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Vous avez sélectionné:
Determination
avancé
Piano seul
Partitions à imprimer
42 partitions trouvées
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26
Determination
Determination
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Toby Fox
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Pedro Merendi
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Determination
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Pedro Merendi
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1220129 Composed by Toby Fox. Arranged by Pedro Merendi. Contemporary,Video Game. Score. 2 pages. Pedro Merendi #816493. ...
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Piano Solo - Level 4 - SKU: A0.1220129 Composed by Toby Fox. Arranged by Pedro Merendi. Contemporary,Video Game. Score. 2 pages. Pedro Merendi #816493. Published by Pedro Merendi (A0.1220129). Determination (Piano Solo) - UndertalePiano Solo Arrangement of the song “Determination†from Undertale’s soundtrack.Music by Toby Fox.Arrangement and Sheet Music by Pedro Merendi.This is an arrangement of the full song for Piano Solo.________________________________Contact the ArrangerYoutube: Merendi MusicTik Tok: @merendimusic.
$4.99 ≈
£3.91
Determination (from Undertale)
Determination (from Undertale)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jeux Videos
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Toby Fox
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Taran Plamondon
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Determination
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Éditions Plamondon
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1097364 Composed by Toby Fox. Arranged by Taran Plamondon. Video Game. Score. 1 pages. Éditions Plamondon #3446227. P...
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Piano Solo - Level 4 - SKU: A0.1097364 Composed by Toby Fox. Arranged by Taran Plamondon. Video Game. Score. 1 pages. Éditions Plamondon #3446227. Published by Éditions Plamondon (A0.1097364). A piano arrangement of the Game Over theme from Undertale, Determination..
$4.99 ≈
£3.91
CC092PIA - Determination
CC092PIA - Determination
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Carl Van Pevenage
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CC092PIA - Determination
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Carl Van Pevenage
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.921295 Composed by Carl Van Pevenage. Contemporary,World. Score. 7 pages. Carl Van Pevenage #6630863. Published by Carl V...
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Piano Solo - Level 4 - SKU: A0.921295 Composed by Carl Van Pevenage. Contemporary,World. Score. 7 pages. Carl Van Pevenage #6630863. Published by Carl Van Pevenage (A0.921295). Away from the traditional song.
$1.99 ≈
£1.56
Perdido Bay Moon Rag
Perdido Bay Moon Rag
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Donald Ashwander
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Perdido Bay Moon Rag
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Published by The Dona...
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Piano Solo - Level 4 - SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Published by The Donald Ashwander Estate (A0.1295715). Perdido Bay Moon Rag is a heartfelt and evocative solo piano composition dedicated to the memory of an elegant lady whose love for dance and a chance suggestion led to the creation of this beautiful piece. The composition pays homage to the serene beauty and cherished memories of Bear Point, Alabama, a place rich in history and personal significance to the composer, Donald Ashwander.The story behind Perdido Bay Moon Rag begins on a summer day when Donald, along with friends Edith and Edwin Zelnicker, found themselves on the picturesque Bear Point, Alabama. This tranquil peninsula on the shores of Perdido Bay held a special place in their hearts, as it was a locale where they had spent countless hours as children. They reminisced about their youth, playing beneath the majestic magnolia trees adorned with Spanish Moss and exploring ancient Indian mounds in search of pottery shards.It was during this nostalgic conversation that Edith, the elegant lady in question, suggested the title for a piano composition: Perdido Bay Moon Rag. Enchanted by the idea, Donald was determined to bring this vision to life. Upon returning to New York, he began crafting the piece, but it somehow eluded his grasp. Despite this initial challenge, he designed an appropriate cover for the composition and sent it to Edith and Edwin in Mobile.Over the years, Perdido Bay Moon Rag remained a fixture on Edith and Edwin's piano, a symbol of a cherished memory and unfulfilled promise. Edith confessed to her friend that she had attempted to play the piece but found it too complex, and so it remained unplayed.Time passed, and sadly, Edith fell ill. On a poignant visit to Mobile after Edith's passing, the atmosphere in their home was filled with her spirit. There, prominently displayed on the piano, lay Perdido Bay Moon Rag. In that moment, Donald knew that he needed to fulfill his promise and honor Edith's memory properly.With newfound determination and inspiration, Donald embarked on a journey to create a completely new composition that would capture the essence of Bear Point, Perdido Bay, and the moonlit nights they had cherished. This time, the music flowed effortlessly from his fingertips, as if guided by the memories and love he held for his dear friend.Perdido Bay Moon Rag is a testament to the enduring power of memories, friendship, and the creative process. It reflects the tranquility of Bear Point, the gentle sway of Spanish Moss, and the serenity of moonlit nights on the bay. Through its delicate melodies and intricate rhythms, the composition invites listeners to share in the deep emotions and fond recollections that inspired its creation.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95 ≈
£4.67
Reborn
Reborn
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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TYC
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Reborn
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Aiwo Production
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1402846 By TYC. By Cathy Pate. 21st Century,Easter,Holiday,Praise & Worship,Wedding. Score. 6 pages. Aiwo Production #986...
