Partitions Numériques de Earl Hines pour Piano seul

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14 partitions trouvées

DREAMS OF THE ORIENT

DREAMS OF THE ORIENT #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #DREAMS OF THE ORIENT #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415780 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

$2.99 ≈ 2.76€

STREETS OF SHANGHAI

STREETS OF SHANGHAI #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #STREETS OF SHANGHAI #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415784 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

$4.99 ≈ 4.61€

DANCE OF ENCHANTMENT

DANCE OF ENCHANTMENT #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #DANCE OF ENCHANTMENT #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415787 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

Piano Solo - Level 4 - SKU: A0.1415787 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #997445. Published by White Piano International Publishing (A0.1415787). DANCE OF ENCHANTMENT (Original Piano Music) from â€œCHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo Arrangement7 pagesDuration approximately 4 minutesWhile residing in Singapore in 1987, I found inspiration to compose DANCE OF ENCHANTMENT. Initially titled DANCE OF THE CHINA DOLL, it later underwent a title change to DANCE OF ENCHANTMENT. My objective was to compose an album featuring ten piano pieces imbued with the essence of Chinese music, hence the title of the album, â€œCHINA LOVE.â€DANCE OF ENCHANTMENT narrates the tale of a young Chinese girl gracefully dancing in her traditional attire, exuding freedom and elegance.The sheet music for DANCE OF ENCHANTMENT is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, providing a delightful musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of DANCE OF ENCHANTMENT can be enjoyed on Robertâ€™s â€œCHINA LOVEâ€ album.Furthermore, an EARLY INTERMEDIATE PIANO arrangement of this piece can be found in Robertâ€™s book titled TEN MUSICAL THEMES FROM CHINA LOVE accessible through:Â SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$2.99 ≈ 2.76€

SINGFOO (OUR HAPPINESS)
SINGFOO (OUR HAPPINESS) #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #SINGFOO #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415779 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

Piano Solo - Level 4 - SKU: A0.1415779 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 8 pages. White Piano International Publishing #993491. Published by White Piano International Publishing (A0.1415779). SINGFOO (OUR HAPPINESS) (Original Piano Music) from â€œCHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo8 pagesDuration approximately 4:15In 1987 while living in Singapore, I aimed to create an album comprising ten piano compositions inspired by Chinese music, which I titled CHINA LOVE.Within this collection, there is a piece titled SINGFOO,Â a term phonetically pronounced in Mandarin, carrying the meaning of Our Happiness when pronounced with proper accents. In crafting this composition, I drew from the tradition of Chinese music, often reflecting life's trials and triumphs. The essence of SINGFOO (OUR HAPPINESS) encapsulates the sentiment of finally discovering our happiness amidst life's journey.The sheet music for SINGFOO (OUR HAPPINESS) is clearly notated, featuring dynamic markings, articulation indicators, phrasing, pedal suggestions, chord symbols, fingerings, and relevant musical terminology to aid performers.This arrangement caters to advanced intermediate students, professional pianists, and piano instructors alike, providing a rewarding musical experience.For those interested, a complete audio sample with background instruments is included with SINGFOO (OUR HAPPINESS) from Robertâ€™s CHINA LOVE album.Additionally, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, titled TEN MUSICAL THEMES FROM 'CHINA LOVE, can be obtained from:Â Sheet Music PlusÂ Sheet Music DirectÂ Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$2.99 ≈ 2.76€

WHY I LOVE YOU
WHY I LOVE YOU #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE #WHY I LOVE YOU #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1422287 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Latin,New Age,Romantic Period. Score. 9 pages. Wh...(+)

