Partitions Numériques de Thomas S pour Piccolo, Piano

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Thomas S
Sheetmusicplus
Non classifié 711

Piano & claviers
Piano seul 463
Piano, Voix 184
Piano Facile 104
Piano, Voix et Guitare 70
Orgue 43

Instruments en Do 26
Piano (partie séparée) 22
1 Piano, 4 mains 11
Piano grosses notes 5
Piano Trio: piano, violon, violoncelle 5
2 Pianos, 4 mains 2
2 Pianos, 8 mains 2
Accordéon 2
Piano Quatuor: piano, 2 violons, violoncelle 1
Accompagnement Piano 1

+ 10 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 32
Guitare notes et tablatures 29
Guitare 28
Basse electrique 24
Guitare (partie séparée) 16

Ukulele 15
Basse électrique (partie séparée) 4
Ensemble de Ukulélés 2
2 Ukuleles 2
Mandoline, Guitare (duo) 1
Banjo 1
Piano, Guitare (duo) 1
Ensemble de guitares 1
2 Guitares (duo) 1
4 Guitares (Quatuor) 1

+ 10 instrumentations

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Voix
Chorale SATB 299
Chorale 3 parties 100
Chorale TTBB 59
Voix Soprano, Piano 36
Chorale SSAA 34

Chorale 2 parties 33
Voix Baryton, Piano 29
Voix Tenor, Piano 29
Voix Alto, Piano 27
Chorale Unison 24
Soli, choeur mixte et accompagnement 3
Voix duo, Piano 3
Chorale 3
Voix duo 2
Voix haute 2
Voix Mezzo-Soprano, Piano 1
Chorale SSAATTBB 1
Voix moyenne, Piano 1

+ 13 instrumentations

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Vents
Saxophone (partie séparée) 232
Clarinette (partie séparée) 101
Hautbois (partie séparée) 90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 60
Quatuor de Clarinettes: 4 clarinettes 46

Quatuor de Saxophones: 4 saxophones 45
Flûte, Hautbois, Clarinette, Basson 44
Quintette de Saxophone: 5 saxophones 41
Flute (partie séparée) 40
Flûte traversière 35
Clarinette 35
Flûte traversière et Piano 26
Saxophone Alto 26
Quatuor de Flûtes : 4 flûtes 26
Quintette de Clarinettes: 5 clarinettes 22
Saxophone Tenor 21
Hautbois, Piano (duo) 20
Ensemble de saxophones 17
Clarinette et Piano 16
Saxophone Alto et Piano 16
2 Saxophones (duo) 13
2 Flûtes traversières (duo) 11
Trio de Flûtes: 3 flûtes 11
Ensemble de Flûtes 10
Ensemble de Clarinettes 10
3 Saxophones (trio) 9
Quintette de Flûte : 5 flûtes 8
Saxophone Tenor et Piano 7
Flûte, Clarinette et Basson 7
2 Clarinettes (duo) 6
Hautbois 6
Ocarina 6
Saxophone Soprano et Piano 6
Cor anglais, Piano 5
Saxophone Baryton, Piano 5
3 Clarinettes (trio) 5
Cor Anglais 4
Quatuor de Flûtes à bec 4
Flûte et Guitare 4
Clarinette Basse, Piano 4
Ensemble De Flûte à bec 3
Saxophone et Harpe 2
2 Flûte à bec (duo) 2
Flûte, Violon et Violoncelle 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Piccolo, Piano 2

Clarinette, Violoncelle, Piano (trio) 1
2 Hautbois (duo) 1
Flûte à bec Alto 1
2 Flûtes à bec, Guitare 1
Clarinette, Guitare (duo) 1
Flûte à bec Soprano 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte à Bec 1
Flûte, Violon, Piano 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1
2 Clarinettes, Piano 1
Clarinette, Harpe (duo) 1
Piccolo 1
Clarinette, Violoncelle (duo) 1
Flûte, Hautbois, Basson 1
Hautbois, Harpe 1
Flûte, Clarinette (duo) 1