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Piano Solo - Level 4 - SKU: A0.1402846 By TYC. By Cathy Pate. 21st Century,Easter,Holiday,Praise & Worship,Wedding. Score. 6 pages. Aiwo Production #986064. Published by Aiwo Production (A0.1402846). The piece is radiating with a vibrant, youthful energy, the song bursts forth like a sunlit morning, its melody dancing on the breeze of possibility. Each note is a brushstroke of optimism, painting a picture of boundless enthusiasm and carefree spirit. With notes that sparkle like dewdrops on a spring meadow, it invites you to embrace the moment and chase after your dreams with unwavering determination.
$8.99 ≈
£7.05
A Look Into The Past
A Look Into The Past
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Blaze Scheuerman
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A Look Into The Past
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Blaze Scheuerman
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1077267 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period,Traditional. Score....
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Piano Solo - Level 4 - SKU: A0.1077267 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period,Traditional. Score. 14 pages. Blaze Scheuerman #681437. Published by Blaze Scheuerman (A0.1077267). This first movement was primarily inspired by Beethoven’s first five piano sonatas. In an effort to better myself as a composer, I decided to compose a piece following the rules of a certain form instead of a more free form or fantasy-like piece. I chose a Sonata as it both had a rule set I felt like I could follow and was a big enough project to satisfy my ambition. After studying the scores of Beethoven’s first five piano sonatas to gain an understanding of how they work, I have put together my own original piano sonata. It consists of some admiration of the past in the first theme, energy and determination to do something about it in the second theme, and some interesting experimentation and action in the development.
$5.99 ≈
£4.70
Zinnias
Zinnias
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Christopher Benfield
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Zinnias
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Christopher Benfield
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.909915 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 3 pages. Christopher Benfield #6381527...
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Piano Solo - Level 4 - SKU: A0.909915 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 3 pages. Christopher Benfield #6381527. Published by Christopher Benfield (A0.909915). From the piano collection A Garden of Flowers, Zinnias is a piece for piano solo depicting the stout determination of the zinnia with inspiration from the poem A Bouquet of Zinnias by Mona Van Duyn.
$3.99 ≈
£3.13
A Generation Shines
A Generation Shines
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Suzanne Herman
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A Generation Shines
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Suzanne Herman Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.977384 By Suzanne Herman. By Suzanne Herman. 21st Century,Classical,Contemporary,Contest,Festival,New Age. Score. 5 pages...
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Piano Solo - Level 4 - SKU: A0.977384 By Suzanne Herman. By Suzanne Herman. 21st Century,Classical,Contemporary,Contest,Festival,New Age. Score. 5 pages. Suzanne Herman Music #4287795. Published by Suzanne Herman Music (A0.977384). A Generation Shines is a piece depicting hopeful aspiration and anticipation for the future. In the key of D major, both hands play 16th notes that creatively shape bold phrases. This insightful composition, in rondo form, musically expresses a feeling of graceful determination. A Generation Shines is from the piano solo album and songbook, Cascades of Time, and can be found worldwide on all major listening platforms including Spotify, Apple Music, Pandora, SoundCloud, etc.