Piano Solo - Level 4 - SKU: A0.1422287 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Latin,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #1003224. Published by White Piano International Publishing (A0.1422287). WHY I LOVE YOU (Original Piano Music) from “EMBRACED BY A DREAM”Composed and arranged by Robert Van Horne in 2004Advanced Intermediate PIANO SOLO Arrangement9 pagesDuration approximately 4 minutesOne of twelve enticing and imaginative compositions from Robert’s album “EMBRACED BY A DREAM.” Inspired by the Chinese music scene in Singapore, by the vocal style of Teresa Teng and influenced by the piano stylings of French pianist Richard Clayderman, this piece delves into romantic love played in a Latin style.The sheet music for WHY I LOVE YOU is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, providing a delightful musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of WHY I LOVE YOU can be enjoyed on Robert’s “EMBRACED BY A DREAM” album. For those interested, a full version YouTube Video is included of WHY I LOVE YOU from Robert’s “EMBRACED BY A DREAM” album. Published by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$4.99 ≈ 4.61€

IWOMAH? (DO YOU STILL LOVE ME?)
IWOMAH? (DO YOU STILL LOVE ME?) #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #IWOMAH? #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415785 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

Piano Solo - Level 4 - SKU: A0.1415785 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 5 pages. White Piano International Publishing #994364. Published by White Piano International Publishing (A0.1415785). IWOMAH? (DO YOU STILL LOVE ME?) (Original Piano Music) from â€œCHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo5 pagesDuration approximately 4 minutesWhile residing in Singapore in 1987, I found inspiration to compose IWOMAH? (DO YOU STILL LOVE ME?). My goal was to curate an album comprising ten piano pieces in the captivating style of Chinese music, aptly named â€œCHINA LOVE.â€The term IWOMAH? spoken phonetically in Mandarin, with the appropriate accents, translates to Do You Still Love Me?.Â I found this invented phrase to be a fitting title for this composition, as it captures the theme of love and the challenges lovers face in traditional Chinese songs.The sheet music for IWOMAH? (DO YOU STILL ME?) is meticulously notated, featuring precise instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors alike, offering a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of IWOMAH? (DO YOU STILL LOVE ME?) can be enjoyed on Robertâ€™s â€œCHINA LOVEâ€ album.For those interested, an original 2009 YouTube video of Robert performing IWOMAH? (DO YOU STILL LOVE ME?) can be viewed at: http://www.youtube.com/watch?v=zgjmV4yl9zEFurthermore, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE,â€ is available for purchase through:Â SHEET MUSIC PLUSSHEET MUSIC DIRECTAdditionally, a Piano/Vocal arrangement of IWOMAH? (DO YOU STILL LOVE ME?) featuring Chinese lyrics by Mr. Hu Xing-Ting is also available at Sheet Music Plus and Sheet Music Direct.Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$4.99 ≈ 4.61€

SONG FOR XIAN
SONG FOR XIAN #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #SONG FOR XIAN #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415778 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

Piano Solo - Level 4 - SKU: A0.1415778 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 8 pages. White Piano International Publishing #993458. Published by White Piano International Publishing (A0.1415778). SONG FOR XIAN (Original Piano Music) from the Album â€œCHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano SoloÂ 8 PagesApproximate Duration: 4:00 MinutesIn 1987, while residing in Singapore, the captivating strains of Richard Claydermanâ€™s Ballade Pour Adeline sparked the inception of SONG FOR XIAN. Drawing parallels in structure to Claydermanâ€™s renowned 1977 composition, this piece was born from a simple melody, dedicated to an imaginary young Chinese girl named Xian. Thus, emerged the emotive piece, SONG FOR XIAN, as part of my envisioned album celebrating the essence of Chinese music, aptly titled â€œCHINA LOVE.â€The score for SONG FOR XIAN is meticulously notated with dynamic and articulation markings, phrasing, pedal indications, chord symbols, along with suggested fingerings and pertinent musical terminology for seamless performances.This arrangement is ideally suited for accomplished students, seasoned pianists, and piano instructors alike.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of SONG FOR XIAN can be enjoyed on Robertâ€™s â€œCHINA LOVEâ€ album.Additionally, an EARLY INTERMEDIATE PIANO arrangement of select pieces from the album, entitled TEN MUSICAL THEMES FROM â€œCHINA LOVE,â€ is available for purchase at the following links:Sheet Music PlusÂ Sheet Music DirectÂ Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$2.99 ≈ 2.76€

