Partitions Numériques de M'man pour Clarinette Basse

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M'man
Non classifié 760

Piano & claviers
Piano seul 838
Piano, Voix 714
Piano, Voix et Guitare 158
Orgue 132
Instruments en Do 24

Piano Facile 17
Piano Quatuor: piano, violon, alto, violoncelle 15
1 Piano, 4 mains 13
Piano Trio: piano, violon, violoncelle 10
Accompagnement Piano 6
Orgue, Piano (duo) 6
2 Pianos, 4 mains 3
Piano Quintette: piano, 2 violons, alto, violoncelle 2
Accordéon 2
Piano Quatuor: piano, 2 violons, violoncelle 1
Orgue, Trompette (duo) 1

+ 11 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 1 332
Guitare 34
Guitare notes et tablatures 28
Ukulele 25
Paroles et Accords 17

Basse electrique 9
2 Guitares (duo) 7
Piano, Guitare (duo) 6
Ensemble de Ukulélés 5
Ukulele Baryton 4
Mandoline 3
Ensemble de guitares 2
Banjo 1
4 Guitares (Quatuor) 1
Partitions De Groupes 1

+ 10 instrumentations

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Voix
Chorale SATB 170
Chorale TTBB 52
Chorale 3 parties 51
Chorale SSAA 27
Chorale 2 parties 10

Voix basse, Piano 9
Chorale 4
Voix Tenor, Piano 3
Voix duo 3
Chorale SSAATTBB 2
Chorale SSATB 2
Voix haute 2
Voix duo, Piano 2
Voix Soprano, Piano 1
Voix basse 1
Voix, Guitare 1
Chorale Unison 1
Voix Baryton, Piano 1
Chorale SATBB 1
Voix Soprano 1

+ 15 instrumentations

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Vents
Flûte traversière et Piano 336
Hautbois, Piano (duo) 216
Clarinette et Piano 122
Saxophone Alto et Piano 98
Clarinette 71

Quintette de Saxophone: 5 saxophones 66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 63
2 Saxophones (duo) 60
Saxophone Soprano et Piano 58
Cor anglais, Piano 52
Saxophone Tenor et Piano 51
Saxophone Baryton, Piano 46
Clarinette Basse, Piano 43
Flûte traversière 43
Ensemble de saxophones 34
2 Flûtes traversières (duo) 30
Quatuor de Saxophones: 4 saxophones 27
Saxophone Alto 24
2 Clarinettes (duo) 23
Saxophone Tenor 20
Quatuor de Clarinettes: 4 clarinettes 16
Ensemble de Clarinettes 16
2 Hautbois (duo) 15
Ensemble de Flûtes 14
Flûte à Bec 13
Quatuor de Flûtes : 4 flûtes 11
Flûte, Hautbois, Clarinette, Basson 11
3 Saxophones (trio) 11
Hautbois, Basson (duo) 9
Saxophone, Clarinette (duo) 9
Clarinette, Violon (duo) 9
Flûte, Violon 8
Ocarina 7
Quintette de Flûte : 5 flûtes 7
Clarinette, Trompette (duo) 6
3 Clarinettes (trio) 6
Flûte et Guitare 6
Clarinette et Alto 5
Quintette de Clarinettes: 5 clarinettes 4
Flûte, Alto (duo) 4
Piccolo, Piano 3
Flûte, Saxophone (duo) 3
Saxophone 3
Saxophone (partie séparée) 3
Hautbois, Flûte 3
Clarinette, Harpe (duo) 3
Hautbois, Harpe 3
Hautbois, Clarinette (duo) 3
Flûte, Clarinette (duo) 3
Hautbois (partie séparée) 3
Flûte, Trompette (duo) 2
2 Saxophones, Piano 2
Flûte, Violon, Piano 2
2 Flûtes traversières, Piano 2
Harmonica 2
Flûte, Violoncelle 2
Flûte, Violon et Violoncelle 2
Flûte, Violoncelle, Piano (trio) 1
Cor Anglais 1
Ensemble De Flûte à bec 1
Flûte à bec Alto 1
2 Hautbois et Cor anglais 1
Clarinette, Guitare (duo) 1
Flûte, Violoncelle, Guitare 1
2 Flûte à bec (duo) 1
Flûte, Violon, Guitare 1
Clarinette Basse 1

