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Vous avez sélectionné:
where it is also known a.
intermédiaire
Piano seul
Partitions à imprimer
9 partitions trouvées
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1
Somewhere In Time
Somewhere In Time
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Piano seul
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INTERMÉDIAIRE
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John Barry
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1317729 By John Barry. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Classical,Film/TV,Ir...
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Piano Solo - Level 3 - SKU: A0.1317729 By John Barry. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Classical,Film/TV,Irish,Standards. Score. 2 pages. John Fries #906410. Published by John Fries (A0.1317729). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Â Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$5.99
Pitcairn Local Anthem (The Royal Telephone/We From Pitcairn Island”) for Voice & Piano
Pitcairn Local Anthem (The Royal Telephone/We From Pitcairn Island”) for Voice & Piano
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Piano seul
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Pitcairn Local Anthem
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Keith Terrett
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship...
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Piano - Level 3 - SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship,Traditional,World. Score (Chords/Lyrics). 3 pages. Keith Terrett #805498. Published by Keith Terrett (A0.1207336). The Pitcairn Islands are a remote British colony in the South Pacific, famous for being the site where the mutineers from the HMS Bounty landed. The islands’ population have always been very small (currently numbering around 50), yet, aside from the official anthem of God Save the King (which is not heard often on the islands), there have been, and continue to be, many unofficial anthems in use in the colony.In Diana Jolliffe Belcher’s 1871 book “The Mutineers of the Bounty and their Decendants in Pitcairn and Norfolk Island†it is reported that a local poem by Rev. G. H. Nobbs was set to the tune “Rousseau’s Dream†(sheet music) and was considered by Pitcairners to be their anthem at the time. It is not known for how long this was considered as their anthem, however. Also, in 1856, several Pitcairners resettled on Norfolk Island as Pitcairn had become too small. The local anthem now in use on Norfolk Island, Come Ye Blessed, is also referred to as the “Pitcairn Anthemâ€, and more than likely was brought to the island by the Pitcairn settlers, suggesting that this anthem was in use on Pitcairn at that time, and is also heard on Pitcairn currently.Currently, the song “We From Pitcairn Island†(to the tune of the hymn “The Royal Telephoneâ€) is used as an unofficial anthem at gatherings and the like. The lyrics were written by Pitcairner Melva Evans with assistance from the local Seventh Day Adventist Pastor L. A. J. Webster in 1962 to be performed by the school children on board a visiting cruise ship, but the song became identified by residents as their unofficial anthem. Other songs, such as “The Goodbye Song†(written by Pitcairner Amelia Young), and the hymn “In The Sweet By and By†are considered unofficial “Pitcairn songs†at gatherings as well. (“Goodbye songsâ€, sung to ships as they leave the country, are a tradition in many Polynesian islands, and are part of the patriotic music of those countries.).
$4.99
MART
MART
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Piano seul
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INTERMÉDIAIRE
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this time, Mustafazade was mak
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Vagif Mustafazadeh
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Zellev
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he appeared in many festivals
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MART
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1487826 Composed by Vagif Mustafazadeh. Arranged by Zellev. 20th Century,Blues,Classical,Film/TV,Jazz. Score. 4 pages. Ze...
