Partitions Numériques de Stop It! pour Voix moyenne, Piano

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Stop It!
Non classifié 364

Piano & claviers
Piano seul 248
Orgue 107
Piano, Voix et Guitare 58
Piano, Voix 51
Piano Facile 40

Instruments en Do 30
Piano (partie séparée) 11
Accompagnement Piano 9
Piano Trio: piano, violon, violoncelle 6
Orgue, Trompette (duo) 4
Piano Quatuor: piano, violon, alto, violoncelle 3
1 Piano, 4 mains 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
1 Piano, 6 mains 1
Clavecin 1
Accordéon 1

+ 11 instrumentations

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Guitares
Guitare 33
Guitare (partie séparée) 19
Guitare notes et tablatures 17
Ukulele 8
Basse electrique 7

Ligne De Mélodie, (Paroles) et Accords 7
2 Guitares (duo) 5
Piano, Guitare (duo) 3
Mandoline, Guitare (duo) 3
4 Guitares (Quatuor) 1
3 Guitares (trio) 1
Ensemble de guitares 1
Guitare, Violon, Violoncelle (trio) 1
Paroles et Accords 1
Mandoline 1

+ 10 instrumentations

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Voix
Chorale SATB 154
Chorale 3 parties 48
Chorale 2 parties 37
Chorale TTBB 22
Chorale SSAA 12

Chorale Unison 9
Voix duo 3
Voix Soprano 3
Voix duo, Piano 2
Chorale 2
Voix Alto, Piano 2
Voix moyenne, Piano 2

Soli, choeur mixte et accompagnement 1
Chorale SSATTB 1

+ 9 instrumentations

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Vents
Saxophone (partie séparée) 50
Quatuor de Saxophones: 4 saxophones 34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 23
Quatuor de Clarinettes: 4 clarinettes 19
Flûte traversière et Piano 16

Hautbois, Piano (duo) 15
2 Saxophones (duo) 14
Clarinette 14
Saxophone Alto et Piano 13
Saxophone Soprano et Piano 11
Saxophone Alto 11
Saxophone Tenor et Piano 11
Flûte, Hautbois, Clarinette, Basson 9
Clarinette et Piano 9
Quintette de Saxophone: 5 saxophones 9
Quatuor de Flûtes : 4 flûtes 9
Flute (partie séparée) 9
Ensemble de saxophones 9
Flûte traversière 7
Hautbois (partie séparée) 7
2 Clarinettes (duo) 6
Clarinette (partie séparée) 6
2 Flûtes traversières (duo) 4
3 Clarinettes (trio) 4
Flûte, Violon 4
Clarinette, Trompette (duo) 3
Ensemble de Clarinettes 3
Saxophone, Clarinette (duo) 3
Ensemble de Flûtes 3
Quintette de Clarinettes: 5 clarinettes 3
Cor anglais, Piano 2
Clarinette, Violon (duo) 2
Flûte, Saxophone (duo) 2
Flûte et Guitare 2
Flûte, Alto (duo) 2
2 Hautbois (duo) 1
Clarinette Basse, Piano 1
Flûte irlandaise 1
Clarinette, Guitare (duo) 1
Clarinette, Violoncelle, Piano (trio) 1
Flûte, Violoncelle 1
5 Flûtes à bec 1
Hautbois, Basson (duo) 1
Quatuor de Flûtes à bec 1
Saxophone Tenor 1
Quintette de Flûte : 5 flûtes 1
Flûte, Hautbois, Piano (trio) 1
Hautbois, Flûte 1
Flûte, Trompette (duo) 1
Flûte, Violon et Violoncelle 1
Trio de Flûtes: 3 flûtes 1
Flûte à Bec 1
Clarinette, Harpe (duo) 1
Flûte, Clarinette (duo) 1
Hautbois, Clarinette (duo) 1

+ 50 instrumentations

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Cuivres
Trombone (partie séparée) 42
Trompette (partie séparée) 37
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 25
Quatuor de Cuivres : 2 trompettes, trombone, tuba 22
Trombone et Piano 18

Trompette, Piano 15
Cor et Piano 11
Trompette 11
Cor (partie séparée) 10
Tuba (partie séparée) 7
Cor 5
Euphonium, Piano (duo) 5
Quatuor de Cuivres 5
Tuba et Piano 4
Trombone 4
2 Trombones (duo) 4
Trompette, Saxophone (duo) 3
Tuba 3
Trompette, Trombone (duo) 3
2 Trompettes (duo) 3
2 Euphoniums et 2 Tubas 2
Cor anglais, Piano 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Quatuor de cuivres: 4 cors 1
Ensemble de Cors 1
Quatuor de cuivres: 4 trombones 1
Trompette, Harpe 1
Trombone, Violon (duo) 1
4 Tubas 1
2 Cors (duo) 1
Ensemble de Trombones 1
Cor et Harpe 1
Cor et Orgue 1
Euphonium 1