$5.50 ≈
£4.31
Living for Jesus
Living for Jesus
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Julia Tsien
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Living for Jesus
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Julia Tsien
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.944858 Arranged by Julia Tsien. Christian,Concert,Sacred. Score. 3 pages. Julia Tsien #6674463. Published by Julia Tsien ...
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Piano Solo - Level 4 - SKU: A0.944858 Arranged by Julia Tsien. Christian,Concert,Sacred. Score. 3 pages. Julia Tsien #6674463. Published by Julia Tsien (A0.944858). Although the sound of this arrangement is simple like from a pure heart, pianists do have to express the strong determination to live for Jesus. Both the introduction and ending are statements of love to Jesus.
$4.49 ≈
£3.52
ISADAR - The Purple Heart (improvisational solo piano) [complete collection]
ISADAR - The Purple Heart (improvisational solo piano) [complete collection]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Isadar
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ISADAR - The Purple Heart
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1310020 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 58 pages. Mainya Music Publishing (BMI) #899...
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Piano Solo - Level 4 - SKU: A0.1310020 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 58 pages. Mainya Music Publishing (BMI) #899138. Published by Mainya Music Publishing (BMI) (A0.1310020). Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( MainlyPiano.com):The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadars 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, its like seeing an old friend... Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music. Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.For more information, visit his website at:
$49.99 ≈
£39.22
Undeniable
Undeniable
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Undeniable
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.571826 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Spiritual,Standards,Wedding,Wor...
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Piano Solo - Level 4 - SKU: A0.571826 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Spiritual,Standards,Wedding,World. Score. 4 pages. James M Stevens Music ASCAP #545981. Published by James M Stevens Music ASCAP (A0.571826). Written on December 10. 2015, this is an original piano composition in a passionate, romantic style. Have you ever had a love so strong, a seemingly impossible goal, or a dream you were reaching for that you were so determined to achieve that you would not be denied? These are the emotions conveyed in this piece. James Michael Stevens is prolific composer residing in Nashville, TN where he serves as the Music Department of Welch College. 2016 New Year Contest.
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Prelude 21 in D Major Mixolydian
Prelude 21 in D Major Mixolydian
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 21 in D Major Mixolydi
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude 11 in Db Major Lydian
Prelude 11 in Db Major Lydian
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden...
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Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
£4.70
A Mighty Fortress is Our God
A Mighty Fortress is Our God
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Piano seul
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Musique Sacrée
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Stephen R Dalrymple
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A Mighty Fortress is Our God
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 p...
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Piano Solo - Level 4 - SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 pages. Stephen R Dalrymple #3070993. Published by Stephen R Dalrymple (A0.818222). A Mighty Fortress is Our God ♫ piano solo arrangement by Stephen R Dalrymple ♫ Martin Luther wrote Ein Feste Burg sometime between 1527 and 1529. (Luther published the Ninety-five Theses in 1517 and was excommunicated in 1521.) Ein Feste Burg was translated into English by Miles Coverdale in 1539 with the title, Oure God is a defence and towre. The English text most familiar to me was translated by Francis Hedge in 1853. ♫ Luther believed in the power of music. In 1558 in the Forward to Georg Rhau's Symphoniae he wrote “I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God. … next to the Word of God, the noble art of music is the greatest treasure in the world. It controls our thoughts, minds, hearts, and spirits.... Our dear fathers and prophets did not desire without reason that music be always used in the churches. Hence, we have so many songs and psalms. This precious gift has been given to man alone that he might thereby remind himself that God has created man for the express purpose of praising and extolling God.†♫ In his lifetime, Luther made 3 major contributions to the Church: the doctrine of salvation by faith alone, the belief that Scripture should be translated into the people's language (producing a translation of the Bible into German), and the birth of congregational singing. In Roman Catholic churches of his day, only the cantor and a chorus sang the mass in Latin. He was determined to restore congregational singing in German to the church. ♫ In the slides, I have featured the Citadelle Laferrière, a fortress in Northern Haiti, commissioned in 1805 by Henri Christophe and completed in 1820, following Haiti’s independence from France in 1804. ♫ music © 2010 (copyright registered in 'Rejoice Ye Pure In Heart’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50 ≈
£3.53
Prelude 6 in G Minor Dorian
Prelude 6 in G Minor Dorian
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude 23 in G Major Lydian
Prelude 23 in G Major Lydian
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude 1 in C Major Ionian
Prelude 1 in C Major Ionian
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
9. Indlovu the Elephant
9. Indlovu the Elephant
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Louise du Toit
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Louise du Toit
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the pride of his herd
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9. Indlovu the Elephant
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1138570 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #7...