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Piano Solo - Level 3 - SKU: A0.1487826 Composed by Vagif Mustafazadeh. Arranged by Zellev. 20th Century,Blues,Classical,Film/TV,Jazz. Score. 4 pages. Zellev Music #1064763. Published by Zellev Music (A0.1487826). Key Signature: E majorTime Signature: 4/4Tempo: Doucement expressif (with gentle expressiveness)(about 70bpm),con pedale (with pedal).Difficulty: IntermediateMustafazadeh (1940-1979) was an Azerbaijani jazz pianist and composer, acclaimed for fusing jazz and the traditional Azerbaijani folk music known as mugham. According to many world famous jazz musicians, Mustafazadeh is one of the pioneers and the architect of jazz in Azerbaijan. Musical prohibitions during the 1940s and 1950s meant that the playing of jazz was banned in the USSR, including Azerbaijan. Since there was no opportunity to get jazz records from anywhere, Mustafazade listened to jazz pieces, learning from movies where he heard jazz music and BBC radio and sang Meykhana, rhythmic poetry, which had also been banned. After listening on the radio, he and his friend Vagif Samadoglu attempted to recreate the music on the piano.From the 1960s, prohibitions put on jazz music were gradually lifted and thus the late 1960s and 70s became a time when Baku was a real center of locally inspired jazz. By this time, Mustafazade was making his way to his audience and his popularity grew. His name was often mentioned among other jazz musicians and he participated in festivals held in his native land, as well as in and outside the Soviet countries. Since making a strong impression in his early years at college, his music progressed and popularity grew; he appeared in many festivals.In 1966, Willis Conover, conductor of the Jazz Time radio program, even went as far as to say, Vagif Mustafazadeh is an extraordinary pianist. It is impossible to identify his equal. He is the most lyrical pianist I have ever known.
$7.00
Ubi Caritas for Piano or Organ
Ubi Caritas for Piano or Organ
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Piano seul
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INTERMÉDIAIRE
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Nancy DeVries
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Nancy DeVries
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Ubi Caritas for Piano or Organ
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Nancy DeVries
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1400203 Composed by Nancy DeVries. Arranged by Nancy DeVries. Christian,Easter,Lent,Religious. Score. 2 pages. Nancy DeVr...
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Piano Solo - Level 3 - SKU: A0.1400203 Composed by Nancy DeVries. Arranged by Nancy DeVries. Christian,Easter,Lent,Religious. Score. 2 pages. Nancy DeVries #983416. Published by Nancy DeVries (A0.1400203). Ubi Caritas is a well-known hymn of Western Christianity, associated with the foot-washing ceremony of Holy Thursday; it is known under the English title of Where Charity and Love Prevail. The Latin translation of the refrain is: Where Charity and Love prevail, God is there. The theme of this venerable Gregorian antiphon is heard and developed in this contemporary piano arrangement, which reflects memorable aspects of Holy Thursday - the Institution of the Holy Eucharist and the command by Christ to love one another. Intermediate or Advanced intermediate level. The work may be suitable for use during Holy Thursday, for all Sundays throughout the Church year and may also be especially suitable for weddings.
$4.99
2 Sonatas for Fortepiano
2 Sonatas for Fortepiano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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2 Sonatas for Fortepiano
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1485608 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. Score. 52 pages. Artaria Editions #10626...
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Piano Solo - Level 3 - SKU: A0.1485608 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. Score. 52 pages. Artaria Editions #1062673. Published by Artaria Editions (A0.1485608). The dates of the two sonatas is not known, although it is clear stylistically that the E major is a much more advanced work compositionally than the E-flat major. The latter also exists in a version as a sonata for violin and keyboard, which can be dated to Kraus's grand tour, having been written in Paris in 1785 and subsequently distributed by the Viennese publisher Johann Traeg. Since there are substantive differences in the two versions, it is impossible to say which came first, and Hans Eppstein has suggested that their may even have been a third, now lost original for fortepiano, since the extant solo keyboard version clearly represents a more advanced version. This cannot be proven, but it seems clear that the version presented here can be considered Kraus's last word in this tortuous compositional trail, probably receiving its final form for publication as part of the Due Sonata per il Forte Piano that hlstrm published about 1788 as one of the first editions stemming from his new privilege. Given that the E major work is one of considerable complexity and virtuosity, it is probable that this sonata at least was composed especially for the publication. In any case, hlstrm's edition is the earliest source of the works; a number of additional copies dating from about 1795 and later all can be traced back to it. That the composer himself was involved intimately with the edition can be seen by the unusual number of clear and precise markings and articulations.These have been accepted without comment or alteration. Occasional obvious wrong notes, the result of overlooked proof reading, have been tacitly corrected, and some of the slurrings have been regularized according to parallel passages where such do not appear to have been deliberately varied. It is the suggestion of the editor that the Adagio of the E majot sonata should be performed la C.P.E.Bach in a fantasia manner with considerable flexibility in terms of tempo and relative rhythm; to play it in a strict fashion obliviates the flow of the movement. Bertil van Boer.
