Partitions Numériques de concert organ pour Clarinette Basse

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concert organ
Non classifié 1 060

Piano & claviers
Orgue 1 047
Piano seul 234
Orgue, Trompette (duo) 91
Piano, Voix 50
Orgue, Piano (duo) 23

Piano, Voix et Guitare 19
Piano Facile 15
Piano Trio: piano, violon, violoncelle 11
Piano (partie séparée) 9
1 Piano, 4 mains 7
Piano grosses notes 6
Instruments en Do 5
2 Orgues (duo) 4
Orgue et Orchestre 3
Piano Quintette: piano, 2 violons, alto, violoncelle 3
Piano Quatuor: piano, violon, alto, violoncelle 3
2 Pianos, 4 mains 3
Piano Quatuor: piano, 2 violons, violoncelle 1
2 Pianos, 8 mains 1
Clavier 1
Accompagnement Piano 1

+ 16 instrumentations

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Guitares
Guitare 9
4 Guitares (Quatuor) 4
Guitare notes et tablatures 3
Piano, Guitare (duo) 3
Ukulele 2

2 Guitares (duo) 2
3 Guitares (trio) 1
Orchestre à Plectres 1
Ligne De Mélodie, (Paroles) et Accords 1

+ 4 instrumentations

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Voix
Chorale SATB 293
Chorale 2 parties 107
Chorale 3 parties 52
Chorale Unison 42
Voix duo, Piano 27

Chorale TTBB 24
Voix duo 20
Voix Soprano, Piano 3
Voix haute 3
Chorale SSAA 3
Voix moyenne, Piano 3
Voix Mezzo-Soprano, Piano 1
Chorale 1
Voix basse, Piano 1
Voix Soprano 1
Chorale SSAATTBB 1

+ 11 instrumentations

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Vents
Clarinette et Piano 50
Flûte traversière et Piano 50
Flûte, Hautbois, Clarinette, Basson 45
Quatuor de Saxophones: 4 saxophones 42
Hautbois, Piano (duo) 41

Saxophone Alto et Piano 41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 39
2 Saxophones (duo) 39
Quintette de Saxophone: 5 saxophones 34
Saxophone Soprano et Piano 31
Quatuor de Clarinettes: 4 clarinettes 28
Saxophone (partie séparée) 24
Clarinette (partie séparée) 23
Saxophone Tenor et Piano 23
Saxophone et Orgue 22
3 Clarinettes (trio) 19
2 Clarinettes (duo) 19
3 Saxophones (trio) 18
Ensemble de Clarinettes 15
Clarinette 14
Saxophone Baryton, Piano 13
2 Flûtes traversières (duo) 12
Hautbois (partie séparée) 12
Quintette de Flûte : 5 flûtes 12
Flûte traversière, Orgue (duo) 11
Flute (partie séparée) 10
Flûte, Clarinette (duo) 9
Saxophone, Clarinette (duo) 9
Cor anglais, Piano 9
Flûte traversière 8
2 Flûte à bec (duo) 7
Clarinette, Orgue 7
Trio de Flûtes: 3 flûtes 6
Quatuor de Flûtes : 4 flûtes 6
Ensemble de saxophones 6
Quintette de Clarinettes: 5 clarinettes 6
2 Hautbois (duo) 5
Clarinette Basse, Piano 5
Flûte, Saxophone (duo) 4
Flûte, Violon 4
Clarinette, Violon (duo) 4
Clarinette, Trompette (duo) 4
Hautbois, Basson (duo) 4
Clarinette et Alto 3
Ensemble de Flûtes 3
Saxophone Tenor 3
Quatuor de Flûtes à bec 3
Flûte, Hautbois, Clarinette (trio) 3
Flûte, Alto (duo) 3
Clarinette, Guitare (duo) 2
Flûte à bec Tenor 2
Clarinette, Basson (duo) 2
Flûte à bec Alto 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Flûte, Trompette (duo) 2
Flûte, Violoncelle 2
Clarinette, Harpe (duo) 2
Hautbois, Flûte 2
Saxophone Alto 2
Flûte et Guitare 2
Piccolo, Piano 1
Clarinette, Orchestre 1
2 Clarinettes, Basson 1
Clarinette, Violoncelle (duo) 1
Hautbois, Clarinette (duo) 1
Hautbois, Harpe 1
2 Cors Anglais Et Pianoforte 1
Flûte, Hautbois, Basson 1
2 Clarinettes, Piano 1
3 Flûtes à bec (trio) 1
Flûte, Clarinette, Violon (trio) 1
Flûte à bec Soprano, Piano 1
Flûte à bec Soprano 1
Ensemble de Hautbois 1
Clarinette Basse 1