CHIN JING (I WANT TO BE NEAR YOU)
CHIN JING (I WANT TO BE NEAR YOU) #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #CHIN JING #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415781 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

Piano Solo - Level 4 - SKU: A0.1415781 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 6 pages. White Piano International Publishing #993621. Published by White Piano International Publishing (A0.1415781). CHIN JING (I WANT TO BE NEAR YOU) (Original Piano Music) from â€œCHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo6 pagesDuration approximately 4:30CHIN JING (I WANT TO BE NEAR YOU) stands out as the sole composition in the CHINA LOVE album not originating from Singapore. Upon my return to California in 1989, I felt compelled to add one more piece to complete the collection of ten. My aim was to curate an album featuring ten piano compositions in the evocative style of Chinese music, aptly named â€œCHINA LOVE.â€The term CHIN JING, when spoken phonetically in Mandarin with the appropriate accents, translates to I Want To Be Near You. This invented phrase seemed fitting as the title for this particular piece, drawing inspiration from the theme of romantic love prevalent in many traditional Chinese melodies.CHIN JING (I WANT TO BE NEAR YOU) employs open fifths introducing the sostenuto pedal for an echoing effect, followed by a pentatonic melody that infuses the piece with its essence.The sheet music is meticulously notated, providing clear instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.Suitable for advanced intermediate students, professional pianists, and piano instructors alike, this arrangement offers a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of CHIN JING (I WANT TO BE NEAR YOU) can be enjoyed on Robertâ€™s â€œCHINA LOVEâ€ album.For those interested in an EARLY INTERMEDIATE PIANO arrangement of the entire collection TEN MUSICAL THEMES FROM â€˜CHINA LOVE Â can be obtained through:SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$2.99 ≈ 2.76€

JOURNEY THROUGH THE NIGHT
JOURNEY THROUGH THE NIGHT #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #JOURNEY THROUGH THE NIGHT #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415782 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

Piano Solo - Level 4 - SKU: A0.1415782 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 9 pages. White Piano International Publishing #993624. Published by White Piano International Publishing (A0.1415782). JOURNEY THROUGH THE NIGHT (Original Piano Music) from â€œCHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo9 pagesDuration approximately 4 minutesIn 1987, while residing in Singapore, I found inspiration to compose JOURNEY THROUGH THE NIGHT. My goal was to create an album comprising ten piano pieces in the evocative style of Chinese music, aptly named â€œCHINA LOVE.â€The opening of JOURNEY THROUGH THE NIGHT draws on piano technique exercises, featuring decending right-hand sixths before transitioning into a haunting melody with changing meters. Subsequently, the piece shifts into a major key, utilizing open fifth octaves to evoke a cheerful and playful ambiance.The sheet music is meticulously notated, encompassing dynamic markings, articulation nuances, phrasing, pedal indications, chord symbols, suggested fingerings, and pertinent musical terminology.This arrangement caters to advanced intermediate students, professional pianists, and piano instructors, offering a rewarding musical exploration.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of JOURNEY THROUGH THE NIGHT can be enjoyed on Robertâ€™s â€œCHINA LOVEâ€ album.For those seeking an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM â€˜CHINA LOVE, can be obtained through:Â SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com

$2.99 ≈ 2.76€

HEART OF LOVE
HEART OF LOVE #Piano seul #INTERMÉDIAIRE/AVANCÉ #ROBERT VAN HORNE # #HEART OF LOVE #White Piano International Publishing #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1415783 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...(+)