2 Clarinettes, Piano 1
Clarinette, Violoncelle (duo) 1
Cor anglais et Harpe (duo) 1
Flûte à bec Soprano 1
Flûte traversière, Orgue (duo) 1
2 Hautbois, Piano 1

+ 68 instrumentations

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Cuivres
Cor et Piano 60
Euphonium, Piano (duo) 59
Trombone et Piano 58
Quatuor de Cuivres : 2 trompettes, trombone, tuba 57
Trompette, Piano 56

Cor anglais, Piano 52
Trompette 46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 37
Quatuor de Cuivres: 2 trompettes, Cor, trombone 24
Trombone 23
Cor 21
Ensemble de Trompettes 18
2 Cors (duo) 16
Tuba et Piano 13
Ensemble de Trombones 11
2 Trombones (duo) 10
2 Trompettes (duo) 7
Trompette, Saxophone (duo) 6
Quatuor de cuivres: 4 cors 5
Trompette, Trombone (duo) 4
Quatuor de cuivres: 4 trombones 3
Quatuor de Cuivres 2
Cor, Violoncelle (duo) 1
Cor Anglais 1
2 Tubas (duo) 1
Trombone basse et Piano 1
Tuba 1
2 Trompettes, Clavier (piano ou orgue) 1
Euphonium, Tuba (duo) 1
Cor anglais et Harpe (duo) 1
2 Euphoniums (duo) 1
2 Euphoniums et 2 Tubas 1

+ 27 instrumentations

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Cordes
Violon et Piano 319
Quatuor à cordes: 2 violons, alto, violoncelle 203
Violoncelle, Piano 114
Alto, Piano 109
Violon, Violoncelle (duo) 101

Violon 65
Trio à Cordes: violon, alto, violoncelle 56
2 Violons (duo) 37
Trio à Cordes: 2 violons, violoncelle 35
Violoncelle 28
2 Violoncelles (duo) 26
Alto seul 26
2 Altos (duo) 21
Violon, Alto (duo) 20
Harpe 20
Violoncelle (partie séparée) 16
Ensemble de Violons 8
Ensemble d'Altos 8
Quintette à cordes: 2 violons, alto, violoncelle, basse 8
Contrebasse, Piano (duo) 8
Trio à cordes: 3 violins 6
2 Contrebasses (duo) 5
Harpe, Flûte (duo) 5
Violon, Orgue 5
Harpe, Violon (duo) 4
4 Violoncelles 4
Alto (partie séparée) 4
Trio à Cordes: 3 violoncelles 3
Violoncelle , Guitare (duo) 3
Harpe, Violoncelle (duo) 2
Violoncelle, Orgue 2
Piano Trio: Violon, Alto, Piano 2
Contre Basse 2
Violon, Guitare (duo) 2
Alto, Violoncelle (duo) 2
Alto et Basson 2
Quatuor à cordes: 4 violons 1
Violon, Basson (duo) 1
Alto, Orgue 1
Alto, Guitare (duo) 1
Alto et Harpe 1
Trio à Cordes: 2 violons, alto 1
Quatuor à cordes : 4 altos 1

+ 38 instrumentations

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Percussions & orchestre
Orchestre à Cordes 61
Orchestre 56
Orchestre d'harmonie 55
Ensemble Jazz 30
Cloches 20

Orchestre de chambre 16
Ensemble de cuivres 15
Fanfare 9
Batterie 5
Xylophone 4
Ensemble de Percussions 3
Marimba 2
Jazz combo 2
Quintette de Cuivres: autres combinaisons 1
Piano et Orchestre 1
2 Xylophones 1

+ 11 instrumentations

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M'man

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Clarinette Basse

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Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

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