+ 70 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 64
Trompette, Piano 35
Quatuor de Cuivres : 2 trompettes, trombone, tuba 33
Trombone et Piano 24
2 Trompettes (duo) 23

Trombone (partie séparée) 21
Trompette 20
Trombone, Orgue 20
Trompette (partie séparée) 19
Cor et Piano 18
Tuba et Orgue 16
2 Trompettes, Clavier (piano ou orgue) 16
Cor (partie séparée) 15
2 Trombones (duo) 14
Ensemble de Trombones 14
Quatuor de Cuivres: 2 trompettes, Cor, trombone 13
3 Trombones (trio) 10
Ensemble de Trompettes 10
Euphonium, Piano (duo) 10
Cor anglais, Piano 9
Trompette, Trombone (duo) 8
Cor 7
Cor et Orgue 6
2 Cors (duo) 6
Tuba et Piano 5
Trompette, Saxophone (duo) 5
Trombone 5
Trompette, Cor (duo) 4
3 Trompettes (trio) 4
Quatuor de Cuivres 4
2 Tubas (duo) 3
2 Euphoniums (duo) 3
Quatuor de cuivres: 4 trombones 3
Trombone, Tuba (duo) 3
Tuba 2
Quatuor de cuivres: 4 cors 2
Tuba (partie séparée) 2
Quatuor de cuivres: 2 trompettes, 2 trombones 2
Trombone basse et Piano 2
Trio de Cuivres 2
2 Cors Anglais Et Pianoforte 1
Quatuor de cuivres: 4 trompettes 1

+ 37 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 67
Violon et Piano 57
Violoncelle, Piano 51
Alto, Piano 37
Violon (partie séparée) 24

Violon 20
Trio à Cordes: violon, alto, violoncelle 18
Harpe 15
Violoncelle, Orgue 15
Violon, Orgue 14
Violoncelle 14
Contrebasse (partie séparée) 13
Violon, Alto (duo) 12
Violoncelle (partie séparée) 12
Alto (partie séparée) 11
Ensemble d'Altos 10
2 Violoncelles (duo) 9
Violon, Violoncelle (duo) 9
Alto seul 9
Ensemble de Violons 9
2 Violons (duo) 7
Alto, Orgue 5
Piano Trio: Violon, Alto, Piano 5
2 Altos (duo) 4
Harpe (partie séparée) 4
Violon, Guitare (duo) 3
Harpe, Flûte (duo) 3
Contrebasse, Piano (duo) 3
Alto, Guitare (duo) 3
Alto, Violoncelle (duo) 2
Violoncelle , Guitare (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
2 Contrebasses (duo) 2
4 Violoncelles 2
Quatuor à cordes: 4 violons 1
Trio à Cordes: 3 violoncelles 1
Violoncelle, Contrebasse (duo) 1
Harpe, Violoncelle (duo) 1
Trio à Cordes: 2 violons, alto 1

+ 34 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 313
Orchestre 74
Ensemble de cuivres 61
Orchestre à Cordes 57
Orchestre de chambre 37

Cloches 15
Ensemble Jazz 13
Percussion (partie séparée) 11
Jazz combo 8
Timbales (partie séparée) 3
Fanfare 3
Xylophone 1
Marimba 1
Vibraphone 1
Timbales 1
Piano et Orchestre 1
Marimba et Orgue 1

+ 12 instrumentations

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concert organ

Clarinette Basse

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Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

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