+ 59 instrumentations

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Cuivres
Trompette (partie séparée) 139
Trombone (partie séparée) 135
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 59
Cor (partie séparée) 45
Trompette 34

Quatuor de Cuivres : 2 trompettes, trombone, tuba 33
Tuba (partie séparée) 25
Trombone 20
Trombone et Piano 13
Cor 11
Quatuor de Cuivres: 2 trompettes, Cor, trombone 10
Trompette, Piano 9
Cor et Piano 9
Euphonium, Piano (duo) 9
Trio de Cuivres 6
Tuba 6
Cor anglais, Piano 5
Cor Anglais 4
Quatuor de cuivres: 4 trombones 4
Quatuor de Cuivres 4
Trompette, violon (duo) 3
Euphonium 3
Tuba et Piano 2
2 Cors (duo) 2
3 Trompettes (trio) 2
Trompette, Cor (duo) 2
Ensemble de Trombones 1
2 Euphoniums et 2 Tubas 1
2 Trompettes (duo) 1
Cor et Harpe 1
3 Trombones (trio) 1
Ensemble de Trompettes 1

+ 27 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 216
Violon (partie séparée) 98
Contrebasse (partie séparée) 76
Alto (partie séparée) 58
Violon 57

Violon et Piano 40
Violoncelle 38
Violoncelle (partie séparée) 37
Trio à Cordes: violon, alto, violoncelle 27
Violoncelle, Piano 24
Alto seul 21
Harpe 20
Alto, Piano 20
Violon, Violoncelle (duo) 18
Quintette à cordes: 2 violons, alto, violoncelle, basse 15
Contre Basse 11
2 Harpes (duo) 10
2 Violons (duo) 9
Harpe (partie séparée) 8
Violon, Alto (duo) 7
2 Violoncelles (duo) 6
Trio à Cordes: 2 violons, violoncelle 4
Violoncelle, Contrebasse (duo) 3
Violon, Guitare (duo) 3
Harpe, Trombone (duo) 3
4 Violoncelles 3
Harpe, Orchestre 2
2 Altos (duo) 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Harpe, Violoncelle (duo) 1
Harpe, Violon (duo) 1
Alto, Orgue 1
2 Violons, Piano 1
Violoncelle, Orgue 1
Trio à Cordes: 3 violoncelles 1
Harpe, Voix 1
Piano Trio: Violon, Alto, Piano 1
Ensemble de Violoncelles 1
Alto, Violoncelle (duo) 1

+ 34 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 219
Orchestre à Cordes 86
Percussion (partie séparée) 76
Orchestre 40
Ensemble Jazz 28

Ensemble de cuivres 26
Batterie (partie séparée) 23
Fanfare 17
Orchestre de chambre 16
Cloches 11
Timbales (partie séparée) 10
Batterie 10
Jazz combo 7
Marimba 3
Ensemble de Percussions 2
Vibraphone 1
Orchestre, Violon 1

+ 12 instrumentations

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Thomas S

SheetMusicPlus

Piccolo, Piano

Partitions à imprimer

2 partitions trouvées

Sullivan: The Lost Chord for Piccolo & Piano

Sullivan: The Lost Chord for Piccolo & Piano #Piccolo, Piano #INTERMÉDIAIRE/AVANCÉ #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for P #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...(+)

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ 24.22€

Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano

Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano #Piccolo, Piano #FACILE #Classique #J #James M #Bach-Gounod: Ave Maria, Schwen #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...(+)

Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.Â Ave Maria Ave MariaÂ is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of theÂ Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann SebastianÂ Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History BachÂ came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. Â Style It seems likeÂ Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted aÂ BachÂ revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthyÂ BachÂ biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There isÂ Bach, Mozart, Beethoven, and Stravinsky among others. However, because BachÂ is so important in our music history, it contains three times moreÂ Bach than all the others combined.

$32.95 ≈ 29.62€

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