Partitions Numériques de Violin century pour Clarinette Basse

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Violin century
Non classifié 3 556

Piano & claviers
Piano Trio: piano, violon, violoncelle 368
Piano seul 148
Piano Quintette: piano, 2 violons, alto, violoncelle 71
Piano Quatuor: piano, violon, alto, violoncelle 69
Instruments en Do 63

Accompagnement Piano 51
Piano Facile 49
Piano Quatuor: piano, 2 violons, violoncelle 38
Piano, Voix 24
Piano, Voix et Guitare 17
Orgue 8
1 Piano, 4 mains 6
Piano Quintette: piano, violon, alto, violoncelle, contre basse 3
2 Pianos, 8 mains 1
Clavecin 1
Accordéon, Corde(s) 1

+ 11 instrumentations

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Guitares
Guitare, Violon, Violoncelle (trio) 13
Guitare 10
Ligne De Mélodie, (Paroles) et Accords 9
Guitare notes et tablatures 8
Mandoline 5

2 Guitares (duo) 5
Basse electrique 2
2 Mandolines (duo) 1
Piano, Guitare (duo) 1
Guitare, Quatuor à cordes 1
Guitare, Orchestre 1
Ukulele 1

+ 7 instrumentations

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Voix
Chorale SATB 72
Chorale 3 parties 16
Chorale 2 parties 11
Chorale TTBB 9
Chorale Unison 7

Voix duo, Piano 3
Voix duo 2
Voix Soprano, Piano 2
Voix haute 1
Voix seule 1
Voix Baryton, Piano 1

+ 6 instrumentations

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Vents
Clarinette, Violon (duo) 115
Flûte traversière et Piano 99
Flûte, Violon 83
Clarinette et Piano 50
Saxophone Alto et Piano 41

Flûte et Guitare 36
Flûte, Violon, Piano 33
Hautbois, Piano (duo) 33
2 Flûtes traversières (duo) 24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 23
Saxophone Tenor et Piano 22
Flûte traversière 21
Flûte, Hautbois, Clarinette, Basson 19
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 19
Quatuor de Saxophones: 4 saxophones 17
Flûte, Violon et Violoncelle 17
Saxophone Soprano et Piano 16
Flûte et Trio à cordes 15
Saxophone Baryton, Piano 12
Hautbois, violon (duo) 12
Clarinette 12
Clarinette Basse, Piano 11
Quatuor de Clarinettes: 4 clarinettes 9
Flute, harpe et violon 9
2 Clarinettes (duo) 8
Quintette de Saxophone: 5 saxophones 7
Quintette de Clarinette: Clarinette, Quatuor à Cordes 7
Cor anglais, Piano 6
Saxophone Alto 6
Clarinette, Guitare (duo) 6
Flûte, Violon, Violoncelle et Piano 5
Hautbois, Violon, Piano 5
2 Saxophones (duo) 4
Ensemble de Clarinettes 4
Flûte, Clarinette (duo) 4
Flûte, Violon, Guitare 4
Hautbois, Violin, Alto et Violoncelle (Quatuor) 4
Saxophone 3
Flûte, Hautbois, Clarinette (trio) 3
Saxophone Tenor 3
Flûte, Clarinette, Violon (trio) 3
Quatuor de Flûtes : 4 flûtes 3
Cor anglais, Guitare (duo) 3
Ensemble de saxophones 2
3 Clarinettes (trio) 2
Hautbois 2
Flûte et Quatuor à Cordes 2
Hautbois (partie séparée) 2
2 Hautbois (duo) 2
Ensemble de Flûtes 2
Flûte, Violoncelle 2
3 Saxophones (trio) 2
Trio de Flûtes: 3 flûtes 2
Flûte, Clarinette et Basson 2
2 Flûte à bec (duo) 2
Flute (partie séparée) 2
Flûte, Violoncelle, Piano (trio) 2
Clarinette, Violoncelle, Piano (trio) 1
Flûte, Basson et Piano 1
Hautbois, Harpe 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette, Harpe (duo) 1
2 Clarinettes, Basson 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte, alto et harpe 1
Saxophone Baryton 1
Saxophone et Guitare 1
5 Flûtes à bec 1
Flûte à bec Alto 1
Clarinette Basse 1

