Partitions Numériques de Did You Mean It pour Piano seul

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Did You Mean It
Non classifié 7

Piano & claviers
Piano, Voix 5
Piano seul 3

Piano Facile 1

Guitares

Voix
Chorale SATB 2
Chorale 2 parties 1
Voix duo, Piano 1
Chorale TTBB 1

Vents
Quintette de Saxophone: 5 saxophones 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Quatuor de Saxophones: 4 saxophones 4
Flûte, Hautbois, Clarinette, Basson 4
2 Clarinettes (duo) 2

Clarinette et Piano 1
Flûte traversière et Piano 1
Hautbois, Piano (duo) 1
3 Clarinettes (trio) 1
2 Flûtes traversières (duo) 1
Saxophone Soprano et Piano 1
Saxophone Alto et Piano 1
Saxophone Tenor et Piano 1

+ 8 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Euphonium, Piano (duo) 1
Cor et Piano 1
Trombone et Piano 1

Trompette, Piano 1

+ 1 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 4
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Violon, Violoncelle (duo) 1
Violon 1
Violoncelle (partie séparée) 1

Violon et Piano 1
Alto, Piano 1
Violoncelle, Piano 1
Contrebasse, Piano (duo) 1
Trio à Cordes: violon, alto, violoncelle 1

+ 5 instrumentations

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Percussions & orchestre
Orchestre de chambre 3
Ensemble de Percussions 1
Orchestre d'harmonie 1

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Did You Mean It

intermédiaire

Piano seul

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3 partitions trouvées

Clair de Lune (with piano fingering as needed)

Clair de Lune (with piano fingering as needed) #Piano seul #INTERMÉDIAIRE #Classique #Claude Debussy #Scott Camp #Clair de Lune #Scott Camp #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 p...(+)

Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.

$1.99 ≈ 1.83€

Sunday

Sunday #Piano seul #INTERMÉDIAIRE #Damien Gauci #Sunday #Damien Gauci #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.1414663 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 38 pages. Damien Gauci #996442. Published by Damie...(+)

Piano Solo - Level 3 - SKU: A0.1414663 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 38 pages. Damien Gauci #996442. Published by Damien Gauci (A0.1414663). This is my first original album, a soft piano album about the day of the week â€˜Sundayâ€™. Initially, I didnâ€™t set out to write a full album, the piece â€˜Sunriseâ€™ ignited that idea after I wrote it. After writing that piece I decided to write more tracks and compile an album. I decided to write a total of 10 tracks, each reflecting on a different time during Sunday.Â The album begins with the sunrise which is the first track. Youâ€™ll notice that the whole album is in order from the beginning to the end of the day. After the sunrise it is morning and the frost begins to melt from the suns warmth in the air. Moving toward midday some light rain passes through followed by a thunderstorm then comes the afternoon, and the warm air. Finally, the day comes to an end as the sun sets on the horizon and then the stars revel themselves in the night sky.This album is meant to be a relaxing, peaceful album to listen to while you read, study, work, drive, or anything else you might do with music on in the background. I really enjoyed writing each track and it was a lot of fun to write a different piece about each part of Sunday. I hope that you enjoy listening to or learning these pieces and that they bring a little more peacefulness into your life.

$19.99 ≈ 18.42€

Numbered Places [11 pieces for piano solo]

Numbered Places [11 pieces for piano solo] #Piano seul #INTERMÉDIAIRE #Contemporain #Juan María Solare #Numbered Places [11 pieces for #Juan Maria Solare #SheetMusicPlus

Piano Solo - Intermediate - Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score...(+)

Piano Solo - Intermediate - Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan Mar�a Solare: Numbered Places (eleven piano pieces)

01 - One Way Flight to... (2:50)

02 - Twopenny Loaf [USA] (3:45)

03 - Three Bridges [UK] (2:25)

04 - Four Oaks [USA] (3:00)

05 - Five Pointz [NYC] (3:45)

06 - Six Mile Bottom [UK] (2:40)

07 - Seven Kings [UK] (5:10)

08 - Eight Streets [USA] (5:55)

09 - Nine Elms [UK] (2:50)

10 - Ten Ten Road [NC, USA] (3:25)

11 - Eleven Lands [UK] (3:30)

Totaltime: 39:15

Numbered Places * piano * music by Juan Mar�a Solare

The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).

For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.

In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.

Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.

Let us briefly comment each of the titles:

- One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.

- TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.

- ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.

- Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.

- FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.

- Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.

- SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'

- EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.

- Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.

- Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.

- ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.

Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.

This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1

There are alsovideos of several pieces of this album. They are in the following playlist:

https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA

$11.00 ≈ 10.14€

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