Piano Solo - Level 4 - SKU: A0.1415783 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #994335. Published by White Piano International Publishing (A0.1415783). HEART OF LOVE (Original Piano Music) from â€œCHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo7 pagesDuration approximately 4:30 minutesIn 1987, while residing in Singapore, I found inspiration to compose HEART OF LOVE. My goal was to create an album comprising ten piano pieces in the evocative style of Chinese music, aptly named â€œCHINA LOVE.â€HEART OF LOVE is a romantic piano piece that beautifully captures the essence of love shared between two individuals.The sheet music is meticulously notated, featuring clear instructions on dynamic variations, articulation nuances, phrasing, pedal indications, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors alike, offering a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of HEART OF LOVE can be enjoyed on Robertâ€™s â€œCHINA LOVEâ€ album.For those interested in an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE, can be obtained through:SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$2.99 ≈ 2.76€

Ten Dreamvisions, op. 13
Ten Dreamvisions, op. 13 #Piano seul #INTERMÉDIAIRE/AVANCÉ #Michael A Yenny #Ten Dreamvisions, op. 13 #Michael A Yenny #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.938831 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 26 pages. Michael A Yenny #119741...(+)

Piano Solo - Level 4 - SKU: A0.938831 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 26 pages. Michael A Yenny #119741. Published by Michael A Yenny (A0.938831). Available as a set. C) 1997. Duration: 9 minutes. Level: Early Advanced. 1. Tumbleweeds (B-flat major) 2. Chinese Requiem (A-flat major) 3. Fanfare (A-flat major) 4. March (F major) 5. Thundermountain (E-flat major) 6. Toccata Chromatique (C major) 7. Solitary Dancer (G minor) 8. Solitude (C minor/major) 9. Sparkles (B-flat major) 10. Resolution (Finale) (C major).

$5.50 ≈ 5.08€

Songs for all Seasons - Piano Music inspired by Seasonal Folk Songs
Songs for all Seasons - Piano Music inspired by Seasonal Folk Songs #Piano seul #INTERMÉDIAIRE/AVANCÉ #Barbara Arens #Songs for all Seasons - Piano #Barbara Arens #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1304374 Composed by Barbara Arens. 21st Century,Contemporary,Contest,Festival,Multicultural,World. Score. 52 pages. Barba...(+)

Piano Solo - Level 4 - SKU: A0.1304374 Composed by Barbara Arens. 21st Century,Contemporary,Contest,Festival,Multicultural,World. Score. 52 pages. Barbara Arens #893867. Published by Barbara Arens (A0.1304374). Alison MathewsÂ & Barbara Arens have been collaborating again: each has written two pieces for each of the four seasons. Woven into most of these 16 pieces is a folk song - mainly English and German, but also Japanese, Chinese, Guatemalan and Maya! - bringing a further layer of atmosphere to the pieces. A variety of styles is used: contemporary lyric, jazzy, symphonic rock, afro-cuban dance rhythms. Two of the pieces are duets for one piano, four hands. Mostly early advanced/Gr.6-7.

$9.99 ≈ 9.22€

Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 #Piano seul #INTERMÉDIAIRE/AVANCÉ #Classique #Claude Debussy/Robert Orledg #Debussy Inconnu: Album of work #Musik Fabrik Music Publishing #SheetMusicPlus

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...(+)

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Pr�lude,Premi�re Fanfare, and La Mort de Cord�lia,Toomai des �l�phants, Rodrigue et Chim�ne: Pr�lude � l?acte 1p. Le Martyre de Saint S�bastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pell�as et M�lisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orph�e-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint S�bastien and La Bo�te � joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr� Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr� Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

$38.95 ≈ 35.95€

Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 #Piano seul #INTERMÉDIAIRE/AVANCÉ #Classique #Claude Debussy/Robert Orledg #Debussy Inconnu: Album of work #Musik Fabrik Music Publishing #SheetMusicPlus

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...(+)

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septi�me regrettent!!!, Petite Valse,F�tes galantes, and Pr�lude � ?L?Histoire de Tristan?

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pell�as et M�lisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orph�e-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint S�bastien and La Bo�te � joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr� Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr� Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

$38.95 ≈ 35.95€

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