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Vous avez sélectionné:
Act Like You Live Here
avancé
Piano seul
Partitions à imprimer
8 partitions trouvées
<
1
I'm Trying to Be Like Jesus
I'm Trying to Be Like Jesus
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Janice Kapp Perry
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Mark Gubler
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I'm Trying to Be Like Jesus
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Mark Gubler
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pag...
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Piano Solo - Level 4 - SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$9.99 ≈
¥71.99
Los Poemas del Olvido
Los Poemas del Olvido
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Darian Stavans
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Los Poemas del Olvido
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Music Studio
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.994711 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 25 pages. Music Studio #4320903. Published...
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Piano Solo - Level 4 - SKU: A0.994711 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 25 pages. Music Studio #4320903. Published by Music Studio (A0.994711). Los Poemas del Olvido belongs to my piano music album Imagenes de Amor/Images of Love by Darian Stavans.Images of Love is a musical reflection intending to describe that love has no images. Inside ourselves we build impressions, we merge together emotions, affections and the bonds of love to form the images life gives us as we walk along its mundane paths. From that first light we see at birth and all through our daily lives and emotional existence, we link together the daily events that guide us to protection and elicit the courage to face ourselves. That is precisely the instant in which we create our images of love, those impressions that will forever remain in our minds and souls giving us an identity. After all of this, after feeling and extracting all the best from these sensations, we return to the starting point, that point where once again love has no images. This album is part of that amazing world summarized in our souls, of that potential to constantly create new images of love according to what life deals us and the value we assign to such images before we again come to terms with the fact that the only common thread consists in cultivating the knowledge that love is a chain of acts and actions… like the images we carry inside.12 pages.Duration: 12:54Performing Rights Organization: CD Baby / SACM Mexicowebsite: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1
$3.99 ≈
¥28.75
On The Highwire
On The Highwire
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Donald Ashwander
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On The Highwire
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1294639 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #884992. Published by The Dona...
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Piano Solo - Level 4 - SKU: A0.1294639 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #884992. Published by The Donald Ashwander Estate (A0.1294639). On The Highwire, a captivating solo piano ragtime composition by Donald Ashwander, transports us to the magical world of the circus, where memories of childhood delight and wonder come alive once more. After many years of absence, a return to the circus rekindled the same emotions of delight, terror, and thrill that had captivated the composer during his youth.The composition is a musical tribute to that heart-pounding moment under the circus tent. Through the nimble fingers of the pianist, the composition captures the spirit of the highwire artist's ascent, balancing gracefully between the realms of courage and vulnerability.The ragtime style, known for its lively rhythms and syncopated melodies, mirrors the electrifying atmosphere of the circus, where each step is a daring act of courage and precision. The music's playful motifs and dynamic shifts mirror the ups and downs of the highwire, while the intricate harmonies evoke the delicate equilibrium between life and danger.As you listen to On The Highwire, let your imagination soar like the acrobat in the spotlight. Feel the rush of adrenaline and the thrill of each daring step. Experience the elegant nonchalance that defies gravity and leaves you breathless with amazement. This composition is a musical tightrope walk between nostalgia and the present, inviting you to relive the magic of the circus and rediscover the childlike wonder that still resides within us all.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95 ≈
¥42.87
Riverside - Original Piano Solo - Challenging Contemporary Classical Composition
Riverside - Original Piano Solo - Challenging Contemporary Classical Composition
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Joshua Popovici
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#
Riverside - Original Piano Sol
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Joshua Popovici
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1029079 Composed by Joshua Popovici. Classical,Contemporary,Pop. Score. 8 pages. Joshua Popovici #4629413. Published by J...
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Piano Solo - Level 4 - SKU: A0.1029079 Composed by Joshua Popovici. Classical,Contemporary,Pop. Score. 8 pages. Joshua Popovici #4629413. Published by Joshua Popovici (A0.1029079). I confess. There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangements exciting and challenging for you. So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony and a little bit of challenge. This song is an original composition of Riverside as piano solo piece. Share this link with someone who might be like this song! As you play through this arrangement, you'll notice how all the different parts interact with each other. With each hand clearly playing it's own interesting melody. It’s a rich and complex song. Not only will you enjoy playing this, but listeners will also experience something unforgettable! Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. You'll get a response ASAP. I'll be your free assistant :) Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!
$3.98 ≈
¥28.68
alt.Callahans Reel
alt.Callahans Reel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50 ≈
¥54.04
Waiting
Waiting
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Isadar
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Waiting
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Musi...
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Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:
"Waiting"
- taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)
Album & Songbook Review by: Kathy Parsons
I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar?s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.
The first three tracks are lively and upbeat (?Active Imagination?, ?Throwing the Dice?, and ?Where the Wild Things Are?) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on ?Wild Things? is infectious.
From there, the mood seems to gradually darken and become more introspective. ?Waiting? is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar?s cover of Liz Story?s ?Wedding Rain? is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar?s interpretation of the piece seems right without being a carbon-copy of Liz?s recording.
?Feu Follet (the ?spook? light?)? has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. ?Uncertainty? is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. ?Love Chaconne? is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a ?chaconne?). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.
Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!
Active Imagination Sheet Music Collection is the companion songbook to Isadar?s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of ?Wind and Wire? magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.
One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, ?Throwing the Dice,? ?Where the Wild Things Are,? and ?Feu Follet (the ?spook? light).? ?Waiting,? ?Love Chaconne,? and ?Uncertainty? are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story?s ?Wedding Rain,? but the sheet music for that song is available in some of Ms. Story?s own collections.
Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.
If you haven?t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$6.99 ≈
¥50.37
All Creatures of our God and King Late Intermediate Piano Solo
All Creatures of our God and King Late Intermediate Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Lasst Uns Erfreuen
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Amanda Tero
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All Creatures of our God and K
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero...
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Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99 ≈
¥43.16
Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Socit de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path?straight or curvilinear?from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00 ≈
¥86.47
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