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Piano Solo - Level 4 - SKU: A0.1138570 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #738912. Published by Louise du Toit (A0.1138570). Indlovu the Elephant is the ninth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Indlovu the Elephant, an old bull, is walking alone in the Bushveld, having lost not only his herd, but also an ivory tooth. Today, like many other days, he is haunted by the unpleasant memories of his encounters with humans, when he had to escape the burning feeling of being hit by one of their bullets. He vividly remembers the scent of a hunter who once hurt his left hind leg and knowing that he could recognize this scent anytime, he is determined to take revenge whenever his attacker decides to return to the Bushveld. He interrupts his walk to destroy a cluster of fever trees and for a while, he feels like a young elephant again, full of energy and spirit; the pride of his herd. As the sun sets on the African horizon, he continues his lonesome journey through the fields, hoping that tomorrow will be a better day..
$4.99 ≈
£3.91
Sonata Hymnica No. 1
Sonata Hymnica No. 1
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Piano seul
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
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£7.45
Shape Of You
Shape Of You
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Piano seul
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Pop musique
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Ed Sheeran
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Bernardo Pereira
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Shape Of You
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Bernardo Pereira
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1039558 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged ...
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Piano Solo - Level 4 - SKU: A0.1039558 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #644475. Published by Bernardo Pereira (A0.1039558). This arrangement of Shape Of You is a is a transposed version in E minor. It presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
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£3.91
Prelude 17 in E Major Lydian
Prelude 17 in E Major Lydian
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude 7 in Eb Ionian
Prelude 7 in Eb Ionian
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99 ≈
£4.70
Sonata Hymnica No. 2
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
£7.45
Prelude 22 in B Minor Phrygian
Prelude 22 in B Minor Phrygian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.70
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sergei Rachmaninoff
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Michael Bomier
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Prelude Op.3 in C# minor, &quo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score. 5 pages. Mi...
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Piano Solo - Level 4 - SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3601985. Published by Michael Butkus-Bomier (A0.862657). The Prelude in C# minor was the bane of Rachmaninoff's existence as a performer. Audiences could NOT get enough of it, and he could not bear to play it one more time! Such is Fame and Success. Well, we Normal Humans have had to look at the traditional setting of it, in two grand staves, with enough double-accidentals to blind a scribe, and try to emulate The Master from that pirate's treasure map. No longer. Here is a single-grand staff setting, with only the most minor modifications to accommodate the average hand, and spellings that show the true nature of the chords. The single best aspect of our setting here is the Total Elimination of the crossed-hand octaves throughout. When I realized these were only three or four-note triads, and not a pile of interlocking harmonies, I determined to make things clearer, for myself, and other players. The low notes all correspond to Rachmaninoff's bassline, except for one passage near the end. Only TWO octave doublings have been removed to make a smaller leap from the former lower grand staff to the upper. When I was a young student, this sort of music was baffling to my eyes, but not my ears. Now we can all see it and play it for what it is, an early masterwork, based on S.R.'s training in harmony from the Moscow Conservatory. A note can be the root, 3rd, 5th, 7th, and even 9th of some chord. They are all on display here, with a nice summation at the end, in quietude. MBB.
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£3.13
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