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Vous avez sélectionné:
Enigmatic
intermédiaire
Piano seul
Partitions à imprimer
5 partitions trouvées
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A Simple Lie
A Simple Lie
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Piano seul
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INTERMÉDIAIRE
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Cristian Vivaldi
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Cristian Vivaldi
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A Simple Lie
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Cristian Vivaldi
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1391458 By Cristian Vivaldi. By Cristian Vivaldi. Arranged by Cristian Vivaldi. Classical,Contemporary,Film/TV,New Age. S...
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Piano Solo - Level 3 - SKU: A0.1391458 By Cristian Vivaldi. By Cristian Vivaldi. Arranged by Cristian Vivaldi. Classical,Contemporary,Film/TV,New Age. Score. 2 pages. Cristian Vivaldi #974997. Published by Cristian Vivaldi (A0.1391458). A Simple Lie is a haunting solo piano composition that captivates with its enigmatic and intricate melody. Laden with emotion and depth, this piece unfolds slowly, drawing listeners into its mysterious allure. Its complex harmonies and subtle nuances create an atmospheric backdrop, perfect for moments of deep concentration during study sessions or immersive reading experiences. With its melancholic undertones and thought-provoking ambiance, A Simple Lie offers a compelling soundtrack for delving into the complexities of thought and emotion.
$1.99 ≈
¥14.48
'The Seventh Seal'
'The Seventh Seal'
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Piano seul
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INTERMÉDIAIRE
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Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. A...
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Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95 ≈
¥57.85
Three Pastiches - two waltzes and a tango for solo piano
Three Pastiches - two waltzes and a tango for solo piano
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Piano seul
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INTERMÉDIAIRE
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Tango
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Colin Bayliss
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Three Pastiches - two waltzes
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Colin Bayliss
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.938403 Composed by Colin Bayliss. Contemporary. Score. 10 pages. Colin Bayliss #9693. Published by Colin Bayliss (A0.9384...
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Piano Solo - Level 3 - SKU: A0.938403 Composed by Colin Bayliss. Contemporary. Score. 10 pages. Colin Bayliss #9693. Published by Colin Bayliss (A0.938403). 1. Sparrow Hall Waltz 2.Tango Affettolato 3. Enigmatic Waltz.
$5.00 ≈
¥36.38
Three Homages [piano solo]
Three Homages [piano solo]
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Piano seul
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INTERMÉDIAIRE
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Juan MarÃÂa Solare
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Three Homages [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.596596 Composed by Juan MarÃÂa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527...
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Piano Solo - Level 3 - SKU: A0.596596 Composed by Juan MarÃÂa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare 
$3.00 ≈
¥21.83
LA CUPIS from Pièces de Clavecin en Concerts for Piano (As played By VÃkingur Ólafsson
LA CUPIS from Pièces de Clavecin en Concerts for Piano (As played By VÃkingur Ólafsson
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jean-Philippe Rameau
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LA CUPIS from Pièces de Clave
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by FLAVIO REGIS CUNHA. Classical Period, Baroque Period, Wedding,...
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Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by FLAVIO REGIS CUNHA. Classical Period, Baroque Period, Wedding, Graduation, Recital. Score. 8 pages. Published by Flavio Regis Cunha
After an attentive and meticulous work of transcription and editing, we offer you this jewel of French Baroque music, in Ólafsson's interpretation.
Víkingur Ólafsson describes Rameau's "La Cupis" as follows: The character pieces stem from Rameau?s 1741 chamber music collection Pièces de clavecin en concerts, also prepared by the composer for solo keyboard. Here, the passage of time has rendered the titles somewhat enigmatic. ?La Cupis? may be yet another feminine portrait, its potential namesake being Marie-Anne Cupis, a well-known dancer. Why not? The work?s yearning, soulful melodies are surrounded by nimble, dance-like episodes. Watch Víkingur Ólafsson peform Jean-Philippe Rameau's Pieces de clavecin en concerts : II. La Cupis.
"In any case, it is full of passion and zest." - Víkingur Ólafsson
The score is unique. We at FRC Music have the joy of being able to offer this beautiful transcription for solo piano. You will love playing this piece and your audience will be delighted. Enjoy.
$5.99 ≈
¥43.59
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