A Cappella 9
Voix seule 9
Soli, choeur mixte et accompagnement 8
Voix Baryton, Piano 7
Chorale SATTB 7
Voix Soprano, Orchestre 6
Chorale SATTBB A Cappella 6
Voix haute 4
Voix Alto, Piano 4
Voix moyenne, Piano 3
Chorale, Orgue 1
Chorale SATTBB, Clavier 1
Voix basse, Piano 1
Voix Tenor, Piano 1

+ 28 instrumentations

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Vents
Saxophone (partie séparée) 321
Clarinette (partie séparée) 182
Flute (partie séparée) 152
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 128
Hautbois (partie séparée) 93

Clarinette et Piano 86
Flûte, Hautbois, Clarinette, Basson 83
Quatuor de Saxophones: 4 saxophones 80
Flûte traversière et Piano 78
Hautbois, Piano (duo) 45
Quatuor de Clarinettes: 4 clarinettes 43
Saxophone Alto et Piano 41
Flûte et Guitare 36
Quatuor de Flûtes : 4 flûtes 33
Quintette de Saxophone: 5 saxophones 30
Saxophone Tenor et Piano 28
3 Saxophones (trio) 27
Ensemble de Flûtes 26
Saxophone Alto 24
2 Saxophones (duo) 23
Ensemble de Clarinettes 22
Clarinette 21
Saxophone Soprano et Piano 21
Cor anglais, Piano 19
Flûte traversière 18
Saxophone Baryton, Piano 15
Quintette de Clarinettes: 5 clarinettes 15
Ensemble de saxophones 14
Clarinette Basse, Piano 12
2 Flûtes traversières (duo) 12
2 Clarinettes (duo) 11
Quatuor de Flûtes à bec 10
3 Clarinettes (trio) 10
Trio de Flûtes: 3 flûtes 9
Flûte, Clarinette (duo) 9
Flûte à bec Soprano 8
2 Flûte à bec (duo) 7
Quintette de Flûte : 5 flûtes 6
Saxophone Tenor 6
Ensemble De Flûte à bec 5
Flûte, Clarinette, Cor, Basson (Quartet) 4
Quintette de Clarinette: Clarinette, Quatuor à Cordes 4
Flûte à bec Tenor 4
Clarinette, Basson (duo) 4
Flûte, Hautbois, Clarinette (trio) 4
Clarinette Basse 3
Cor Anglais 3
Flûte, Violoncelle, Piano (trio) 3
Hautbois 3
3 Flûtes à bec (trio) 3
Saxophone Baryton 3
Flûte à bec Alto 3
Flûte à bec Soprano, Piano 3
Flûte, Clarinette, Piano (trio) 2
Flûte à bec, Guitare (duo) 2
Saxophone Soprano 2
Flûte, Violon, Violoncelle et Piano 2
Hautbois, Basson (duo) 2
2 Hautbois (duo) 2
Flûte, Violoncelle 2
Piccolo, Piano 2

Clarinette, Violoncelle (duo) 2
Flûte à bec Alto, Piano 1
Harmonica 1
3 Hautbois 1
Hautbois, Harpe 1
Hautbois, Violoncelle 1
Saxophone 1
4 Hautbois 1
Ensemble de Hautbois 1
Ensemble à vent 1
Clarinette, Guitare (duo) 1
Clarinette, Orgue 1
Hautbois, Clarinette (duo) 1
Clarinette, Harpe (duo) 1
Flûte traversière, Orchestre 1
Flûte et Trio à cordes 1
5 Flûtes à bec 1
Saxophone et Orgue 1
Flûte, Hautbois, Basson 1
Clarinette, Orchestre 1
Flûte à Bec 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Cor anglais et Harpe (duo) 1

+ 79 instrumentations

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Cuivres
Trompette (partie séparée) 437
Trombone (partie séparée) 319
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 160
Cor (partie séparée) 104
Quatuor de Cuivres : 2 trompettes, trombone, tuba 52