$37.00
Day Time Impressions
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99
I'll Be Home For Christmas
I'll Be Home For Christmas
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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William King Ross and William
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Brenda Dillon
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I'll Be Home For Christmas
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Dillon's Music Group
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.918292 Composed by William King Ross and William Ross. Arranged by Brenda Dillon. Contemporary. Score. 3 pages. Dillon's ...
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Piano Solo - Level 3 - SKU: A0.918292 Composed by William King Ross and William Ross. Arranged by Brenda Dillon. Contemporary. Score. 3 pages. Dillon's Music Group #6169481. Published by Dillon's Music Group (A0.918292). I'll Be Home for Christmas was written by lyricist Kim Gannon and composer Walter Kent. Originally written to honor war-time soldiers, it also touched the hearts of civilians and earned Bing Crosby his fifth gold record. These lyrics reflect the poignancy of the song: Christmas Eve will find me, where the lovelight gleams. I'll be home for Christmas, if only in my dreams.About the composer: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. In addition to her contributions to the RMM Track for MTNA's Pedagogy Saturday, she also presented group piano and RMM sessions throughout the U.S. As well as serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred Music listed on her website. (www.brendadillon.com).
$4.99
Astrophel - for Solo Piano
Astrophel - for Solo Piano
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Emily Nafius
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Astrophel - for Solo Piano
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Emily Nafius Music
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Emily Nafius. 21st Century, Modern, Jazz, Repertoire, Pop. 3 pages. Published by Emily Nafius Music ...
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Piano Solo - Intermediate - Composed by Emily Nafius. 21st Century, Modern, Jazz, Repertoire, Pop. 3 pages. Published by Emily Nafius Music
A modern, melodic original composition, suitable for students and advanced musicians alike.
Composer?s Note:
The title of this piece is taken from Sir Philip Sidney?s c.1590 sonnet sequence, known as Astrophel and Stella. The sonnets are meditations on romantic love, with the titular names derived from the Greek roots aster (star) and phil (love), and the Latin stella (also star). Hence, Stella is the object of Astrophel?s affection.
For interested students or teachers, here are a few pedagogical notes:
This piece is suitable for an intermediate-level student. It is playable as a simple waltz as-written, or as a jazz ballad with straight eighth notes. There are some left hand oom-pah shapes, as well as a couple of large arpeggiated shapes where the right hand might want to catch the top note of bass clef, primarily if a student?s hands are small (like the composer?s).
About the Composer:
Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of jazz musicians, singer-songwriters, and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.
$3.99
Grief And Sorrow (from "Naruto")
Grief And Sorrow (from "Naruto")
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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Toshio Masuda
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Mario Stallbaumer
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Grief And Sorrow
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - By Toshio Masuda. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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Piano Solo - Intermediate - By Toshio Masuda. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Grief and Sorrow" (哀と愁, Ai to Shū) from the anime series Naruto (ナルト)!
With this piano sheet music, you can play the whole piece (also known as "Hokage's Funeral Theme") in an accurate arrangement which is not too hard to play, and sounds fantastic!
"Grief and Sorrow" is a beautiful piano piece from the soundtrack to the anime series "Naruto".
It appears on the third soundtrack of the show (Naruto Original Soundtrack III).
The melancholic song is also known as "Hokage's Funeral Theme", since that's where it appears in the series. It was composed by Toshio Masuda.
$4.99
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