Cor anglais et Harpe (duo) 1
Clarinette, Violoncelle (duo) 1
2 Clarinettes, Piano 1
Flûte, Hautbois, Violon 1
Clarinette (partie séparée) 1

+ 70 instrumentations

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Cuivres
Trombone et Piano 34
Trompette, Piano 25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 22
Cor et Piano 18
Euphonium, Piano (duo) 13

Tuba et Piano 13
Trompette 12
Cor anglais, Piano 6
Cor 5
Trombone, Violon (duo) 5
Trombone 5
Trompette, violon (duo) 3
Quatuor de Cuivres 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Trompette, Trombone (duo) 3
Cor anglais, Guitare (duo) 3
2 Trompettes (duo) 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
2 Trombones (duo) 2
Ensemble de Trompettes 1
Ensemble de Cors 1
Quatuor de cuivres: 4 cors 1
Cor anglais et Harpe (duo) 1
Trombone basse 1
Quatuor de cuivres: 4 trompettes 1

+ 20 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 3 824
Violon et Piano 2 906
Violon 1 624
Violon, Violoncelle (duo) 565
Trio à Cordes: violon, alto, violoncelle 499

2 Violons (duo) 466
Quintette à cordes: 2 violons, alto, violoncelle, basse 356
Violon, Alto (duo) 337
Violon, Guitare (duo) 220
Trio à Cordes: 2 violons, violoncelle 156
Alto, Piano 88
Violoncelle, Piano 84
Piano Trio: Violon, Alto, Piano 77
Trio à cordes: 3 violins 76
Violon (partie séparée) 53
Quatuor à cordes: 4 violons 43
Trio à Cordes: 2 violons, alto 37
Violon, Basson (duo) 31
Quintette à cordes: 2 violons, 2 altos, violoncelle 30
Harpe, Violon (duo) 28
Violoncelle, Contrebasse (duo) 24
2 Violons, Piano 15
Violoncelle 14
Contrebasse, Piano (duo) 14
Violon, Clarinette, Piano (trio) 13
Trio à cordes 13
Alto seul 12
Violon, Orgue 10
Ensemble de Violons 9
Quintette à cordes : 2 violons, alto et 2 violoncelles 8
Harpe, Flûte (duo) 7
4 Violoncelles 7
2 Altos (duo) 7
Harpe 6
2 Violoncelles (duo) 6
Violoncelle , Guitare (duo) 6
Alto (partie séparée) 5
Alto, Violoncelle (duo) 5
Trio à Cordes: 3 violoncelles 4
Trio à cordes: 3 altos 4
Harpe, Quatuor à cordes 3
Harpe, Violon, Violoncelle 3
Violon, Trompette et Piano 2
Alto, Guitare (duo) 2
Harpe, Violoncelle (duo) 2
Contre Basse 2
Violon, Basse continue 1
Quatuor à cordes : 4 altos 1
Violoncelle (partie séparée) 1
Flûte, Contrebasse (duo) 1
Violon, Violoncelle, Clarinette 1
Violon, Tuba (duo) 1

+ 47 instrumentations

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Percussions & orchestre
Orchestre à Cordes 472
Orchestre 191
Orchestre de chambre 130
Orchestre d'harmonie 31
Ensemble Jazz 12

Xylophone, Piano 6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 4
Jazz combo 3
Piano et Orchestre 3
Orchestre, Violon 3
Cloches 2
Ensemble de Percussions 2
Fanfare 1
Batterie 1
Ensemble de cuivres 1

+ 10 instrumentations

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Violin century

Clarinette Basse

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Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

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