Trompette, Piano 51
Trombone et Piano 41
Quatuor de cuivres: 4 trombones 39
Tuba (partie séparée) 30
Cor et Piano 29
Trompette 28
Quatuor de Cuivres: 2 trompettes, Cor, trombone 28
Quatuor de Cuivres 26
Cor anglais, Piano 19
Ensemble de Trombones 18
Quatuor de cuivres: 4 cors 17
Tuba et Piano 14
Trompette, Trombone (duo) 12
3 Trombones (trio) 11
Ensemble de Cors 10
2 Trompettes (duo) 9
Trombone 8
Euphonium, Piano (duo) 8
Cor 7
Quatuor de cuivres: 4 trompettes 7
2 Trombones (duo) 6
Trompette, Cor (duo) 6
Tuba 6
Cor, Orchestre 5
3 Tubas (trio) 5
2 Cors (duo) 5
2 Euphoniums et 2 Tubas 5
3 Cors (trio) 5
4 Tubas 4
Trio de Cuivres 4
Euphonium, Tuba (duo) 3
Cor Anglais 3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3
Tuba et Orgue 3
Trombone, Cor (duo) 2
Trombone basse et Piano 2
Ensemble de Trompettes 2
2 Tubas (duo) 2
Trompette, Orchestre 1
3 Trompettes (trio) 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Trompette, Violoncelle (duo) 1
Trompette, Basson (duo) 1
4 Euphoniums 1
Cor et Basson (duo) 1
Cor, Violoncelle (duo) 1
Trombone basse 1
Cor anglais et Harpe (duo) 1

+ 48 instrumentations

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Cordes
Contrebasse (partie séparée) 487
Quatuor à cordes: 2 violons, alto, violoncelle 253
Violon (partie séparée) 222
Violoncelle (partie séparée) 117
Alto (partie séparée) 99

Violon et Piano 73
Alto, Piano 61
Violoncelle, Piano 59
Harpe (partie séparée) 57
Violoncelle 26
Violon 25
Trio à Cordes: violon, alto, violoncelle 24
Harpe 20
Violon, Violoncelle (duo) 13
Contrebasse, Piano (duo) 12
Violoncelle, Orchestre 11
Alto seul 11
2 Violons (duo) 10
Quintette à cordes: 2 violons, alto, violoncelle, basse 10
4 Violoncelles 7
Violon, Orgue 7
Quintette à cordes: 2 violons, 2 altos, violoncelle 6
Trio à cordes: 3 violins 6
Contre Basse 6
Trio à Cordes: 3 violoncelles 6
Violon, Alto (duo) 6
Quatuor à cordes: 4 violons 5
2 Violoncelles (duo) 5
2 Altos (duo) 5
Harpe, Flûte (duo) 5
Trio à cordes: 3 altos 4
Alto, Violoncelle (duo) 4
Trio à Cordes: 2 violons, violoncelle 4
Harpe, Violon, Violoncelle 3
Quatuor à cordes : 4 altos 3
Alto, Guitare (duo) 2
Piano Trio: Violon, Alto, Piano 2
Violoncelle, Basse continue 1
Violoncelle, Orgue 1
Alto et Basson 1
Harpe, Violon (duo) 1
Harpe et Piano 1
Violon, Basson (duo) 1
4 Contrebasses 1
Ensemble de Violons 1
Ensemble d'Altos 1

+ 41 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 611
Orchestre 431
Batterie (partie séparée) 251
Percussion (partie séparée) 211
Orchestre à Cordes 175

Ensemble de cuivres 94
Orchestre de chambre 93
Cloches 89
Ensemble Jazz 51
Batterie 45
Piano et Orchestre 35
Fanfare 25
Orchestre, Violon 18
Timbales (partie séparée) 17
Jazz combo 16
Marimba 7
Xylophone, Piano 5
Ensemble de Percussions 4
Vibraphone 3
Instrumentation Flexible 2
Voix et Orchestre 1
Vibraphone (partie séparée) 1

+ 17 instrumentations

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Formation musicale - Solfège 85

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A Choral

Piccolo, Piano

Partitions à imprimer

2 partitions trouvées

ARIOSO, by J. S. Bach (sinfonia) - for Piccolo and accompaniment

ARIOSO, by J. S. Bach (sinfonia) - for Piccolo and accompaniment #Piccolo, Piano #DÉBUTANT #Classique #Johann Sebastian Bach #Leyandder Trustworthy #ARIOSO, by J. S. Bach #Leyandder Trustworthy #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 1 - SKU: A0.964366 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,S...(+)

Instrumental Solo,Piano,Piccolo - Level 1 - SKU: A0.964366 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6320311. Published by Leyandder Trustworthy (A0.964366). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner GÃ¼t (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Piccolo along with a piano accompaniment that comes with the product.

$1.99 ≈ ¥13.97

Sullivan: The Lost Chord for Piccolo & Piano

Sullivan: The Lost Chord for Piccolo & Piano #Piccolo, Piano #INTERMÉDIAIRE/AVANCÉ #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for P #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...(+)

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ ¥189.15

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