+ 29 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 147
Violon 60
Violon et Piano 56
Violon, Violoncelle (duo) 32
Violoncelle (partie séparée) 31

Harpe 30
2 Violons (duo) 24
Violoncelle, Piano 21
Alto, Piano 20
Alto seul 19
Contrebasse (partie séparée) 18
Violoncelle 17
Violon (partie séparée) 14
2 Harpes (duo) 13
2 Violoncelles (duo) 13
Alto (partie séparée) 12
Trio à Cordes: violon, alto, violoncelle 11
Violon, Alto (duo) 10
Quintette à cordes: 2 violons, alto, violoncelle, basse 7
Alto, Violoncelle (duo) 7
Trio à Cordes: 2 violons, violoncelle 6
Contre Basse 5
Contrebasse, Piano (duo) 4
2 Altos (duo) 3
Harpe (partie séparée) 2
Alto et Harpe 2
Harpe, Violon (duo) 2
Trio à Cordes: 3 violoncelles 1
Harpe, Flûte (duo) 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
4 Harpes 1
Violon, Guitare (duo) 1
Trio à cordes: 3 violins 1
Harpe, Violoncelle (duo) 1
4 Violoncelles 1
4 Contrebasses 1
Violoncelle , Guitare (duo) 1
Violon, Basson (duo) 1

+ 33 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 127
Orchestre à Cordes 74
Orchestre 55
Ensemble Jazz 25
Cloches 17

Jazz combo 16
Ensemble de cuivres 16
Batterie (partie séparée) 9
Fanfare 8
Ensemble de Percussions 8
Batterie 8
Orchestre de chambre 7
Percussion (partie séparée) 5
Instrumentation Flexible 2
Vibraphone 2
Timbales (partie séparée) 1

+ 11 instrumentations

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Vous avez sélectionné:

Stop It!

Voix moyenne, Piano

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2 partitions trouvées

Hop Hop Hop

Hop Hop Hop #Voix moyenne, Piano #DÉBUTANT #Enfant #Connie Boss Some of Godâ€� #Connie Boss #Hop Hop Hop #Connie Boss #SheetMusicPlus

Medium Voice,Piano - Level 1 - SKU: A0.1175735 Composed by Connie Boss. Children. Full Performance. Duration 185. Connie Boss #775856. Published by Conn...(+)

Medium Voice,Piano - Level 1 - SKU: A0.1175735 Composed by Connie Boss. Children. Full Performance. Duration 185. Connie Boss #775856. Published by Connie Boss (A0.1175735). This is a cute kid's song about God's creatures that can't walk but have to hop to get around. Frog, bunny, kangaroo and grasshoppers are featured in this song. It is for solo and piano. For questions or requests, email cdboss@cvalley.net. You can purchase sheet music at https://www.sheetmusicdirect.com/en-U... See lyrics below: Hop Hop Hop By Connie Boss Some of Godâ€™s creatures Just can walk To get around They have to hop hop hop When they get to hopping They just canâ€™t stop Hop hop hop hop hop There is a little frog who hops on a log He hops off and then hops on He hops to the water and then in a flash He hops in and makes a great big splash Hop, hop, splash A little bunny likes to hop around He can hop all over town His favorite place is a garden bed He knows he will be well fed Hop, hop, munch The kangaroo gets big and is very quick He has big feet and he can kick He hops to get from here to there He can hop most anywhere Hop, hop, kick The grasshopper likes to chew and spit If you catch him you might get wet He hops up and down and is very fast You can find him in tall grass Hop, hop, spit.

$1.99

Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano

Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano #Voix moyenne, Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Jacques Leguerney #Jacques Leguerney: Sept Poème #Musik Fabrik Music Publishing #SheetMusicPlus

Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...(+)

Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'OrphÃ©e2. Ã?pigramme Ã un mauvais payeur3. Ã Chloris4. D'une maigre dame5. Dans le fÃ´ret6. Secret Amour 7. Complients Ã une duÃ¨gnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4ï»¿GÃ©rard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin Ã la franÃ§aise, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerriÃ¨re and Clair de lune in a concert organized by the SociÃ©tÃ© musical indÃ©pendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, PoÃ¨mes de la PlÃ©iade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor Ã cordes en RÃ©. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included GÃ©rard Souzay as well as his half-sister, soprano GeneviÃ¨ve Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the OpÃ©ra de Paris on 27 July 1949, with choreography by Serge Lifar. The OpÃ©ra de Paris immediately commissioned a second work, which was La VÃ©nus noire, based upon a short story by Prosper MÃ©rimÃ©e. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mÃ©lodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. GÃ©rard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and

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